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Sacred Psychoanalysis - etheses Repository - University of ...

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The work <strong>of</strong> Eigen is a unique synthesis <strong>of</strong> Jewish mystical experience, Lacan, Bion, Buber,<br />

Winnicott, Milner, Matte-Blanco, O and intersubjectivity in an ecumenical vision <strong>of</strong> the<br />

psychoanalytic experience. Eigen brings these together in The Psychoanalytic Mystic<br />

(Eigen 1998) where he refers to psychoanalysis as a form <strong>of</strong> holiness and prayer with<br />

mystical and sacred dimensions, themes also found in other writings (Eigen 1993, 2001a,<br />

2001b, 2001c). 323 Blass comments critically ‘Never really defining what holiness,<br />

mysticism, sacredness and prayer are … he is using these terms to refer to a general and<br />

vague kind <strong>of</strong> openness to experiencing’ (Blass 2006: 27). Eigen <strong>of</strong>fers his own vision for<br />

contemporary psychoanalysis that is ecstatic, blissful and poetic in character aimed at the<br />

process <strong>of</strong> psychic aliveness. 324<br />

The complexity and subtlety <strong>of</strong> Grotstein’s thought has yet to be expounded and defies<br />

simple summary. 325 Building on concepts <strong>of</strong> resonance from Klein, Bion, Lacan, Ricoeur,<br />

Plato, Heidegger and Matte Blanco, Grotstein’s Who is the dreamer who dreams the dream?<br />

(Grotstein 2000) is his most explicitly religious and spiritual work. He examines the<br />

unconscious as experienced numinous subjectivity encompassing a transcendent position.<br />

This reveals and disguises O in moments <strong>of</strong> encounter within the sacred architecture <strong>of</strong> the<br />

psyche expressed in the language <strong>of</strong> mysticism. Grotstein concludes that in psychoanalysis<br />

323 See appendix seven, ‘Meeting Mike Eigen – a psychoanalytic mystic’.<br />

324 Eigen is not unique in this. Julia Kristeva brings psychoanalysis into dialogue with her unique version <strong>of</strong><br />

post-structuralism allied to an awareness <strong>of</strong> religion influenced by Russian Orthodoxy. A recent overview <strong>of</strong><br />

Kristeva’s ideas can be found in McAfee (McAfee 2004): however she fails to deal sufficiently with Kristeva’s<br />

religious background and ideas which are addressed in (Jonte-Pace 1997) and (Sayers 2003). Building on<br />

Lacan, Winnicott and Green, Kristeva sees ‘transitions’ as uniquely important. A person inhabits an embodied<br />

subjectivity replete with a desire for fusion with a transcendental other (as understood in Christian theology)<br />

which for Kristeva has become a maternal sacred space (Fiddes 2000a; Clement and Kristeva 2001). A vital<br />

aspect <strong>of</strong> this is the experience <strong>of</strong> the mystical, Kristeva advocating a ‘mystic atheism’ (Bradley 2008).<br />

<strong>Psychoanalysis</strong> replaces illusions deemed to be wholly truthful, for illusions known to be partly truthful that<br />

enhance creativity and the capacity for love (Kristeva 1987a, 1987b, 1995).<br />

325 A brief summary can be found in (Skelton 2006). A detailed discussion <strong>of</strong> Who is the dreamer who dreams<br />

the dream? is found in (Gordon 2004) and a critically helpful review in (Malin 2002) .<br />

157

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