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Sacred Psychoanalysis - etheses Repository - University of ...

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2004). It was also an important feature <strong>of</strong> his personal life that significantly influenced his<br />

theories. 161<br />

Fourthly, stemming from Winnicott’s interest in religion, his ideas resonate with the<br />

potential for re-birth and resurrection (Hopkins 1989; Ulanov 2001; H<strong>of</strong>fman 2004).<br />

Winnicott’s concepts provide a foundation for the psychological re-birth <strong>of</strong> an infant,<br />

particularly where there has been failure in the maternal environment as can be seen in his<br />

treatment. In his clinical work with a little girl called the ‘Piggle’ and who intriguingly<br />

asked Winnicott if he went to church 162 , Winnicott concluded that by allowing her to both<br />

destroy and create him symbolically through a pipe-cleaner man she was enabled to<br />

discover herself (Winnicott 1991). His concept <strong>of</strong> transitional space can also be seen as<br />

transcendent space where a person transcends the limitations <strong>of</strong> the early environment to<br />

become what they potentially could be, a being. Winnicott experienced this pr<strong>of</strong>oundly in<br />

his own life when falling in love with Clare Britton and subsequently divorcing his first wife<br />

in what had been a troubled marriage (Kahr 1996; Rodman 2003). An important outcome<br />

for Winnicott was a highly creative decade <strong>of</strong> writing, so Clare’s comment ‘you would have<br />

161<br />

‘Winnicott never courted students and declined the many invitations to form a group or school that would<br />

study, teach and elaborate his ideas. He did, however, accept his own need for at least one person to<br />

accompany the place <strong>of</strong> the other, and so, throughout his marriage to Clare, and his complex relation to an<br />

analysand, Masud Khan, and more subtly, yet as influentially, with Marion Milner, he tested his thinking and<br />

used criticism. Winnicott’s style cannot be understood, in my view, unless the place <strong>of</strong> the impishly critical<br />

other is understood, a psychic location that certainly reflected a part <strong>of</strong> his personality, but one which a few<br />

close friends occupied throughout life’ (Bollas quoted in Rodman 2003: 212).<br />

162<br />

‘She had now practically finished with the toys and said to me: “Do you go to church?” I didn’t know how<br />

to answer.<br />

Me: Well, sometimes. Do you?<br />

Gabrielle: I would like to go, but mummy and daddy would not like to. I don’t know why.<br />

Me: Why do people go to church?<br />

Gabrielle: I don’t know.<br />

Me: is it something to do with God?<br />

Gabrielle: No.’ (Ramzy 1980: 182).<br />

68

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