Campaigns to End Violence against Women and Girls - Virtual ...
Campaigns to End Violence against Women and Girls - Virtual ...
Campaigns to End Violence against Women and Girls - Virtual ...
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friends. Additional precautions must be taken when working with girls who have<br />
survived VAW.<br />
� Do not use any information on specific cases of VAW that could make it<br />
possible <strong>to</strong> identify those concerned, unless there is informed consent. A<br />
possible exception is “naming <strong>and</strong> shaming”, i.e. publicizing proven violations<br />
perpetrated by well-known personalities, as a deliberate campaign tactic. In this<br />
case however, it is crucial <strong>to</strong> consult with the survivors affected by the case <strong>and</strong><br />
obtain their full consent, <strong>and</strong> <strong>to</strong> present the issue in a way that protects the<br />
survivors’ dignity <strong>and</strong> privacy.<br />
� When selecting men as advocates for ending VAW, reduce risks through a<br />
vetting process, i.e. research <strong>and</strong> consult on their background <strong>to</strong> ensure they<br />
uphold women’s rights; ask them <strong>to</strong> sign a statement saying they have never<br />
used violence. Past his<strong>to</strong>ries of violence can derail the best campaigns!<br />
� As with all communication materials related <strong>to</strong> women’s rights, promote<br />
empowering messages, <strong>and</strong> abstain from presenting VAW survivors as<br />
passive victims who cannot change their situation. It may be necessary <strong>to</strong><br />
coach any VAW survivors who give their testimony so that they can present their<br />
s<strong>to</strong>ries in a way that is moving, respectful <strong>and</strong> empowering for them.<br />
Please see Adhering <strong>to</strong> Ethics in Campaigning for a fuller discussion of ethical issues <strong>to</strong><br />
bear in mind.<br />
DON’T:<br />
� Betray principles of gender-sensitivity <strong>and</strong> ethics for the sake of getting more<br />
attention (e.g. by displaying nudity or sensationalist images).<br />
� Exclude people affected by multiple discriminations from campaign activities,<br />
whether deliberately or by unintended omission.<br />
� Adopt a negative or confrontational stance (e.g. by blaming all men for VAW), or<br />
belittle or disparage the work of others who are working <strong>to</strong> end violence <strong>against</strong><br />
women <strong>and</strong> girls, even if their efforts have reaped little success. Instead, build on<br />
experience accumulated by others, <strong>and</strong> explore constructive ways in which existing<br />
efforts can be improved <strong>and</strong> errors corrected.<br />
� Get distracted by fads or gimmicks: Just because a communication channel or<br />
<strong>to</strong>ol appears attractive (e.g. SMS campaigning, or offers by companies for free<br />
advertising in exchange for marketing their products), this does not mean that it is<br />
appropriate for your particular campaign. Gimmicky communications activities can<br />
sometimes backfire, distracting or turning your target audience away from your core<br />
message. It is important <strong>to</strong> research the benefit <strong>and</strong> consequences of using different<br />
types of channels or <strong>to</strong>ols <strong>to</strong> see if these will work in your context <strong>and</strong> <strong>to</strong> your<br />
advantage.<br />
6.3 DESIGNING A COMMUNICATION STRATEGY<br />
KEY STEPS IN DESIGNING A COMMUNICATION STRATEGY<br />
Effective communication is driven by the purpose of the campaign: what must change<br />
<strong>and</strong> who needs <strong>to</strong> be reached so as <strong>to</strong> bring about change? Within the overall campaign<br />
strategy, the communication strategy defines how <strong>to</strong> capture the attention of the target<br />
audiences <strong>and</strong> convey a compelling campaign message.<br />
157<br />
<strong>Campaigns</strong> December 2011