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Campaigns to End Violence against Women and Girls - Virtual ...

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� Less is more: the design of visuals (e.g. your logo, posters) should be simple<br />

<strong>and</strong> uncluttered. Production of written materials should be limited <strong>to</strong> the essential.<br />

Unnecessary information can confuse viewers <strong>and</strong> readers, <strong>and</strong> may dis<strong>to</strong>rt the<br />

message.<br />

� Once it’s printed, it cannot be undone! Pre-test all materials with<br />

representatives of the target audience(s), <strong>and</strong> check <strong>and</strong> re-check the content of<br />

each item before it is printed.<br />

� Consider longevity: Producing print material involves significant investment in<br />

design, production <strong>and</strong> distribution. The material should have a lifespan that is<br />

proportionate <strong>to</strong> that investment. Longevity can be ensured by screening the<br />

content for any information that can get “dated” or is likely <strong>to</strong> expire, e.g.<br />

reference <strong>to</strong> specific events <strong>and</strong> dates, or statistics or technical information in a<br />

field that is rapidly evolving. In materials that are <strong>to</strong> be used over a long period of<br />

time (such as leaflets, information booklets, cards), it may be useful <strong>to</strong> include an<br />

empty space in the design where specific campaign events can be announced,<br />

e.g. by using a stamp or stickers.<br />

� Include the campaign logo, contact details for the campaign <strong>and</strong> the URL of<br />

the website – provided the site is attractive, useful <strong>and</strong> regularly updated.<br />

� Determine the number of copies <strong>to</strong> be printed of each item, taking in<strong>to</strong> account<br />

how many copies can be distributed <strong>to</strong> the target audiences. Printers tend <strong>to</strong> offer<br />

lower unit prices with large numbers, but it would be wasteful <strong>to</strong> s<strong>to</strong>ck-pile<br />

materials that cannot be re-used.<br />

� Attention is increased by engaging people in a personal discussion when<br />

h<strong>and</strong>ing out leaflets. If print materials are sent <strong>to</strong> decision-makers, they should be<br />

asked for feed-back via a phone call, for example. H<strong>and</strong>outs <strong>and</strong> letters are less<br />

likely <strong>to</strong> propel the target audience in<strong>to</strong> action if distribution is not followed<br />

through with other activities. Direct contact should be sought with the target<br />

audience <strong>to</strong> establish <strong>and</strong> maintain dialogue.<br />

� Another way <strong>to</strong> attract attention is <strong>to</strong> combine print media with new<br />

technologies in a way that supports the campaign message.<br />

An inspiring example comes from Amnesty International’s S<strong>to</strong>p <strong>Violence</strong> Against<br />

<strong>Women</strong> campaign. Posters in glass displays at German Bus stations have been<br />

equipped with a face-tracking camera. Each time a person turns her face <strong>to</strong> the display,<br />

the poster showing a domestic violence scene is replaced by an image of the same<br />

couple, peacefully smiling at the specta<strong>to</strong>r. The slogan printed across the poster reads:<br />

“It happens when nobody is watching”.<br />

191<br />

<strong>Campaigns</strong> December 2011

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