INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE ...
INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE ...
INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE ...
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4.2.4 Line Width<br />
The image on a television screen is composed of interlaced odd and even<br />
scanlines. The NTSC’s 525 line, 30 frames per second system is used in the United<br />
States. NTSC interlaced video draws alternating top and bottom lines for each frame of<br />
video. To reduce interlace flicker, designs for TV-safe graphics should be no less than 2<br />
or 3 pixels wide (“Television Guidelines,” 2004). Also, it is best to avoid detail, since<br />
images with fine details will blur and television viewers won’t be able to see them<br />
properly.<br />
4.2.5 Color<br />
In general, television screens have a more limited overall gamut and a much<br />
higher gamma value than computer monitors, resulting in displays that are higher in both<br />
contrast and saturation. When designing applications on a computer to be displayed on a<br />
television screen, the BBC recommends that images be toned down and desaturated.<br />
Large, clearly defined regions of cool, desaturated colors work best for television (2002).<br />
To avoid color-associated distortion effects such as blooming, tearing, chroma-<br />
crawl, bleeding, interlace flicker, smearing of colors, and moiré patterns, NTSC graphics<br />
must not be too bright, too dark, or too saturated; the maximum saturation brightness in<br />
the color palette should be 85% (“Television Guidelines,” 2004).<br />
NTSC video supports a luma range of 16 to 235. Bright, saturated reds and<br />
yellows will bleed on NTSC monitors, and sharp color transitions will create unwanted<br />
artifacts at the boundaries where they meet. One way to avoid most potential problems is<br />
to keep all RGB values between 16 and 235. Additionally, some graphics programs such<br />
as Adobe Photoshop contain NTSC safe settings (Buehler, 2003)<br />
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