INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE ...

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Figure 5.20 Figure 5.21 Figure 5.22 Figure 5.23 Figure 5.24 Figure 5.25 Figure 5.26 Figure 5.27 Figure 5.28 Figure 5.29 Figure 5.30 Figure 5.31 Figure 5.32 Figure 5.33 Figure 5.34 Figure 5.35 Lil’ Red Button Man (a) and (b) Source: Broadband Bananas Wimbledon 2002 Interactive Promotion Source: Broadband Bananas TV411 Interface (a) and (b) Source: Swedlow, 2004b MSN TV 2 Interface Design Source: http://msntv.com/pc/ Gemstar-TV Guide’s GUIIDE Plus+ Interface Design Source: http://www.gemstartvguide.com/ Life 360 Competing Elements Source: Curran, 2003 Walking with Beasts Overlay Source: Curran, 2003 TCM Movie Mogul Overlay Source: Schematic, Inc. Examples of “Frank Lloyd Wright” Interface (a), (b), (c), and (d) Source: Curran, 2003 Examples of BBCi Branding (a) and (b) Source: Broadband Bananas BBCi Navigation Bar Color Scheme Source: British Broadcasting Corporation, 2002 New BBCi Logo Source: BBC Press Release Examples of L Design (a), (b), (c), and (d) Sources: Curran, 2003; Schematic, Inc. Examples of Ineffective Layout (a) and (b) Sources: Curran, 2003; Proteus, Inc. BBCi Page Layout Recommendation Source: British Broadcasting Corporation, 2002 New Americans Orientation Source: Curran, 2003 xiv 142 143 146 146 147 148 148 149 150 151 151 152 155 155 156 160
Figure 5.36 Figure 5.37 Figure 5.38 Figure 5.39 Figure 5.40 Figure 5.41 Figure 5.42 Figure 5.43 Figure 5.44 Figure 5.45 Figure 5.46 Figure 6.1 Figure 6.2 Figure 6.3 Figure 6.4 Figure 6.5 New Americans User Instructions (a) and (b) Source: Curran, 2003 Test the Nation User Instructions Source: Broadband Bananas The L Word User Instructions Source: American Film Institute Trading Spaces: Home Free User Instructions Source: Proteus, Inc. Olympics on NBC User Instructions Source: Proteus, Inc. Queer Eye for the Straight Guy Navigation Model Source: Swedlow, 2004b Woodrow Wilson Navigation Model Source: Schematic, Inc. Examples of Exit Options (a) and (b) Sources: Broadband Bananas; Swedlow, 2004b History IQ System Feedback Source: Curran, 2003 Pages from Cisco’s Journal (a), (b), (c), and (d) Source: http://www.pbs.org/americanfamily/cisco.html Examples of Mobile Interfaces (a), (b), (c), (d), and (e) Sources: American Film Institute; Proteus, Inc.; iloopmobile.com; vodafonebusiness.co.uk; PCMag.com iTV and User Preferences Source: Wyss & Vong, 2001 Convergence of Entertainment, Communication, and Computing Source: Adams, Anand & Fox, 2001 Examples of MTV Hijack (a) and (b) Source: Swedlow, 2004b Examples from Living for the Weekend (a) and (b) Source: Swedlow, 2004b Interaction Design Process Source: Dix, Finlay, Abowd, & Beale, 2004 xv 160 162 162 163 163 165 165 167 169 170 174 177 178 180 181 184
Page 1 and 2: INTERACTION DESIGN PRINCIPLES FOR I
Page 3 and 4: ACKNOWLEDGMENTS This thesis would n
Page 5 and 6: 2.3.3 Constraints 2.4 Electronic /
Page 7 and 8: 4.2 Designing for Television 4.2.1
Page 9 and 10: Table 1.1 Table 1.2 Table 1.3 Table
Page 11 and 12: Figure 2.6 Figure 2.7 Figure 2.8 Fi
Page 13: Figure 5.4 Figure 5.5 Figure 5.6 Fi
Page 17 and 18: SUMMARY Interactive television (iTV
Page 19 and 20: However, it is clear that televisio
Page 21 and 22: looking closely at existing designs
Page 23 and 24: For viewers with analog television
Page 25 and 26: Figure 1.3 Percent of Households wi
Page 27 and 28: interact with television shows by u
Page 29 and 30: New Media usage is dominated by 18
Page 31 and 32: Figure 1.6 Winky Dink and You The o
Page 33 and 34: 1.4.1 BBC Interactive Figure 1.7 In
Page 35 and 36: 1.4.2 Additional Examples Many othe
Page 37 and 38: Table 1.6 (continued). Greece Local
Page 39 and 40: Table 1.6 (continued). New Zealand
Page 41 and 42: using a combination of visual cultu
Page 43 and 44: CHAPTER 2 BROAD CATEGORIES OF ITV P
Page 45 and 46: Table 2.1 Categorization of iTV by
Page 47 and 48: capable of storing an enormous amou
Page 49 and 50: (c) Figure 2.2 Examples of Comcast
Page 51 and 52: (c) (d) Figure 2.3 Examples of Gems
Page 53 and 54: users to send email, chat, and surf
Page 55 and 56: 2.6 WEB-BASED SYNCHRONOUS (TWO-SCRE
Page 57 and 58: interactive or enhanced content on
Page 59 and 60: they allow for greater versatility,
Page 61 and 62: Networks have also used wireless de
Page 63 and 64: The American Film Institute’s enh
Page 65 and 66:
game consoles with televisions and
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Interactivity must be tied to origi
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CHAPTER 3 BROAD CATEGORIES OF ITV P
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information about the topic at hand
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said they would do so again in the
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3.2.1 Representative Example in Spo
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(a) (b) Figure 3.3 Test the Nation
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interactive TV betting service tota
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application was also available on t
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the ABC telecast throughout the eve
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platforms. The navigation is timeli
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3.7 SHOPPING Shopping, or purchasin
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- and as close to the regular exper
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CNN Crossfire, broadcast in front o
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Dramas may need to operate under a
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The participatory aspect of many pr
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4.1.1 Grid-Based Design Grid-based
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The Law of Similarity. Elements tha
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more visually pleasing, but can hel
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Figure 4.3 TV Aspect Ratios Althoug
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and graphics-safe areas for designi
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4.2.4 Line Width The image on a tel
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shapes, to make similar letters dis
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specification. OCAP is intended to
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pages. Web applications that exceed
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Source: Human Factors International
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working on a computer is not a soli
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media, among others. Figure 4.9 pro
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MSN TV 2, which Microsoft rolled ou
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with a handheld remote control from
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Table 4.2 outlines some of the diff
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should be designed with the televis
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Pages that appear in series, one af
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CHAPTER 5 PRINCIPLES OF INTERACTION
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through… The computer’s spatial
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medium. The current state of this e
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through the different elements offe
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y the wider context of the program
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History IQ focused on keeping the i
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een programs that were still in dev
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features of a DVD immediately after
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context where the learner is consci
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viewing experiences so that each vi
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(a) (b) Figure 5.10 TiVo WishList (
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e voted off the island. In both cas
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them so conducive to iTV programmin
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own content in ways similar to this
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In the first of a series of on-air
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Jakob Nielsen notes that users are
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(a) (b) Figure 5.22 TV411 Interface
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Figure 5.25 Life 360 Competing Elem
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(a) (b) (c) (d) Figure 5.28 Example
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epresentative of the red button tha
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Lamont brings up compelling advanta
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lower right-hand areas are privileg
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5.4 NAVIGATION Navigation pertains
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Figure 5.35 New Americans Orientati
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Figure 5.37 Test the Nation User In
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applications based on the televisio
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esearchers, “In many ways, the pa
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In Robert Miller’s classic user r
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ecycling bin from Windows, that sta
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importance (see chapter three). In
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Figure 5.46 Examples of Mobile Inte
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CHAPTER 6 CONCLUSIONS AND FUTURE DI
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Figure 6.2 Convergence of Entertain
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(a) Figure 6.3 Examples of MTV Hija
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television producers to create show
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user-centered design, incorporates
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Sheri Lamont, who has practiced and
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ecognition of outstanding achieveme
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REFERENCES Adams, M., Anand, P. & F
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Halle, T. (2003). Standards for int
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Norman, D. (2004) Emotional design:
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Thurrott, P. (2004, October 12). Wi
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BROADBAND A network capable of deli
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MEDIA CENTER Media centers, or PC T
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which a television and a personal c
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