INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE ...

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Acknowledgments List of Tables List of Figures Summary Chapter 1 Overview 1.1 Introduction 1.2 Statistics TABLE OF CONTENTS 1.2.1 Television 1.2.2 Digital Services 1.2.3 Computer and Internet Use 1.2.4 Mobile Devices 1.2.5 Simultaneous Use of Media 1.2.6 Summary 1.3 A Brief History of iTV 1.4 iTV in the U.S. vs. Abroad 1.4.1 BBC Interactive 1.4.2 Additional Examples 1.5 The Problem Chapter 2 Broad Categories of iTV Programming – by Platform 2.1 Introduction 2.2 Digital / Personal Video Recorders (DVR / PVR) 2.2.1 Representative Example: TiVo 2.2.2 Affordances 2.2.3 Constraints 2.3 Video on Demand (VOD) 2.3.1 Representative Example: Comcast ON DEMAND 2.3.2 Affordances iv iii ix x xvii 1 1 4 5 5 7 9 11 12 13 14 16 18 23 26 26 28 29 29 30 31 31 32
2.3.3 Constraints 2.4 Electronic / Interactive Programming Guides (EPG / IPG) 2.5 Web TV 2.4.1 Representative Example: Gemstar-TV Guide’s GUIDE Plus+ 2.4.2 Affordances 2.4.3 Constraints 2.5.1 Representative Example: MSN TV 2.5.2 Affordances 2.5.3 Constraints 2.6 Web-Based Synchronous (Two-Screen) 2.6.1 Representative Example: TNT Interactive 2.6.2 Affordances 2.6.3 Constraints 2.7 Web-Based Asynchronous 2.7.1 Representative Example: Love & Diane: An Interactive Timeline 2.7.2 Affordances 2.7.3 Constraints 2.8 Media Centers 2.8.1 Representative Example: Microsoft Media Center 2.8.2 Affordances 2.8.3 Constraints 2.9 Mobile Devices 2.9.1 Representative Example: American Idol 2.9.2 Affordances 2.9.3 Constraints 2.10 Game Consoles 2.10.1 Representative Example: Battlestar Galactica Prototype 2.10.2 Affordances 2.10.3 Constraints 2.11 Future Platforms 2.12 Conclusions v 33 33 33 34 35 35 36 37 37 38 38 38 39 39 40 40 41 41 42 43 43 43 44 44 45 45 46 47 47 48 49
Page 1 and 2: INTERACTION DESIGN PRINCIPLES FOR I
Page 3: ACKNOWLEDGMENTS This thesis would n
Page 7 and 8: 4.2 Designing for Television 4.2.1
Page 9 and 10: Table 1.1 Table 1.2 Table 1.3 Table
Page 11 and 12: Figure 2.6 Figure 2.7 Figure 2.8 Fi
Page 13 and 14: Figure 5.4 Figure 5.5 Figure 5.6 Fi
Page 15 and 16: Figure 5.36 Figure 5.37 Figure 5.38
Page 17 and 18: SUMMARY Interactive television (iTV
Page 19 and 20: However, it is clear that televisio
Page 21 and 22: looking closely at existing designs
Page 23 and 24: For viewers with analog television
Page 25 and 26: Figure 1.3 Percent of Households wi
Page 27 and 28: interact with television shows by u
Page 29 and 30: New Media usage is dominated by 18
Page 31 and 32: Figure 1.6 Winky Dink and You The o
Page 33 and 34: 1.4.1 BBC Interactive Figure 1.7 In
Page 35 and 36: 1.4.2 Additional Examples Many othe
Page 37 and 38: Table 1.6 (continued). Greece Local
Page 39 and 40: Table 1.6 (continued). New Zealand
Page 41 and 42: using a combination of visual cultu
Page 43 and 44: CHAPTER 2 BROAD CATEGORIES OF ITV P
Page 45 and 46: Table 2.1 Categorization of iTV by
Page 47 and 48: capable of storing an enormous amou
Page 49 and 50: (c) Figure 2.2 Examples of Comcast
Page 51 and 52: (c) (d) Figure 2.3 Examples of Gems
Page 53 and 54: users to send email, chat, and surf
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2.6 WEB-BASED SYNCHRONOUS (TWO-SCRE
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interactive or enhanced content on
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they allow for greater versatility,
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Networks have also used wireless de
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The American Film Institute’s enh
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game consoles with televisions and
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Interactivity must be tied to origi
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CHAPTER 3 BROAD CATEGORIES OF ITV P
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information about the topic at hand
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said they would do so again in the
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3.2.1 Representative Example in Spo
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(a) (b) Figure 3.3 Test the Nation
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interactive TV betting service tota
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application was also available on t
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the ABC telecast throughout the eve
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platforms. The navigation is timeli
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3.7 SHOPPING Shopping, or purchasin
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- and as close to the regular exper
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CNN Crossfire, broadcast in front o
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Dramas may need to operate under a
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The participatory aspect of many pr
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4.1.1 Grid-Based Design Grid-based
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The Law of Similarity. Elements tha
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more visually pleasing, but can hel
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Figure 4.3 TV Aspect Ratios Althoug
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and graphics-safe areas for designi
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4.2.4 Line Width The image on a tel
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shapes, to make similar letters dis
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specification. OCAP is intended to
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pages. Web applications that exceed
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Source: Human Factors International
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working on a computer is not a soli
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media, among others. Figure 4.9 pro
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MSN TV 2, which Microsoft rolled ou
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with a handheld remote control from
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Table 4.2 outlines some of the diff
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should be designed with the televis
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Pages that appear in series, one af
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CHAPTER 5 PRINCIPLES OF INTERACTION
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through… The computer’s spatial
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medium. The current state of this e
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through the different elements offe
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y the wider context of the program
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History IQ focused on keeping the i
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een programs that were still in dev
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features of a DVD immediately after
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context where the learner is consci
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viewing experiences so that each vi
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(a) (b) Figure 5.10 TiVo WishList (
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e voted off the island. In both cas
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them so conducive to iTV programmin
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own content in ways similar to this
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In the first of a series of on-air
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Jakob Nielsen notes that users are
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(a) (b) Figure 5.22 TV411 Interface
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Figure 5.25 Life 360 Competing Elem
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(a) (b) (c) (d) Figure 5.28 Example
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epresentative of the red button tha
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Lamont brings up compelling advanta
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lower right-hand areas are privileg
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5.4 NAVIGATION Navigation pertains
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Figure 5.35 New Americans Orientati
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Figure 5.37 Test the Nation User In
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applications based on the televisio
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esearchers, “In many ways, the pa
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In Robert Miller’s classic user r
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ecycling bin from Windows, that sta
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importance (see chapter three). In
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Figure 5.46 Examples of Mobile Inte
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CHAPTER 6 CONCLUSIONS AND FUTURE DI
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Figure 6.2 Convergence of Entertain
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(a) Figure 6.3 Examples of MTV Hija
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television producers to create show
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user-centered design, incorporates
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Sheri Lamont, who has practiced and
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ecognition of outstanding achieveme
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REFERENCES Adams, M., Anand, P. & F
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Halle, T. (2003). Standards for int
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Norman, D. (2004) Emotional design:
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Thurrott, P. (2004, October 12). Wi
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BROADBAND A network capable of deli
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MEDIA CENTER Media centers, or PC T
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which a television and a personal c
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