INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE ...

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INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE TELEVISION Approved by: Dr. Janet H. Murray, Chair School of Literature, Communication, & Culture Georgia Institute of Technology Dr. Peter McGuire School of Literature, Communication, & Culture Georgia Institute of Technology Dr. John Stasko College of Computing Georgia Institute of Technology Allison Dollar Interactive Television Alliance Date Approved: April 13, 2005
ACKNOWLEDGMENTS This thesis would not have been possible without generous support from many people. I am indebted to my thesis and academic advisor, Dr. Janet H. Murray, whose guidance and many insights have been invaluable to me throughout the course of this project as well as in my two years at Georgia Tech. I am also indebted to the members of my committee, professors John Stasko and Peter McGuire, and Allison Dollar from the Interactive Television Alliance, for providing constructive criticism on this document. I am immensely grateful to Allison Dollar, Ben Mendelson, and the entire Interactive Television Alliance for being supportive of this project. Thank you to Nick DeMartino and Anna Marie Piersimoni from the American Film Institute for sharing their thoughts on successful iTV projects and other valuable resources with me. I am grateful to Anna Wichansky and Dale Herigstad for sharing with me the notes from their CHI workshop on designing user interfaces for television as well as other helpful materials. Also, thanks to Brendan Smith for taking time out of his busy schedule to tell me about DVD design. A warm thank you to all my friends in the IDT and HCI programs for a wonderful two years at Georgia Tech. A special thanks to Dave, Zuley, Engin, and Tom – I could not have accomplished this without your support, encouragement, wit, and friendship. I will miss those long hours in LACI and the IDT lab with you all. Finally, I am grateful to my parents for their continuing support in all that I do. iii
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Page 5 and 6: 2.3.3 Constraints 2.4 Electronic /
Page 7 and 8: 4.2 Designing for Television 4.2.1
Page 9 and 10: Table 1.1 Table 1.2 Table 1.3 Table
Page 11 and 12: Figure 2.6 Figure 2.7 Figure 2.8 Fi
Page 13 and 14: Figure 5.4 Figure 5.5 Figure 5.6 Fi
Page 15 and 16: Figure 5.36 Figure 5.37 Figure 5.38
Page 17 and 18: SUMMARY Interactive television (iTV
Page 19 and 20: However, it is clear that televisio
Page 21 and 22: looking closely at existing designs
Page 23 and 24: For viewers with analog television
Page 25 and 26: Figure 1.3 Percent of Households wi
Page 27 and 28: interact with television shows by u
Page 29 and 30: New Media usage is dominated by 18
Page 31 and 32: Figure 1.6 Winky Dink and You The o
Page 33 and 34: 1.4.1 BBC Interactive Figure 1.7 In
Page 35 and 36: 1.4.2 Additional Examples Many othe
Page 37 and 38: Table 1.6 (continued). Greece Local
Page 39 and 40: Table 1.6 (continued). New Zealand
Page 41 and 42: using a combination of visual cultu
Page 43 and 44: CHAPTER 2 BROAD CATEGORIES OF ITV P
Page 45 and 46: Table 2.1 Categorization of iTV by
Page 47 and 48: capable of storing an enormous amou
Page 49 and 50: (c) Figure 2.2 Examples of Comcast
Page 51 and 52: (c) (d) Figure 2.3 Examples of Gems
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users to send email, chat, and surf
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2.6 WEB-BASED SYNCHRONOUS (TWO-SCRE
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interactive or enhanced content on
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they allow for greater versatility,
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Networks have also used wireless de
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The American Film Institute’s enh
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game consoles with televisions and
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Interactivity must be tied to origi
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CHAPTER 3 BROAD CATEGORIES OF ITV P
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information about the topic at hand
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said they would do so again in the
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3.2.1 Representative Example in Spo
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(a) (b) Figure 3.3 Test the Nation
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interactive TV betting service tota
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application was also available on t
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the ABC telecast throughout the eve
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platforms. The navigation is timeli
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3.7 SHOPPING Shopping, or purchasin
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- and as close to the regular exper
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CNN Crossfire, broadcast in front o
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Dramas may need to operate under a
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The participatory aspect of many pr
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4.1.1 Grid-Based Design Grid-based
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The Law of Similarity. Elements tha
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more visually pleasing, but can hel
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Figure 4.3 TV Aspect Ratios Althoug
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and graphics-safe areas for designi
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4.2.4 Line Width The image on a tel
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shapes, to make similar letters dis
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specification. OCAP is intended to
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pages. Web applications that exceed
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Source: Human Factors International
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working on a computer is not a soli
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media, among others. Figure 4.9 pro
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MSN TV 2, which Microsoft rolled ou
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with a handheld remote control from
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Table 4.2 outlines some of the diff
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should be designed with the televis
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Pages that appear in series, one af
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CHAPTER 5 PRINCIPLES OF INTERACTION
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through… The computer’s spatial
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medium. The current state of this e
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through the different elements offe
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y the wider context of the program
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History IQ focused on keeping the i
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een programs that were still in dev
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features of a DVD immediately after
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context where the learner is consci
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viewing experiences so that each vi
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(a) (b) Figure 5.10 TiVo WishList (
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e voted off the island. In both cas
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them so conducive to iTV programmin
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own content in ways similar to this
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In the first of a series of on-air
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Jakob Nielsen notes that users are
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(a) (b) Figure 5.22 TV411 Interface
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Figure 5.25 Life 360 Competing Elem
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(a) (b) (c) (d) Figure 5.28 Example
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epresentative of the red button tha
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Lamont brings up compelling advanta
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lower right-hand areas are privileg
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5.4 NAVIGATION Navigation pertains
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Figure 5.35 New Americans Orientati
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Figure 5.37 Test the Nation User In
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applications based on the televisio
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esearchers, “In many ways, the pa
Page 185 and 186:
In Robert Miller’s classic user r
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ecycling bin from Windows, that sta
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importance (see chapter three). In
Page 191 and 192:
Figure 5.46 Examples of Mobile Inte
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CHAPTER 6 CONCLUSIONS AND FUTURE DI
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Figure 6.2 Convergence of Entertain
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(a) Figure 6.3 Examples of MTV Hija
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television producers to create show
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user-centered design, incorporates
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Sheri Lamont, who has practiced and
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ecognition of outstanding achieveme
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REFERENCES Adams, M., Anand, P. & F
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Halle, T. (2003). Standards for int
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Norman, D. (2004) Emotional design:
Page 213 and 214:
Thurrott, P. (2004, October 12). Wi
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BROADBAND A network capable of deli
Page 217 and 218:
MEDIA CENTER Media centers, or PC T
Page 219:
which a television and a personal c
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