INTERACTION DESIGN PRINCIPLES FOR INTERACTIVE ...

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(a) (b) (c) (d) (e) (f) Figure 4.10 Examples of MCE 2005 (a), (b), (c), (d), (e), and (f) In the newest version of MCE, Microsoft has put the most significant effort into improving the TV and DVR experiences. Belfiore noted that “As far as we’re concerned, TV watching is the new mission critical application for Windows” (quoted in Thurrott, 2004). In fact, MCE 2005 refines what Microsoft calls the “10-foot interface,” with large fonts and easy to read on-screen menus hooked up to a television that can be navigated 105
with a handheld remote control from across the room. This contrasts with the traditional “2-foot interface,” where the user sits at a desk in front of a monitor and keyboard. Users can use a wireless keyboard and mouse, but generally don’t have to, except to surf the Web from the couch or to clear the occasional error message. The “My TV” button will display an inset displaying the current channel the user is watching, plus buttons for selecting an EPG, a program search function, and a list of the last three shows recorded. If a TV is the primary or only display, the user can select a high-contrast background. Many users find this useful because the default blue-on-blue text of the first MCE interface was difficult to read on TV sets (Thurrott, 2004). The EPG (which, unlike subscription-based DVR services like TiVo and RePlay, is free) allows users to filter the cable guide to show just sports or movies, for example. Similarly, a listing of separate recorded episodes of the same program can be collapsed into a single listing, which can greatly help to reduce scrolling. In addition, users can search movies based on genres, rating, actors and directors, or by title, allowing for a sense of control over the viewing experience. Multiple tuner support allows users to watch a live TV show while recording another program simultaneously (Thurrott, 2004). One of the ongoing concerns about watching television on the computer had been picture quality. Belfiore admits that “the display hardware and the drivers have to be of high quality… the truth is, no one was really connecting PCs to TVs in high volume until we released Media Center” (quoted in Thurrott, 2004). MCE, however, starting with the 2004 edition, features a display calibration wizard, a series of videos that users can watch while setting aspects such as screen centering and sizing, aspect ratio, contrast, brightness, and color balance. However, Matthew Elliott, a reviewer from CNET, says 106
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INTERACTION DESIGN PRINCIPLES FOR I
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ACKNOWLEDGMENTS This thesis would n
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2.3.3 Constraints 2.4 Electronic /
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4.2 Designing for Television 4.2.1
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Table 1.1 Table 1.2 Table 1.3 Table
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Figure 2.6 Figure 2.7 Figure 2.8 Fi
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Figure 5.4 Figure 5.5 Figure 5.6 Fi
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Figure 5.36 Figure 5.37 Figure 5.38
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SUMMARY Interactive television (iTV
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However, it is clear that televisio
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looking closely at existing designs
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For viewers with analog television
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Figure 1.3 Percent of Households wi
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interact with television shows by u
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New Media usage is dominated by 18
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Figure 1.6 Winky Dink and You The o
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1.4.1 BBC Interactive Figure 1.7 In
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1.4.2 Additional Examples Many othe
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Table 1.6 (continued). Greece Local
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Table 1.6 (continued). New Zealand
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using a combination of visual cultu
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CHAPTER 2 BROAD CATEGORIES OF ITV P
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Table 2.1 Categorization of iTV by
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capable of storing an enormous amou
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(c) Figure 2.2 Examples of Comcast
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(c) (d) Figure 2.3 Examples of Gems
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users to send email, chat, and surf
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2.6 WEB-BASED SYNCHRONOUS (TWO-SCRE
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interactive or enhanced content on
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they allow for greater versatility,
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Networks have also used wireless de
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The American Film Institute’s enh
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game consoles with televisions and
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Interactivity must be tied to origi
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CHAPTER 3 BROAD CATEGORIES OF ITV P
Page 71 and 72: information about the topic at hand
Page 73 and 74: said they would do so again in the
Page 75 and 76: 3.2.1 Representative Example in Spo
Page 77 and 78: (a) (b) Figure 3.3 Test the Nation
Page 79 and 80: interactive TV betting service tota
Page 81 and 82: application was also available on t
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Page 87 and 88: 3.7 SHOPPING Shopping, or purchasin
Page 89 and 90: - and as close to the regular exper
Page 91 and 92: CNN Crossfire, broadcast in front o
Page 93 and 94: Dramas may need to operate under a
Page 95 and 96: The participatory aspect of many pr
Page 97 and 98: 4.1.1 Grid-Based Design Grid-based
Page 99 and 100: The Law of Similarity. Elements tha
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Page 103 and 104: Figure 4.3 TV Aspect Ratios Althoug
Page 105 and 106: and graphics-safe areas for designi
Page 107 and 108: 4.2.4 Line Width The image on a tel
Page 109 and 110: shapes, to make similar letters dis
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Page 113 and 114: pages. Web applications that exceed
Page 115 and 116: Source: Human Factors International
Page 117 and 118: working on a computer is not a soli
Page 119 and 120: media, among others. Figure 4.9 pro
Page 121: MSN TV 2, which Microsoft rolled ou
Page 125 and 126: Table 4.2 outlines some of the diff
Page 127 and 128: should be designed with the televis
Page 129 and 130: Pages that appear in series, one af
Page 131 and 132: CHAPTER 5 PRINCIPLES OF INTERACTION
Page 133 and 134: through… The computer’s spatial
Page 135 and 136: medium. The current state of this e
Page 137 and 138: through the different elements offe
Page 139 and 140: y the wider context of the program
Page 141 and 142: History IQ focused on keeping the i
Page 143 and 144: een programs that were still in dev
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Page 147 and 148: context where the learner is consci
Page 149 and 150: viewing experiences so that each vi
Page 151 and 152: (a) (b) Figure 5.10 TiVo WishList (
Page 153 and 154: e voted off the island. In both cas
Page 155 and 156: them so conducive to iTV programmin
Page 157 and 158: own content in ways similar to this
Page 159 and 160: In the first of a series of on-air
Page 161 and 162: Jakob Nielsen notes that users are
Page 163 and 164: (a) (b) Figure 5.22 TV411 Interface
Page 165 and 166: Figure 5.25 Life 360 Competing Elem
Page 167 and 168: (a) (b) (c) (d) Figure 5.28 Example
Page 169 and 170: epresentative of the red button tha
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lower right-hand areas are privileg
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5.4 NAVIGATION Navigation pertains
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Figure 5.35 New Americans Orientati
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Figure 5.37 Test the Nation User In
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applications based on the televisio
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esearchers, “In many ways, the pa
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In Robert Miller’s classic user r
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ecycling bin from Windows, that sta
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importance (see chapter three). In
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Figure 5.46 Examples of Mobile Inte
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CHAPTER 6 CONCLUSIONS AND FUTURE DI
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Figure 6.2 Convergence of Entertain
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(a) Figure 6.3 Examples of MTV Hija
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television producers to create show
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user-centered design, incorporates
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Sheri Lamont, who has practiced and
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ecognition of outstanding achieveme
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REFERENCES Adams, M., Anand, P. & F
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Halle, T. (2003). Standards for int
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Norman, D. (2004) Emotional design:
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Thurrott, P. (2004, October 12). Wi
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BROADBAND A network capable of deli
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MEDIA CENTER Media centers, or PC T
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which a television and a personal c
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