ICOM International Council of Museums - Museo Estancia Jesuitica ...

Bondone: Museologia e historia. El arte y la memoria. Algunas reflexiones
Summary
The questions related to the memory occupy an important space inside the reflections
and debates in the contemporary panorama. It has originated multiple contributions
theoretical that appear as unavoidable references to who we are employed at the field
of the history and the museología. These appellants " you visit to the past " they have
conceived diverse contributions and this document it (he,she) proposes to present
therefore some reflections related to the critical forms of recovery of the memory,
observing these how they have put in act across certain strategies, as for example the
museografía, On An experience related to forms of recovery of the memory (report)
they were present in a temporary exhibition that raised a tour for the visual memory
(report) of the city of Cordova (Argentina) across a look opened on the activity of two
emblematic institutions of the provincial culture: the Academy and the Museum. From a
current perspective and thinking the history of the regional art about key native, in We
deal to these centers as the protagonists with the process of conformation of a field of
the modern and autonomous art with the center of the country.
Beyond his (her,your) substantive mission, it was established to think to the Academy
as a space destined to promote certain values of the art (the tradition) and to the
Museum as a place dedicated to making present these values memory.
A history, a collection composed by 30 works of 20 painters, who acted from
ends(purposes) of 19th century and during good part of the XXth, exposed an itinerary
constructed in distances with several senses. The chronological frame established for
this exhibition begins in 1896, year of foundation of the Academy of Fine arts and
culminates in 1950, year in which imposes Emilio Caraffa's name to the Provincial
Museum of Fine arts.
The principal vector that organized the statement moved with the idea of re-measuring
the link that existed between(among) the Academy and the Museum. For it and with
the contribution of a design museográfico specific, there were selected a set of works
that were acting as indicators of sense, function As material documents capable of
offering information that was beyond the domain(control) of the relations
between(among) styles, artists and trends.
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