07.12.2012 Views

ICOM International Council of Museums - Museo Estancia Jesuitica ...

ICOM International Council of Museums - Museo Estancia Jesuitica ...

ICOM International Council of Museums - Museo Estancia Jesuitica ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Lina Gebrail Tahan : Fascinating Historical Events <strong>of</strong> the National Museum <strong>of</strong> Beirut<br />

ones found in Byblos; and when the French were excavating there, one tomb had been<br />

rifled shortly before discovery, thus he concluded that those artefacts had come from<br />

the robbed tomb 51 . It was proven that the objects came from ‘Phoenicia.’ Richmond<br />

sold the collection for 900 Palestinian Liras to the Museum <strong>of</strong> Beirut. He gave the<br />

priority to the Lebanese government rather than the Palestinian one, as he thought it<br />

was important for the Lebanese heritage (Arch. IFAPO/SAHC) 52 .<br />

High-Commissioner Puaux insisted on opening the museum after ten years had<br />

passed and the construction <strong>of</strong> the museum was almost finished. The exhibition would<br />

group 20,000 objects placed in showcases imported from France. Moreover, Puaux<br />

wrote to the President <strong>of</strong> the council <strong>of</strong> the Ministry <strong>of</strong> Foreign Affairs and told him that<br />

the Lebanese Government had contacted the ‘Siegel Company’ to import the<br />

showcases. Lebanon wanted an agent from the National Museum <strong>of</strong> France to see<br />

how to mount them and what kind <strong>of</strong> measures to be taken. The agent should also<br />

verify that they are well constructed according to the order <strong>of</strong> command. Puaux asked<br />

the president to talk to the Minister <strong>of</strong> National Education and Fine Arts (Arch<br />

IFAPO/SAHC) 53 . Apparently, sixty-five showcases were ordered and were constructed<br />

under the supervision <strong>of</strong> the Direction des Musées Nationaux (DMN) in France. Mr.<br />

Thevenard, head <strong>of</strong> the DMN carpentry workshop, was designated as an agent along<br />

with a representative <strong>of</strong> the Lebanese Government Mr. Ayoub (Arch. MN Z 67<br />

BEYROUTH) 54 . It seems also that the reconstruction <strong>of</strong> a painted tomb from Tyre was<br />

implemented. Puaux stated that once the last phase <strong>of</strong> work is finished and the<br />

collection documented, then the museum should be opened to the public and<br />

inaugurated at the end <strong>of</strong> the year (Arch. IFAPO/SAHC) 55 . The building was completed<br />

in 1937 and Emir Maurice Chéhab declared that the museum would house all<br />

Lebanese Antiquities (Chéhab, 1937: i). The Museum was eventually inaugurated on<br />

May 27, 1942 by Alfred Naccache who was then President <strong>of</strong> the Lebanese Republic.<br />

Until 1975, the NMB received a large number <strong>of</strong> visitors until its doors were closed<br />

when the Civil War (1975-1990) broke out (The Short Guide <strong>of</strong> the NMB, 2001: 5-6).<br />

The advent <strong>of</strong> the ravaging civil war greatly hampered the activities <strong>of</strong> the NMB that<br />

remained closed until 1997.<br />

Conclusion<br />

A museum travels through a series <strong>of</strong> events from the moment it is conceived to the<br />

moment it is achieved. One can see that each museum has a particular history that has<br />

shaped it as an institution. Most historians and museologists have argued that history is<br />

an important point <strong>of</strong> reference within any society. History can become in some <strong>of</strong> the<br />

museums a political tool and thus the museum narratives are no longer innocent or<br />

pure. They are created to cater for the needs <strong>of</strong> a contemporary society.<br />

51<br />

Letter No. 1599 from the High-Commissioner for Palestine J.R. Chancellor to His Excellency the High-<br />

Commissioner for Syria and Lebanon in Beirut, dated Beirut, June 26 th , 1930.<br />

52<br />

Letter No. 148 from the Curator <strong>of</strong> the Beirut National Museum Emir Maurice Chéhab to His Excellency<br />

Minister <strong>of</strong> Culture and Fine Arts, dated Beirut, February 29, 1931.<br />

53<br />

Letter No. 1032/ S.A. from General Puaux, High-Commissioner <strong>of</strong> the French Republic to His<br />

Excellency President <strong>of</strong> the <strong>Council</strong> at the Ministry <strong>of</strong> Foreign Affairs, not dated, but most probably<br />

1939. The letter was sent from Beirut.<br />

54<br />

Letter from Soubhi Haidar, Director <strong>of</strong> National Education and Fine Arts to the Siegel Company, dated<br />

Beirut, December 7, 1939.<br />

55<br />

Letter No. 144/S.A. from Gabriel Puaux, High-Commissioner <strong>of</strong> the French Republic in Syria and<br />

Lebanon to the Delegate <strong>of</strong> the High-Commission next to the Government <strong>of</strong> the Lebanese Republic,<br />

dated Beirut probably 1939 or 1940 as there is no date on the letter. General Puaux was High-<br />

Commissioner from October 27, 1938 to June 1940.<br />

473

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!