ICOM International Council of Museums - Museo Estancia Jesuitica ...

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Nazor, Olga (Argentina) Suceso y método: cómo cuentan la historia los Museos de Historia (Spanish) ...................... 394 Õunapuu, Piret (Estonia) National Museum as Memory Bank (English) .......................................................................... 398 Palavecino, Mercedes (Argentina) Museología e historia el Museo Histórico Regional de Villa la Angostura (Spanish) .............. 403 Pastrana, Virginia (Argentina) Museos, historia, imágenes, música: Audiovisual ”Rescate del Patrimonio Musical Argentino – Revalorización de los símbolos patrios” (Spanish)............................................... 407 Paz Nuñez, Gloria y Alegría, Luis (Chile) Museo e historia: Del objeto a los discursos y prácticas (Spanish)......................................... 410 Pupio, María Alejandra (Argentina) La historia indigena en museos locales (Spanish)................................................................... 417 Ríos, María Ester (Argentina) Los museos históricos: velos y desvelos actuales (Spanish) .................................................. 424 Rojo, Glenys (Chile) Musealización de la historia militar reciente de Chile (Spanish).............................................. 428 Salgado, Ana María (Argentina) Sentir para comunicar la historia (Spanish) ............................................................................. 435 Sansoni, Andrés y Garma, Estela (Argentina) Museo, patrimonio y legitimación (Spanish) ............................................................................ 442 Sepúlveda, Tomás (Chile) Ayala, Patricia (Bolivia) Vilches, Flora (Chile) Paz Miranda, María (Chile) Santander, Solange (Chile) Museologías sociales en Chile: Los casos de curarrehue y San Pedro de Atacama. (Spanish) ............................................... 447 Shah, Anita (India) Ethics and the transmission of memory (English) .................................................................... 455 Sosa, Emilce (Argentina) Cementerios patrimoniales, bienes de interés cultural (Spanish)............................................ 458 Tahan, Lina Gebrail (Lebanon) Fascinating Historical Events of the National Museum of Beirut (English) .............................. 464 Viel, Annette (France) Une Museo diversite au coeur d´un paysage museal an mutation (French) ........................... 475 Zinny, María Angelica (Argentina) Visitas animadas: De la teoría a la acción. (Spanish).............................................................. 485 6
Foreword Museology and History – a Field of Knowledge is an extended scientific field. This main topic of both the 29 th Meeting of ICOFOM and the 15 th Meeting of ICOFOM LAM (Latin America) 2006 demands thoughts and ideas not only concerning the history but also the future of Museums. More than ever knowledge is considered in an interdisciplinary and intercultural context. Already the places of the Meeting 2006 – Córdoba and Alta Gracia/Argentina –are particularly suitable for these themes because this “province” is of specific importance in relation to historical events, archaeological and other historical sites – there is particularly to focus on the Missiones Jesuiticas - as well as peoples of various ethnics. Peoples and the environment were, are and will be of great influence to the social and cultural development of Argentina and other Latin American countries. Combined with the idea and an overview about the History of Museums on an international level ways should be shown how museums became institutions as those they are well known nowadays. These facts also take influence to the museological proceedings. Saying this, I will particularly focus on the European and Russian Countries and the both of the Americas. Not only the Mouseion and the treasure houses in the ancient Greece but also the Chambers for Relics in the Medieval Age may be considered as the first serious approaches to the Museum. Rather the Chambers of Art and Rarities/Curiosities in the Age of the Late Renaissance which were hosted at the Residences of the Dynasties were a real basis for the further development of museums and their typology. Museology and History belong necessarily together. One cannot consider on Museology without thinking about History. That refers to almost all fields of the Museum: to Museum development in a similar way as to the various typologies of museums, to Museology in the context of the achievements of personalities and pioneers who drafted, explained and carried out their ideas, and further more to works of art and cultural objects of any kind which cannot be considered without the context to history. If we refer to the Chambers of Arts and Rarities in the Epoch of the Late Renaissance we are not only thinking about the prince-bishops who owned Chambers of Relics and to worldly Rulers in many European principalities as Ambras/Austria, Munich/Germany, Praha/Czech Republic, St. Petersburg/Russia etc. . Rather we have also to consider on the categorization of the different objects in the Age of Discoveries which were collected in the Chambers of Art and Rarities/Curiosities. There were at that time according to the criteria four different categories of objects: - Naturalia. Preparations of animals of various kind, corals, monsters of seas, mineralia, stones and gems etc. - Artificialia. Those were the actually objects of the Chambers of Art. On the one hand they were produced as high skilled objects on behalf of worldly rulers, on the other hand they were works of goldsmiths who grasped natural products and in this way increased the value. - Scientifica. They include on the one hand globes and many instruments which were able to discover the earth and the sky (stars), on the other hand they were objects of human curiosity as they encompass trumpets, games, make-up-cases and a kind of googleboxes. - Exotica. Those exotic and strange objects came also into question. There were different kinds of plants and animals which arrived to Europe due to the voyages of discovery, as well as a kind of funny objects from foreign countries. Business houses with branches in foreign countries took also Exotica to the Chambers of Art. The different contemporary publications give us an impression about these Chambers of Art and Rarities/Curiosities, as e.g. the “Museum Wormianum” (Copenhagen/Denmark, 7
Page 1 and 2: ICOM International Council of Museu
Page 3 and 4: Contents/Indice Museology and Histo
Page 5: González, Mary Edith (Argentina) E
Page 9 and 10: Prefacio Cuando hablamos de Museolo
Page 11: Conferences / Conferencias
Page 14 and 15: Hinz: Museology and New National Mu
Page 22 and 23: 22 Museology and New National Museu
Page 33 and 34: Provocative paper: Museology and Hi
Page 35 and 36: Schärer: Provocative Paper we can
Page 37 and 38: Schärer: Provocative Paper In conn
Page 39 and 40: Museología e Historia Martin Schae
Page 41 and 42: Schärer: Provocative Paper los ind
Page 43 and 44: Schärer: Provocative Paper sin cie
Page 45 and 46: Museology and History Martin Schaer
Page 47 and 48: Schärer: Provocative Paper physica
Page 49 and 50: Schärer: Provocative Paper sozusag
Page 51 and 52: Museologia e interpretação da rea
Page 53 and 54: Scheiner: Provocative paper Hoje j
Page 55 and 56: Scheiner: Provocative paper Em toda
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Scheiner: Provocative paper desejo
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Museología e interpretación de la
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Scheiner: Provocative Paper discurs
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Scheiner: Provocative Paper Ante to
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Scheiner: Provocative Paper deseo y
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Museology and the Interpretation of
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Scheiner: Provocative Paper represe
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Scheiner: Provocative Paper value.
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Scheiner: Provocative Paper and cle
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La Crisis de los Museos de Historia
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The Crisis of History Museums Luis
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L’histoire de la muséologie est-
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Mairesse: Provocative Paper improba
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Mairesse: Provocative Paper attitud
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Mairesse: Provocative Paper celui d
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¿Ha terminado la Historia de la Mu
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Mairesse: Provocative Paper du capi
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Mairesse: Provocative Paper A pesar
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Mairesse: Provocative Paper directa
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Papers / Documentos de trabajo
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Alves de Moraes: Museu e Museologia
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Abstract 106 Historia, Museología
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Astudillo Loor: Historia, Museolog
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Barblan: D’Orient en Occident: hi
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Bartolomé: El Museo como espacio d
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Abstract 136 La virtualidad a las p
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Bautista: La virtualidad a las puer
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Bondone: Museologia e historia. El
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Brondo y otros: Un ¿nuevo? Paradig
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Brulon Soares: Heritage in Process
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164 Le musée, le passé et l’his
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Célius: Le musée, le passé et l
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174 Museología e Historia. Un acer
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Chacón Ferrer: Museología e Histo
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Clissa: Las Fuentes judicales. De l
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Abstract 188 Museums and Tourism: T
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Marcela Cougo e Vieira Filho: O Est
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Cristofano: The Italian Contemporar
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Cristofano: The Italian Contemporar
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Cury: O visitante como sujeto da ex
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de Mello Vasconcellos Historia, mem
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Domínguez: Museología, historia s
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De la Cerda Donoso: Museos, sus esp
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Fahmel Beyer: San Dionisio Ocotepec
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Farjala / Rodríguez: Patrimônio,
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Fernández: La historia, el museo,
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Fernández: La historia, el museo,
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(Im)Porturas museológicas Lo polí
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258 Musées en guerre André Gob 1
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Gob: Musées en guerre les biens co
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Gob: Musées en guerre Il faut soul
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Gob: Musées en guerre Berlin jusqu
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Gob: Musées en guerre devenir. J
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González: El museo como espacio de
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278 Historia y Museología. Los Cam
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Gorgas: Historia y museología. Los
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Gorgas: Muséologie et histoire. Le
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Gourarier: Un musée humaniste les
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Gourarier: Un musée humaniste Les
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Gourarier: Un musée humaniste Au X
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Gourarier: Un musée humaniste Aujo
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Gowland: La Potencialidad de una Ca
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Gutiérrez: Hacia una nueva Represe
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314 The Representation of Salta’s
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Gutiérrez: Hacia una nueva Represe
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Harris: The Museum is not transpare
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Hernández Hernández: El discurso
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La Búsqueda de la Identidad de los
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Holguin: La Búsqueda de la Identid
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Holguin: La Búsqueda de la Identid
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340 The Ethics of Museums, The case
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Maranda : Museology and History: A
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Maranda : Museology and History: A
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346 The Museum Object as historical
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Maroević: The Museum Object as his
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Maroević: The Museum Object as his
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352 Museos: De la Relación públic
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Martini: Museos: De la Relación p
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Nostalgia 360 Mirror, window or sho
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Nostalgie 362 Un miroir, une fenêt
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Maure : Un miroir, une fenêtre ou
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Menezes de Carvalho: Museology with
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Abstract 372 OXÍMORON lab. IV th a
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Moreschi: Predeterminismo cultural
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Moura Tavares: Falando de Conhecime
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Moura Tavares: Falando de Conhecime
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Navarro: Museos nacionales y repres
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394 Suceso y método: cómo cuentan
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Nazor: Suceso y método: cómo cuen
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Abstract 398 National Museum as Mem
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Õunapuu: National Museum as Memory
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Õunapuu: National Museum as Memory
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Palavecino: Museología e Historia.
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Palavecino: Museología e Historia.
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Pastrana: Museos, historia, imágen
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Abstract 410 Museo e Historia: Del
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Paz Núñez y Alegría: Museo e His
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Pupio: La historia indigena en muse
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424 Los Museos Historicos: Velos y
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Ríos : Los Museos Historicos : Vel
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Overview 428 Musealización de la H
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Rojo : Musealización de la Histori
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Salgado: “Sentir para comunicar l
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Museo, Patrimonio y Legitimación E
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Sansoni y Garma: Museo, Patrimonio
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Sansoni y Garma: Museo, Patrimonio
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Sepúlveda y otros: Museologías so
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Shah : Ethics and the Transmission
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Abstract 458 Cementerios Patrimonia
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Sosa: Cementerios Patrimoniales, Bi
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Sosa: Cementerios Patrimoniales, Bi
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464 Fascinating Historical Events o
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Lina Gebrail Tahan : Fascinating Hi
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Viel: Une muséodiversité au cœur
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Zinny: Visitas animadas Visitas ani
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