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ICOM International Council of Museums - Museo Estancia Jesuitica ...

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Abstract<br />

410<br />

<strong>Museo</strong> e Historia:<br />

Del Objeto a los Discursos y prácticas.<br />

Luis Alegría y Gloria Paz Núñez – Chile<br />

Our proposal is to talk about the museum as a space <strong>of</strong> patrimonial construction, as in<br />

it objects acquire a special value. Such value is the result <strong>of</strong> the process <strong>of</strong> becoming<br />

patrimony, that is, the moment in which they are given a symbolic value that transforms<br />

them in a legitimate testimony <strong>of</strong> the past . Patrimony (heritage) is considered as “the<br />

group <strong>of</strong> values, credence and goods”, socially and historically renowned (re-signified),<br />

a fact that allows the construction <strong>of</strong> a new reality.<br />

The Museum is a cultural institution that takes part <strong>of</strong> a major social space that is called<br />

the patrimonial field, that is, a space structured as a system <strong>of</strong> relations in competition<br />

and conflict between groups. In this space, the museum is a central institution, as an<br />

agent that produces patrimony and, therefore, it is not considered as a neutral space.<br />

A basic element <strong>of</strong> the objects that constitute a museum collection is the<br />

documentation they possess, that allows different readings on such objects. Besides, it<br />

transforms them: on one hand, in documents <strong>of</strong> society as they carry information about<br />

its history, and on the other hand in monuments, as its re-invention at the interior <strong>of</strong> the<br />

museum obeys to a discourse that commemorates this past.<br />

<strong>Museo</strong>logy not only corresponds to museum science but, in a wider sense, to a science<br />

<strong>of</strong> all which is museable, that is to say, patrimony. But a study <strong>of</strong> museums and<br />

patrimony corresponds to a study <strong>of</strong> society in general, since the symbolic dimension<br />

that they represent also constitutes part <strong>of</strong> that reality. Documentation is a basic<br />

element, not only because <strong>of</strong> the information about the objects itself, but also because<br />

<strong>of</strong> the interventions that have been done over them, giving account <strong>of</strong> patrimonial<br />

discourses and practices in a major frame <strong>of</strong> society development.<br />

The aim <strong>of</strong> our research at the <strong>Museo</strong> Histórico Nacional is framed upon updating a<br />

history <strong>of</strong> the museum and its collections, presenting the museum as a space <strong>of</strong><br />

cultural production and, as such, identifying its contribution to the construction our<br />

country´s cultural patrimony.<br />

Abstract<br />

We are propose to talk about museum as a space <strong>of</strong> patrimonial construction, as in it<br />

objects acquires a special value. Such value is conformed within the process <strong>of</strong><br />

becoming patrimony, moment in which they are endowed <strong>of</strong> a symbolic value that<br />

transform them in legitim testimony <strong>of</strong> the past . As patrimony (heritage) it must be<br />

considered “the conjunct <strong>of</strong> values, credence and goods” social and historically<br />

renowned (re-signified) that aloud (permit) constructing a new reality.<br />

Museum is a cultural institution that forms part <strong>of</strong> a mayor social space that is<br />

denominated patrimonial field, this is a space structured a system <strong>of</strong> relations in<br />

competition and conflict between groups. In this space, the museum is a central<br />

institution, as an agent that produces patrimony and therefore not as a neutral space.

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