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CODEN HFLJFV<br />
FILMSKE ZVIJEZDE<br />
Bruno Kragi}: TIPOLOGIJA @ENSKIH ZVIJEZDA AMERI^KOG<br />
FILMA 3<br />
BIOFILMOGRAFIJE ZVIJEZDA 22<br />
FESTIVALI<br />
Petar Krelja: NA MARGINAMA ZAGREBDOXA (1. Me|unarodni festival<br />
dokumentarnog filma) 25<br />
Goran Kova~: MU[KA POSLA (14. Dani hrvatskog filma) 33<br />
Janko Heidl: DANI IRANSKOG FILMA 41<br />
REPERTOAR<br />
KINOREPERTOAR 45<br />
VIDEOIZBOR 85<br />
TUMA^ENJA<br />
Robert Riesinger: FILMSKI ZNAK — FILMSKA SEMIOTIKA CHRISTIA-<br />
NA METZA 101<br />
Robert Riesinger: PARADIGME FILMSKE TEORIJE — TEORIJSKA<br />
KLASIFIKACIJA FRANCESCA CASETTIJA 107<br />
Mirko Petri}: I SEMIOTIKA I KOGNITIVIZAM? 111<br />
Tomislav Brlek: PRIVID ZABLUDE 115<br />
Dejan Markovi}: AMERI^KI (ANTI)RATNI FILM 119<br />
IZ RANE POVIJESTI HRVATSKOG FILMA<br />
Dejan Kosanovi}: INOSTRANA SNIMANJA IGRANIH FILMOVA U<br />
HRVATSKOJ DO 1941. 129<br />
Daniel Rafaeli}: OTKRIVEN ZAGUBLJENI FILM OKTAVIJANA<br />
MILETI]A? 143<br />
STUDIJE I ISTRA@IVANJA<br />
Slaven Ze~evi}: O PRETAPANJU — SVOJSTVA I FUNKCIJE 147<br />
Asbjørn Grønstad: TIREZIJIN POGLED — JOYCE, ROSSELINI<br />
I IKONOLOGIJA MRTVIH 154<br />
Luciano Dobrilovi}: HRVATSKA KINEMATOGRAFIJA 1990-IH<br />
(2. DIO) 160<br />
POVODOM KNJIGA<br />
Ivo [krabalo: TRAGOVIMA RAZVOJA AUDIOVIZUALNOGA MEDIJA<br />
(N. Von~ina: Najgledanije emisije 1964-1971. Prilozi za povijest radija<br />
i televizije V) 173<br />
Dejan Kosanovi}: DRAGOCENA KNJIGA U PRAVOM TRENUTKU<br />
(M. Kukuljica: Za{tita i restauracija filmskog gradiva) 177<br />
Slaven Ze~evi}: KAD SMO BILI ROBOVI (V. Grgi} i M. Mihalinec: @uti<br />
titl — druga~ija enciklopedija) 179<br />
Tomislav [aki}: KNJIGA NEDOVOLJNO DOSTOJNA RELJATIVNE<br />
KARIJERE (Relja Ba{i} — 50 godina kazali{nog i filmskog<br />
stvarala{tva) 181<br />
Jurica Pavi~i}: O FRANJI FUISU (F. Fuis: Zakon rieke) 183<br />
Milka Car: FASSBINDER — DRAMATI^AR I FILMSKI REDATELJ<br />
(Rainer Werner Fassbinder: Anarhija u Bavarskoj) 186<br />
REAGIRANJA 191<br />
LJETOPISOV LJETOPIS<br />
Marcella Jeli}: KRONIKA 193<br />
BIBLIOGRAFIJA 198<br />
PREMINULI (O. Depolo) 202<br />
SA@ECI 203<br />
O SURADNICIMA 212<br />
Sadr`aj / Contents<br />
42/2005.<br />
FILM STARS<br />
Bruno Kragi}: THE TYPOLOGY OF FEMALE STARS IN AMERICAN<br />
CINEMA 3<br />
BIOFILMOGRAPHIES OF THE STARS 22<br />
FESTIVALS<br />
Petar Krelja: ON THE MARGINS OF ZAGREBDOX (1 st International<br />
Festival of Documentary Film) 25<br />
Goran Kova~: MEN’S STUFF (14 th Days of Croatian Film) 33<br />
Janko Heidl: DAYS OF IRANIAN FILM 41<br />
REPERTOIRE<br />
MOVIE THEATERS 45<br />
VIDEO AND DVD 85<br />
INTERPRETATIONS<br />
Robert Riesinger: FILM SIGN — CHRISTIAN METZ’S FILM<br />
SEMIOTICS 101<br />
Robert Riesinger: PARADIGMS OF FILM THEORY — FRANCESCO<br />
CASETTI’S THEORETICAL CLASSIFICATION 107<br />
Mirko Petri}: BOTH SEMIOTICS AND COGNITIVISM? 111<br />
Tomislav Brlek: STRAYED ILLUSIONS 115<br />
Dejan Markovi}: AMERICAN (ANTI)WAR FILM 119<br />
FROM EARLY HISTORY OF CROATIAN CINEMA<br />
Dejan Kosanovi}: FOREIGN MOTION PICTURES PRODUCTIONS IN<br />
CROATIA UP TO 1941 129<br />
Daniel Rafaeli}: OKTAVIJAN MILETI]’S LOST FILM — FOUND? 143<br />
STUDIES AND RESEARCH<br />
Slaven Ze~evi}: ABOUT DISSOLVE: CHARACTERISTICS AND<br />
FUNCTIONS 147<br />
Asbjørn Grønstad: TIRESIAS’ GAZE: JOYCE, ROSSELLINI AND THE<br />
ICONOLOGY OF THE DEAD 154<br />
Luciano Dobrilovi}: CROATIAN CINEMA OF THE 1990s<br />
(PART TWO) 160<br />
DISCUSSING BOOKS<br />
Ivo [krabalo: ON THE TRAIL OF THE GROWTH OF AN<br />
AUDIOVISUAL MEDIUM (Nikola Von~ina: Shows with best rating from<br />
1964-1971. Contributions to the history of radio and Television V) 173<br />
Dejan Kosanovi}: VALUABLE BOOK AT THE RIGHT MOMENT<br />
(M. Kukuljica: Protection and restauration of film stock) 177<br />
Slaven Ze~evi}: WHEN WE WERE SLAVES (V. Grgi} and M. Mihalinec:<br />
Yellow subtitle — a different encyclopaedia) 179<br />
Tomislav [aki}: A BOOK NOT QUITE WORTHY OF A RELJATIVE<br />
CAREER (Relja Ba{i} — 50 years in theatre and film) 181<br />
Jurica Pavi~i}: ABOUT FRANJO FUIS (F. Fuis: The law of the river) 183<br />
Milka Car: RAINER WERNER FASSBINDER — PLAYWRIGHT AND<br />
FILM DIRECTOR (R. W. Fassbinder: Anarchy in Bavaria) 186<br />
REACTIONS 191<br />
CHRONICLE’S CHRONICLE<br />
Marcella Jeli}: CHRONICLE 193<br />
BIBLIOGRAPHY 198<br />
OBITUARIES (O. Depolo) 202<br />
SUMMARIES 203<br />
ON CONTRIBUTORS 212
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