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Taksist (Taxi Driver, 1976), r. Martin Scorsese, ul. Robert De Niro, Jodie<br />

Foster<br />

Tjelesna strast (Body Heat, 1981), r. Lawrence Kasdan, ul. William Hurt,<br />

Kathleen Turner<br />

Tramvaj zvan `udnja (A Streetcar named Desire, 1951), r. Elia Kazan, ul.<br />

Marlon Brando, Vivian Leigh<br />

Tu|inac (Alien, 1979), r. Ridley Scott, ul. Sigourney Weaver<br />

U grob ni{ta ne nosi{ (You Can’t Take It with You, 1938), r. Frank Capra,<br />

ul. James Stewart, Jean Arthur<br />

U znaku kri`a ( The Sign of Cross, 1932), r. Cecil B. De Mille, ul. Claudette<br />

Colbert<br />

Ubojice (The Killers, 1946), r. Robert Siodmak, ul. Burt Lancaster, Ava<br />

Gardner<br />

Ulaz na pozornicu (Stage Door, 1937), r. Gregory LaCava, ul. Katharine<br />

Hepburn, Ginger Rogers<br />

Uli~ni an|eo (Street Angel, 1928), r. Frank Borzage, ul. Janet Gaynor<br />

Upoznaj Johna Doea (Meet John Doe, 1941), r. Frank Capra, ul. Gary Cooper,<br />

Barbara Stanwyck<br />

Usidjelica (The Old Maid, 1939), r. Edmund Goulding, ul. Bette Davis<br />

Vatrena kugla (Ball of Fire, 1942), r. Howard Hawks, ul. Gary Cooper,<br />

Barbara Stanwyck<br />

Literatura<br />

Hrvat. film. ljeto, Zagreb / god 11 (2005), br. 42, str. 3 do 21 Kragi}, B.: Tipologija `enskih zvijezda ameri~kog filma<br />

Alberoni, Francesco (1962) ’L’Elite irresponsable: theorie et recherche<br />

sociologique sur le divismo’. Ikon, 12 (1962) 40/1, 45-62.<br />

Balio, Tino (1995) Grand Design: Hollywood as a Modern Business Enterprise<br />

1930-1939: Berkeley: University of California Press.<br />

Barthes, Roland (1957) ’Le visage de Garbo’. U: Mythologies. Pariz: Le<br />

Seuil.<br />

Beauvoir, Simone de (1960) Brigitte Bardot and the Lolita Syndrome.<br />

London: André Deutsch/Weidenfeld & Nicolson. Isto u Claude Francis<br />

i Fernand Goutier (urednici) (1979) Les Ecrits de Simone de Beauvoir.<br />

Pariz: Gallimard.<br />

Bourget, Jean-Loup (1998) Hollywood, la norme et la marge. Pariz: Nathan.<br />

Bourget, Jean-Loup (2000) ’Naissance, évolution et décadence du star<br />

system américain’. U: Farinelli (2000), 197-208.<br />

Britton, Andrew (2000) ’Stars and genre’. U: Gledhill (2000), 198-206.<br />

Castello, Giulio Cesare (1957) Il Divismo. Rim.<br />

Cavell, Stanley (1981) Pursuits of Happiness. The Hollywood Comedy of<br />

Remariagge. Cambridge, Massachusetts: Harvard University Press.<br />

deCordova, Richard (2000) ’The emergence of the star system in America’.<br />

U: Gledhill (2000), 17-29.<br />

Della Vacche, Angela (2000) ’Amour éternel: l’héritage de la diva italienne’.<br />

U: Farinelli et al. (2000), 89-106.<br />

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Pariz.<br />

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York: Routledge.<br />

Haskell, Molly (1987) From Reverence to Rape. Chicago: The University<br />

of Chicago Press.<br />

Hediger, Vinzenz (2000) ’Ce qui fait la star: des difficultés d’appréhension<br />

théorique du phénomène de la star’. U: Farinelli (2000), 21-27.<br />

King, Barry (2000) ’Articulating stardom’. U: Gledhill (2000), 167-182.<br />

Vatrena mlade` (Flaming Youth, 1923), r. John F. Dillon, ul. Colleen Moore<br />

Velika la` (The Great Lie, 1941), r. Edmund Goulding, ul. Bette Davis<br />

Vrtoglavica (Vertigo, 1958), r. Alfred Hitchcock, ul. James Stewart, Kim<br />

Novak<br />

Zameo ih vjetar (Gone With the Wind, 1939), r. Victor Fleming, ul. Vivian<br />

Leigh, Clark Gable, Leslie Howard, Olivia De Havilland<br />

Zgodna `ena (Pretty Woman, 1990), r. Gary Marshall, ul. Julia Roberts,<br />

Richard Gere<br />

Zmijsko leglo (The Snake Pit, 1949), r. Anatole Litvak, ul. Olivia De Havilland<br />

Zvona sv. Marije (The Bells of St. Mary’s, 1945), r. Leo McCarey, ul. Ingrid<br />

Bergman, Bing Crosby<br />

@ena godine (Woman of the Year, 1942), r. George Stevens, ul. Katharine<br />

Hepburn, Spencer Tracy<br />

@ena s dva lica (Two-Faced Woman, 1941), r. George Cukor, ul. Greta<br />

Garbo<br />

@ena u izlogu (Woman in the Window, 1944), r. Fritz Lang, ul. Edward<br />

G. Robinson, Joan Bennet<br />

@ene (Women, 1939), r. George Cukor, ul. Norma Shearer, Joan Crawford<br />

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Feature Picture 1915-1928. Berkeley: University of California<br />

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The Film Studies Reader. London: Arnold, 134-139.<br />

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Myth. Oxford et al.: Oxford University Press.<br />

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(gl. ur. A. Peterli}). Zagreb: JLZ Miroslav Krle`a<br />

McDonald, Paul (2000) The Star System. London: Wallflower.<br />

Menarini, Roy (2000) ’Les stars à l’époque contemporaine’. U: Farinelli<br />

(2000), 219-228.<br />

Morin, Edgar (1984) Les Stars. Pariz: Editions Galiiée.<br />

Patalas, Enno (1963) Sozialgeschichte der Stars. Hamburg: Marion von<br />

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Peterli}, Ante (1973) ’Zle `ene’. 15 dana, 16 (1973) 7, 28-31.<br />

Peterli}, Ante (1986) Dobra prijateljica; Fatalna `ena; Flapper. U: Filmska<br />

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Krle`a<br />

Peterli}, Ante (2002) ’Sustav zvijezda — u starom i novom Hollywoodu<br />

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Powdermaker, Hortense (1950) Hollywood, the Dream Factory. An Anthropologist<br />

Looks at the Movie-makers. Boston: Little, Brown and<br />

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ur. A. Peterli}). Zagreb: JLZ Miroslav Krle`a.<br />

Schickel, Richard (1962) The Stars. New York.<br />

Steiger, Janet (2000) ’Seeing Stars’. U: Gledhill (2000), 3-16.<br />

Thompson, John O. (2000) ’Screen acting and the commutation test’. U:<br />

Gledhill (2000), 183-197.<br />

Tudor, Andrew (1975) Image and Influence: Studies in the Sociology of<br />

Film. New York: St. Martin’s Press.<br />

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H R V A T S K I F I L M S K I L J E T O P I S 42/2005.<br />

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