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VOLTAGE-CONTROL METHODS 91<br />

TRIGGER<br />

GATE<br />

.-J<br />

AR-TYPE<br />

GENERATOR<br />

OUTPUT<br />

SUSTAIN<br />

I<br />

I<br />

I<br />

RETRIGGER<br />

ADSR-TYPE<br />

GENERATOR<br />

OUTPUT<br />

Fig. 3-6. Typical envelope generator outputs<br />

mechanical control. As long as the gate is held high, the envelope remains in<br />

its steady state. When the gate turns <strong>of</strong>f, the envelope makes a decay transition<br />

back toward zero. Again, the decay period is adjustable with a panel<br />

control. Note that the trigger signal is not really needed, since it has no<br />

influence on the envelope output. Such a simplified envelope generator is<br />

called an attack-release (AR) generator.<br />

A more sophisticated envelope generator is the attack--decay-sustainrelease<br />

(ADSR) type. Four parameters define its shape. The slope <strong>of</strong> the<br />

initial attack and the final decay are adjustable as with the AR type. However,<br />

the initial attack overshoots above the steady-state sustain level. Thus,<br />

the additional parameters are the amount <strong>of</strong>overshoot and the duration <strong>of</strong> the<br />

initial decay from the overshoot level to the sustain level. Note that the<br />

trigger pulse can reinitiate the overshoot cycle even if the gate remains h.igh.<br />

The ADSR shape is preferred, since the initial overshoot resembles the action<br />

<strong>of</strong>many musical instrument types. Also, because <strong>of</strong>its retriggering capability,<br />

rapidly repeated notes at the same frequency are readily distinguished. If<br />

desired, the controls can be set to simulate the simpler AR shape. Although<br />

the transitions are shown as linear ramps, typical circuit implementations <strong>of</strong><br />

envelope generators usually result in a decaying exponential shape.<br />

Music Keyboard<br />

The most common manual input to a synthesizer is through a standard<br />

organ-like keyboard with a three- to five-octave range. Outputs from the<br />

keyboard are a control voltage and trigger and gate digital signals. The<br />

control voltage output always corresponds to the key last pressed. Depending<br />

on the design, the output voltage with two keys pressed is equal to the lowest<br />

key, the highest key, or some intermediate value. The trigger pulse is<br />

generated on the initial depression <strong>of</strong>a key, and the gate is on as long as a key<br />

is pressed.<br />

Most keyboards have three mechanical controls. One is for adjusting<br />

volts per octave and another is for adjusting the voltage level <strong>of</strong> the lowest

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