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DIGITAL FILTERING<br />

497<br />

INPUT ~8~~~~~---.-~_. ~ =<br />

r + ~ +r<br />

A<br />

~1--+---"""'8><br />

I<br />

F = TURNOVER FREQUENCY<br />

o ~ _F_ WHERE Frl "'- UPPEA 90~ POINT AND<br />

FH-L Fl = LOWER 90° POINT AND<br />

FH- FL IS TRANSITION WIDTH<br />

( - rrF)<br />

A '" 2 cos (21TF) exp -0-<br />

( -2rrF)<br />

B = exp -0-<br />

Fig. 14-11. Digital all-pass filter<br />

smeared out in time. The effect is called dispersion and is quite analogous to<br />

the effect <strong>of</strong> a prism on white light. Figures 14-lOC and D illustrate an<br />

extreme case <strong>of</strong> dispersion. Usually, high frequencies are delayed least, which<br />

means that the transient is converted into a quickly descending frequency<br />

sweep having a "thunk"-like sound. Such an extreme case gives the auditory<br />

illusion <strong>of</strong> the sound being sent over a lOO-foot stretched wire and in fact is<br />

heard frequently on long-distance telephone circuits. Such a large amount <strong>of</strong><br />

dispersion requires many filter sections in combination to emulate.<br />

Figure 14-11 shows a second order all-pass filter that is a useful building<br />

block. Like all other second order digital filters, it is an adaptation <strong>of</strong> the<br />

cannonical form; however, due to symmetry <strong>of</strong> the constants and unity gain,<br />

three <strong>of</strong> the five multiplications can be bypassed. Examination <strong>of</strong> the constants<br />

reveals that the feedforward and feedback paths are completely complementary.<br />

Essentially, the zeroes cancel the poles to produce a"flat amplitude<br />

response, but since phase shifts add rather than multiply, the frequencysensitive<br />

phase shift is reinforced.<br />

The phase and delay characteristics <strong>of</strong> the basic second order all-pass<br />

filter section are shown in Fig. 14-12. At low frequencies, the phase shift is<br />

near zero and at high frequencies it is 360° with a monotonic, though<br />

nonlinear, transition between. Two parameters describe the filter. One is the<br />

"turnover frequency" at which the phase shift is 180°. The other is called the<br />

"transition width" and is related to the sharpness <strong>of</strong> the transition from 0° to<br />

360° shift, quite analogous to the Q <strong>of</strong> a bandpass filter. The edges <strong>of</strong> the<br />

transition zone are where the phase shift is 90° and 270°. The delay curve

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