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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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DIGITAL FILTERING 501<br />

frequency is low, the result is essentially the step response <strong>of</strong> the component.<br />

Although few manfacturers care to admit it, hi-fi components act like<br />

bandpass filters and the step response reveals a lot (in fact, everything) about<br />

the "filter's" characteristics.<br />

The same idea applies to the impulse response, but the test signal is a<br />

very narrow pulse rather than a voltage step. In theory the pulse should have<br />

zero width, infinite amplitude, and finite energy content. In practice, an<br />

analog impulse has a width that is small in comparison to the fastest responding<br />

element <strong>of</strong>.the filter under consideration and a height small enough to<br />

avoid distortion. In a digital system, the impulse is quite simple: just a<br />

single 1.0 sample surrounded by a sea <strong>of</strong> zeroes. The spectrum <strong>of</strong> an isolated<br />

!'.O! · --a-b L<br />

::liE 0· ~.. ~ 0lliJlllilllilll<br />

~ TIME FREOUENCY<br />

IMPULSE WAVEFORM<br />

IMPULSE SPECTRUM<br />

~ .0<br />

:::><br />

~ •• e.<br />

~ ...,...::.'----_.....-....,..:.~..<br />

~ .'<br />

• •<br />

TIME<br />

IMPULSE RESPONSE<br />

WAVEFORM<br />

~ ~<br />

~~<br />

,<br />

~<br />

FREQUENCY<br />

IMPUlSE RESPONSE<br />

SPECTRUM<br />

.<br />

~ .. e.<br />

~ . .e.<br />

:J • e.<br />

11.~---

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