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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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Preface<br />

The period encompassing the mid-1970s until now has seen an explosive<br />

growth in the application <strong>of</strong> digital logic, especially programmed logic and<br />

microcomputers. The key to this growth is the fantastic reduction in the cost<br />

<strong>of</strong> logic and memory and the development <strong>of</strong> the microprocessor. In<br />

particular, microprocessors and microcomputer systems built around them<br />

make it possible, practical, and even advisable to perform many functions<br />

using computer techniques that would have been done with conventional<br />

logic or analog circuits a very few years ago.<br />

Although many computer music techniques were developed over a<br />

decade earlier, their widespread use in the broader area <strong>of</strong> electronic music<br />

has not yet materialized. Now, however, the increasing power <strong>of</strong> microprocessors<br />

and their fantastic low cost make such widespread use inevitable.<br />

Many <strong>of</strong>' these existing techniques cannot or should not be used directly,<br />

however. Although a microprocessor bears considerable resemblance<br />

to the large-scale machines on which these techniques were developed, there<br />

are important differences. Additionally, there are numerous new techniques<br />

that lend themselves well to microprocessor implementation but that are<br />

completely impractical using a large-scale mainframe or even minicomputer.<br />

In the pages to follow, the application <strong>of</strong> all important electronic and<br />

computer music performance techniques to microprocessors will be covered.<br />

In addition, some new, not generally known, techniques that are only<br />

practical with microprocessors will be discussed. Finally, some <strong>of</strong> the<br />

extremely powerful big computer signal-processing techniques will be<br />

presented in nonmathematical language and applied to the more powerful<br />

16-bit microprocessors that are becoming commonplace.<br />

The text is divided into four major sections. Chapters 1 to 5 cover<br />

important background material, the understanding <strong>of</strong>which is necessary for<br />

full appreciation <strong>of</strong>the sections to follow. Chapters on analog music synthesis<br />

principles, digital music synthesis principles, and microprocessors should

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