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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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588 MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

corresponds to the fundamental frequency <strong>of</strong> the sound. The reciprocal <strong>of</strong> the<br />

quefrency <strong>of</strong> the peak is the fundamental frequency. This peak will be present<br />

even if the actual fundamental and several lower harmonics <strong>of</strong> the analyzed<br />

tone are missing, a situation that confuses pitch detectors using low-pass<br />

preprocessing.<br />

However, confusion is possible in certain cases. For example, if the<br />

excitation function has only odd order harmonics such as a square or triangular<br />

wave, the cepstrum will give a fundamental frequency twice its correct<br />

value. This is because the cepstrum essentially responds to periodicity <strong>of</strong><br />

harmonic spacing, and the spacing <strong>of</strong> odd order harmonics is twice the fundamental<br />

frequency. A pure sine wave, which all other schemes discussed<br />

handle beautifully, gives a pitch estimate equal to the reciprocal <strong>of</strong> the record<br />

length used in analysis! These failures could be a problem with certain kinds<br />

<strong>of</strong> musical instrument sound such as a clarinet or a flute. Thus, cepstral pitch<br />

detection should be augmented by other pitch-detection schemes for<br />

maximum accuracy.

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