- Page 4: Musical Applications of Microproces
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- Page 56 and 57: :4 tORadModification Methods All th
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SoUND MODIFICATION METHODS 51 OUTPU
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SOUND MODIFICAnON METHODS 53 OUTPUT
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SOUND MODIFICATION METHODS 55 outpu
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SOUND MODIFICATION METHODS 57 FREQU
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SOUND MODIFICATION METHODS S9 -20 d
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SOUND MODIFICAnON METHODS 61 simple
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SoUND MODIFICATION METHODS 63 The m
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SOUND MODIFICATION METHODS 65 longe
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SOUND MODIFICATION METHODS 67 L(VJ"
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SOUND MODIFICATION METHODS 69 The e
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SOUND MODIFICATION METHODS 71 plish
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SOUND MODIFICATION METHODS 73 ,"PWU
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:1 Voltage Control Methods As brief
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VOLTAGE-CONTROL METHODS 77 A signal
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VOLTAGE-CONTROL METHODS 79 drive mu
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VOLTAGE-CONTROL METHODS 81 understa
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VOLTAGE-CONTROL METHODS 83 high one
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VOLTAGE-CONTROL METHODS 85 Typicall
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VOLTAGE-CONTROL METHODS 87 The last
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VOLTAGE-CONTROL METHODS 89 two is r
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VOLTAGE-CONTROL METHODS 91 TRIGGER
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VOLTAGE-CONTROL METHODS 93 scanning
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VOLTAGE-CoNTROL METHODS 95 and the
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VOLTAGE-CONTROL METHODS 97 Perhaps
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RATIO CONTROL VOLTAGE-CONTROL METHO
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4 Direct COHiputer SynthesisMethods
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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DIRECT COMPUTER SYNTHESIS METHODS 1
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5 ~icroprocessors The development o
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MICROPROCESSORS 127 the size of the
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MICROPROCESSORS 129 it-yourself com
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MICROPROCESSORS 131 of little more
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MICROPROCESSORS 133 further reduced
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MICROPROCESSORS 135 perhaps one was
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MICROPROCESSORS 137 significant dif
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MICROPROCESSORS 139 Microcomputer P
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MICROPROCESSORS 141 as a fast metho
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MICROPROCESSORS 143 that was quickl
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MICROPROCESSORS 145 CRT Display In
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MICROPROCESSORS 147 The best device
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MICROPROCESSORS 149 Text Editor Muc
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MICROPROCESSORS 151 well as applica
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MICROPROCESSORS 153 mabIe waveforms
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MICROPROCESSORS 155 1 million bytes
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MICROPROCESSORS 157 A close examina
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MICROPROCESSORS 159 right will set
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MICROPROCESSORS 161 8 MHz CLOCK FUN
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MICROPROCESSORS 163 conjunction wit
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MICROPROCESSORS 165 Table 5-2. 6800
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MICROPROCESSORS 167 registers can b
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MICROPROCESSORS 169 Instruction Set
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Table 5-4. 68000 Instruction Set Su
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MICROPROCESSORS 173 and is set the
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SECTIONII Com uterControlled Analog
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178 MUSICAL ApPLICATIONS OF MICROPR
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268 MUSICAL ApPLICATIONS OF MICROPR
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B SignalBouting In the previous two
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SIGNAL ROUTING 273 COMPUTER Fig. 8-
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SIGNAL ROUTING 275 if all subsystem
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SIGNAL ROUTING 277 I MUSIC KEYS +
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SIGNAL ROUTING 279 First, the set o
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SIGNAL ROUTING 281 completely impra
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SIGNAL ROUTING 283 COLUMNS ~ ~A. ~
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SIGNAL ROUTING 285 functions that e
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SIGNAL ROUTING 287 Increasing Flexi
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SIGNAL ROUTING 289 the equivalent c
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9 Organ Keyboard In,terface After a
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ORGAN KEYBOARD INTERFACE 293 that a
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ORGAN KEYBOARD INTERFACE 295 PARALL
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ORGAN KEYBOARD INTERFACE 297 one of
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ORGAN KEYBOARD INTERFACE 299 quite
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ORGAN KEYBOARD INTERFACE 301 74LS36
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ORGAN KEYBOARD INTERFACE 303 1--+--
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ORGAN KEYBOARD INTERFACE 305 r-----
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ORGAN KEYBOARD INTERFACE 307 with t
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ORGAN KEYBOARD INTERFACE 309 0100 F
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ORGAN KEYBOARD INTERFACE 311 0228 F
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ORGAN KEYBOARD INTERFACE 313 +5 +5
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ORGAN KEYBOARD INTERFACE 315 Table
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ORGAN KEYBOARD INTERFACE 317 SERCTL
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ORGAN KEYBOARD INTERFACE 319 Fig. 9
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10 Otherlnput~ethod8 Quite a number
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OrHER INPUT METHODS 323 Related dir
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OTHER INPUT METHODS 325 Another nov
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OrHER INPUT METHODS 327 SIGNAL INPU
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OTHER INPUT METHODS 329 DESIRED WAV
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OTHER INPUT METHODS 331 would first
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OrHER INPUT METHODS 333 INPUT SEQUE
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OrHER INPUT METHODS 335 11111110101
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OrHER INPUT METHODS 337 input into
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340 MUSICAL ApPLICATIONS OF MICROPR
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364 MUSICAL ApPLICATIONS OF MICROPR
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12 Digital-to-Analog andAnalog-to-D
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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+4 +3 +2 +1 0 -I -2 -3 -4 AMPLITUDE
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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Ripple = 0.25 dB Cutoff frequency =
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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t:J Table 12-2. Design Data for Ell
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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Sample Spectrum' ~ Number 0 1 2 3 4
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446 MUSICAL ApPLICATIONS OF MICROPR
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448 MUSICAL ApPLICATIONS OF MICROPR
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450 MUSICAL ApPUCATIONS OF MICROPRO
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VI "" N ~ Table 13-1. Intermediate
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454 MUSICAL ApPLICATIONS OF MICROPR
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1.0 0.8 0.6 0.4 0.2 0 a 6 8 10 14 1
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472 MUSICAL ApPLICATIONS OF MICROPR
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o ~ -10 UJ a 2 -20 :::; "- ""
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15 Percussive Sound Generation Up t
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PERCUSSIVE SOUND GENERATION 529 h~-
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PERCUSSIVE SOUND GENERATION 531 r--
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PERCUSSIVE SOUND GENERATION 533 Wor
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PERCUSSIVE SOUND GENERATION 535 A m
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PERCUSSIVE SOUND GENERATION 537 BOO
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PERCUSSIVE SOUND GENERATION 539 fA-
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PERCUSSIVE SOUND GENERATION 541 exc
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544 MUSICAL ApPLICATIONS OF MICROPR
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546 MUSICAL ApPLICATIONS OF MICROPR
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FREOUENCY CONTROL FROM CONTROL COMP
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608 MUSICAL ApPLICATIONS OF MICROPR
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634 MUSICAL ApPLICATIONS OF MICROPR
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OAC MCI408L8 MS8 1081T OAC OATA CHA
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18 Music Synthesis Software With fe
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MUSIC SYNTHESIS SOFTWARE 641 Often,
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MUSIC SYNTHESIS SOFTWARE 643 only f
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MUSIC SYNTHESIS SOFTWARE 645 operat
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MUSIC SYNTHESIS SOFTWARE 647 signed
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MUSIC SYNTHESIS SOFTWARE 649 _27 2
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MUSIC SYNTHESIS SOFTWARE 651 operan
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MUSIC SYNTHESIS SOFTWARE 653 1. Dou
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MUSIC SYNTHESIS SOFTWARE 655 0069 1
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MUSIC SYNTHESIS SOFTWARE 657 0199 1
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MUSIC SYNTHESIS SOFTWARE 659 two re
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MUSIC SYNTHESIS SOFTWARE 661 ,-----
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MUSIC SYNTHESIS SOFTWARE 663 0289 2
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MUSIC SYNTHESIS SOFTWARE 665 0289 2
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MUSIC SYNTHESIS SOFTWARE 667 also p
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MUSIC SYNTHESIS SOFTWARE 669 0005 0
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MUSIC SYNTHESIS SOFTWARE 671 0136 0
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MUSIC SYNTHESIS SOFTWARE 673 softwa
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MUSIC SYNTHESIS SOFTWARE 675 BLOCK
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MUSIC SYNTHESIS SOFTWARE 677 Fig. 1
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MUSIC SYNTHESIS SOFTWARE 679 1.0 w
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MUSIC SYNTHESIS SOFTWARE 681 CALL L
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MUSIC SYNTHESIS SOFTWARE 683 ~ 1.0
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MUSIC SYNTHESIS SOFTWARE 685 CALL L
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MUSIC SYNTHESIS SOFTWARE 687 inform
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MUSIC SYNTHESIS SOFTWARE 689 Exampl
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MUSIC SYNTHESIS SOFTWARE 691 harmon
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MUSIC SYNTHESIS SOFTWARE 693 though
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MUSIC SYNTHESIS SOFTWARE 695 execut
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MUSIC SYNTHESIS SOFTWARE 697 Howeve
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MUSIC SYNTHESIS SOFTWARE 699 Many o
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MUSIC SYNTHESIS SOFTWARE 701 Playba
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MUSIC SYNTHESIS SOFTWARE 703 interp
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19 Some RealApplications In previou
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SOME REAL ApPLICATIONS 709 is aimed
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SOME REAL ApPLICATIONS 711 The Synt
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SOME REAL ApPLICATIONS 713 PRESSURE
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SOME REAL ApPLICATIONS 715 Fig. 19-
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SOME REAL ApPLlCATIONS 717 the main
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SOME REAL ApPLICATIONS 719 r-"1"--o
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SOME REAL ApPLICATIONS 721 ~~ILT VC
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SOME REAL ApPLICATIONS 723 14 is te
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SOME REAL ApPLICATIONS 725 The anal
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SOME REAL ApPLICATIONS 727 for that
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SOME REAL ApPLICATIONS 729 copying,
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SOME REAL ApPLICATIONS 731 Fig. 19-
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SOME REAL ApPLICATIONS 733 Fig. 19-
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SOME REAL ApPLICATIONS 735 customer
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SOME REAL ApPLICATIONS 737 amplitud
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SOME REAL ApPLICATIONS 739 many unu
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SOME REAL ApPLICATIONS 741 oBUS PRO
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SOME REAL ApPLICATIONS 743 simultan
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SOME REAL ApPLICATIONS 745 COMMAND
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SOME REAL ApPLICATIONS 747 used by
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SOME REAL ApPLICATIONS 749 name fol
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SOME REAL ApPLICATIONS 751 ANY r NU
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+I~ - _~~0= o GEN DUNTIME GENI NUMB
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SOME REAL ApPLICATIONS 755 generate
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758 MUSICAL ApPLICATIONS OF MICROPR
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Appendix Comparison of Popular Oper
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792 MUSICAL ApPLICATIONS OF MICROPR
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Index Accumulator dividet, 595-597
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INDEX 797 Digitizer, graphic, 324,
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INDEX 799 Language (continued) BASI
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INDEX 801 Pitch, musical, 14-15 pet
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Hal Chamberlin By Sonikmatter dot c
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weeks ago, the new "target=" _blank
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invited to try it for an afternoon
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would become a lot more sophisticat
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standard scales or 8 user specified
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substantially. SONIK : The KSP8 has
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Naturally there is a lot of softwar
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hardware based development has slow
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I think you can see that I have a s
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is toward controllers and player in