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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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OrHER INPUT METHODS<br />

335<br />

1111111010101011<br />

0011001000100011<br />

1100001010000011<br />

000000100000001<br />

(0)<br />

0001110001001011<br />

1000000110010010<br />

0110111001000001<br />

0101101101011001<br />

0110000111110110<br />

1111010111010001<br />

0000110110001111<br />

0011100110001011<br />

0100100010100101<br />

0100111011101100<br />

1111011111101001<br />

1001101010001100<br />

0001110101010111<br />

1100101000010011<br />

1111110000101111<br />

000110100000001<br />

{El<br />

Fig. 10-10. Some B-bit feedback shift register sequences (cont.) (D) Switches =<br />

10000001. (E) Switches = 00011101. This is the longest possible<br />

sequence using an B-bit register (255 bits).<br />

small number <strong>of</strong> stages can create a nearly infinite number <strong>of</strong> different<br />

patterns ranging from highly structured to virtually random. The sequence<br />

length (number <strong>of</strong> clock cycles necessary to cause the sequence to repeat)<br />

varies from just 2 to 2 N -1, where N is the m;mber <strong>of</strong> shift register stages.<br />

From this vast array <strong>of</strong> sequences, Fig. 10-10 S:10WS a few <strong>of</strong> those possible<br />

with an 8-bit register.<br />

The Muse<br />

At least one interesting device has been marketed that is based on the<br />

feedback shift register principle. It is called the "Muse" and is advertised as a<br />

music composition machine with which the user, by setting several levers<br />

and swItches, controls a sequence generator, WhICh 10 rurn controls a single<br />

oscillator to produce notes.<br />

A simplified block diagram <strong>of</strong> the device is shown in Fig. 10-11.<br />

Thirty-eight different digital signals are generated by several counter stages<br />

and a 31-stage shift register. These signals along with constant 0 and 1 are

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