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SOURCE-SIGNAL ANALYSIS 545 nOdB T I ME (psec) FREQ.(kHz) (A) ~ ----------------------- ~/-----~~------------ ~.r- ~ AMPLITUDE t FREOUENCYt ~"- ~v~ /", ~~/~ ~/,.~ ~ -, ~-~/~ -------------- ~ ~'----- ---.--/.~ ~--------- ~--~-~-~.~ ~ .~ -------~~ .~ -----------------~ TIME-- (B) J Fig. 16-1. Methods of representing three-dimensional spectral data in two dimensions. (A) Isometric projection. Source: Audio Engineering Society Preprint No. 1139, "Three-Dimensional Displays for Demonstrating Transient Characteristics of Loudspeakers," 1976. (8) Stack of two-dimensional curves.
546 MUSICAL ApPLICATIONS OF MICROPROCESSORS ",111111111111111111111111111111111"", '1""""'I"""Il'H""IIIII'" .",111111111111111111111111111111111111111111"" . . ,11111111111"'111111'1'111l111111l1111111111111l111l',,, ,'11111111111111111",. ""1111111,, ... 111111111111,. ,.111111111111,., 'dlllllllllllllllllllllll"'"'' .11"111,,, ,,,"'11111111111111111111''',, .",1111111111111111111"""" ",11111"",,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ,,,,,,1111,,,,,,,,,,,,, ."11,,,. "111111111111111111111"'1'''"""",,,, AMPLITUDEt ""'111"1'11'1'1"'1'11"'1""11"1'111111"" ,', "'""11111111111"'11111111111111111""'''"",,,,, ",,,,,1111111111111111111111111111111 11111" ,,111111 11111111111111111111111111"'1'''""" """"11111111111111111111111111111111111111",, ,1111'"" ,,,11,'11111111111111'11''',,,,, FREQUENCYt ""ll1lll!llllllllIllllllllll,,,,,,'IIIII!lI'. ",," """,,,,,,,,,11111, ",1111111111111111111"". ""111111111111111111111111111111111." ,'1I11l11l1l11111l1l1I1l1l111l1l111 .",IlIII!IlII""". "",'1111111111111111111111111 11111111111"". ,,,,,","1111111111111",,,, .. ,,,,11111111111111111111111111111111111111111111111',,, .... ""11""'""""', .",1111111111111111111111I11111111111111t111111!1111I1111, .,dllll,,,,, '''''111111111111111111111111111111'''''''''''''' 11111'"""" ,'IIIIIIIIIIIl'ItIlIJIIIIII, ,011111111111111111111111111111111",,,. ,,1111111111111111111, ""1111111111111111111"",,, ",,,1111111111,,, ,11111111111111111'"""" .Idillllllllllllll"" T1ME- {el f1ME-- , , II I' J 1 il11 J I t J I I I 11111111 I I I I I 11111111 111111 I 1 I I I I J I I I I I 111111 I I I 111111111 I I' 1111111111111 I 1111111111111 , I 1'1111111 I '1'1 I I , ,, , , , " , (01 :~- .::- -:~ -"- -!, -!~ -:c (El Fig. 16-1. Methods 01 representing three-dimensional spectral data in two dimensions (cont.) (C) True 3-D using bar lines lor Z axis. (D) Gray scale (Kay sonagram). (E) Gray scale (line printer),
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Musical Applications of Microproces
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© 19B5 by Hayden Books A Division
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serve to acquaint the general reade
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SECfrON II. Computer-Controlled Ana
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17. Digital Hardware 589 AnalogModu
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1 Music Synthesis Principles Creati
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MUSIC SYNTHESIS PRINCIPLES 5 own ar
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MusIC SYNTHESIS PRINCIPLES 7 Increa
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MUSIC SYNTHESIS PRINGPLES 9 VERY SM
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MUSIC SYNTHESIS PRINOPLES 11 repres
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MUSIC SYNTHESIS PRINCIPLES 13 The w
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MUSIC SYNTHESIS PRlNCIPLES 15 was c
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MUSIC SYNTHESIS PRlNOPlES 17 In act
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MUSIC SYNTHESIS PRINCIPLES 19 SIN (
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MUSIC SYNTHESIS PRINCIPLES 21 lILt!
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MUSIC SYNTHESIS PRINCIPLES 23 - ,--
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MUSIC SYNTHESIS PRINOPLES 25 + or--
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MUSIC SYNTHESIS PRINCIPLES 27 Human
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MUSIC SYNTHESIS PRINOPLES 29 fundam
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MUSIC SYNTHESIS PRINCIPLES 31 frequ
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MUSIC SYNTHESIS PRINCIPLES 33 from
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MUSIC SYNTHESIS PRINCIPLES 35 ever,
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MUSIC SYNTHESIS PRINCIPLES 37 have
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MUSIC SYNTHESIS PRINCIPLES 39 No li
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MUSIC SYNTHESIS PRINCIPLES 41 cropr
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60 MUSICAL ApPLICATrONS OF MICROPRO
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68 MUSICAL ApPLICAnONS OF MICROPROC
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82 MUSICAL ApPUCATIONS OF MICROPROC
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84 MUSICAL ApPUCATIONS OF MICROPROC
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vvv·(B) 86 MUSICAL ApPLICATIONS OF
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100 MUSICAL ApPLICAnONS OF MICROPRO
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102 MUSICAL ApPLICATIONS OF MICROPR
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Table 5-1. 6502 Instruction Set Lis
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Coding Table 5-3. 68000 Addressing
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Table 5-4. 68000 Instruction Set Su
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Table 5-4. 68000 Instruction Set Su
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6 BasicAnalogModules Probably the m
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BASIC ANALOG MODULES 179 tage remai
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BASIC ANALOG MODULES 181 Op-amps ma
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BASIC ANALOG MODULES 183 '0: :? u
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BASIC ANALOG MODULES 185 with an id
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BASIC ANALOG MODULES 187 EXPONENTIA
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BASIC ANALOG MODULES 189 (or 0.9766
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BASIC ANALOG MODULES 191 4R Vr'o'M
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BASIC ANALOG MODULES 193 tooth with
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BASIC ANALOG MODULES 195 +IOVrel PU
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BASIC ANALOG MODULES 197 Table 6-1.
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BASIC ANALOG MODULES 199 constants
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BASIC ANALOG MODULES 201 12 ~ E 1-
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BASIC ANALOG MODULES 203 R2 R3 100
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BASIC ANALOG MODULES 205 fore, must
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BASIC ANALOG MODULES 207 For peak p
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BASIC ANALOG MODULES 209 22 pF RI S
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BASIC ANALOG MODULES 211 INPUT~OUTP
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BASIC ANALOG MODULES 213 Voltage-Tu
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BASIC ANALOG MODULES 215 +20 +15 +1
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BASIC ANALOG MODULES 217 100 ko. BA
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BASIC ANALOG MODULES 219 +15 V0----
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Digital-to-Analog and tlnalog-to-Di
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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300 MUSICAl ApPLICATIONS OF MICROPR
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11 CORtrolSequeRce Display andEditi
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CONTROL SEQUENCE DISPLAY AND EDITIN
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SECTIONIII DigitalSynthesis antl So
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Table 12·1. Design Data for Chebys
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~ o Table 12·1. (Cont.) Ripple = 1
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13 Digital Tone Generation Teehniqu
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DIGITAL TONE GENERATION TECHNIQUES
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Sample Number Harm. No. o 2 3 4 5 6
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Sample Spectrum Number 0 1 2 3 4 5
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1,0 0,8 0,6 0.4 0,2 °0 10 12 14 16
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1,o,-----------,----------" Y Ol---
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14 DigitalFiltering In analog synth
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DIGITAL FILTERING 483 Input Samples
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DIGITAL FILTERING 485 the input wav
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DIGITAL FILTERING 487 where 0 is no
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DIGITAL FILTERING 489 BAND REJECT >
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DIGITAL FILTERING 491 Next the inpu
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DIGITAL. FILTERING 493 circuits mak
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DIGITAL HARDWARE 595 FREQUENCY CONT
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DIGITAL HARDWARE 597 Fig. 17-7. Pha
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DIGITAL HARDWARE 599 MOST SIGNIFICA
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DIGITAL HARDWARE 601 waveform chang
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DIGITAL HARDWARE 603 As an example,
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DIGITAL HARDWARE 605 1. Sixteen ind
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DIGITAL HARDWARE 607 discussed, the
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DIGITAL HARDWARE 609 between the 41
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DIGITAL HARDWARE 611 8-BIT PORT I M
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FREOUENCY CONTROL IN I I 20 FREOUEN
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DIGITAL HARDWARE 615 TO MULTIPLEXED
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FREQ. :a.-8 CNTL. WRITE FREQ. I 20
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DIGITAL HARDWARE 619 effective freq
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DIGITAL HARDWARE 621 The signal mem
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DIGITAL HARDWARE 623 into a filter
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DIGITAL HARDWARE 625 made using con
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DIGITAL HARDWARE 627 A Hybrid Voice
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DIGITAL HARDWARE 629 o -5 -10 -15 ~
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DIGITAL HARDWARE 631 o -5 -10 -15 ~
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DIGITAL HARDWARE 633 D3 02 01 10 00
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DIGITAL HARDWARE 635 plementers on
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DIGITAL HARDWARE 637 taken care of
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SECTIONIV ProductApplications andth
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716 MUSICAL ApPLICATIONS OF MJCROPR
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RING MOD VCD A PITCHo--+lcNTL OUT A
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20 Low-CostSYllthesis Techniques Wh
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LOW-COST SYNTHESIS TECHNIQUES 759 g
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LOW-COST SYNTHESIS TECHNIQUES 765 S
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LOW-COST SYNTHESIS TECHNIQUES 767 c
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LOW-COST SYNTHESIS TECHNIQUES 769 O
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LOW-COST SYNTHESIS TECHNIQUES 773 F
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LOW-COST SYNTHESIS TECHNIQUES 775 F
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LOW-COST SYNTHESIS TECHNIQUES 777 f
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21 Future Frequently, when glvmg ta
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LOW-COST SYNTHESIS TECHNIQUES 785 "
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LOW-COST SYNTHESIS TECHNIQUES 787 m
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LOW-COST SYNTHESIS TECHNIQUES 789 a
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Bibliography The following publicat
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BIBLIOGRAPHY 793 DMA DOS FET FFT FI
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(Communication) Minor - Computer Sc
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newsletter, writing numerous articl
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conversion subsystem, especially if
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In the beginning the company was su
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HAL : I really haven't kept up with
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was clear he was serious, I named m
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influences too like interrupts from
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SONIK : What activities do you do o
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as a homework assignment. So much o
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Musical Applications of Microproces
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