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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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BASIC ANALOG MODULES 189<br />

(or 0.9766 for a binary-calibrated system) and C could be varied from zero up<br />

to perhaps 3 octavesN. The "tune" control determines the basis frequency<br />

(frequency with all inputs at zero) by feeding a variable dc voltage directly<br />

into the summer. A fine-tuning control and more inputs can be added to this<br />

sttucture essentially without limit. Note that algebraic summation <strong>of</strong> the<br />

input voltages is inherent; thus, a negative voltage at one <strong>of</strong> the inputs will<br />

counteract a positive voltage at another input.<br />

The output voltage from the input processor is scaled by adjusting the<br />

value <strong>of</strong> R relative to the input resistors. Since this circuit will drive the base<br />

<strong>of</strong> an exponential converter transistor directly, the transistor equation must<br />

be solved to determine the range <strong>of</strong> output voltages needed. It turns out that<br />

a 0.018-V increase in base voltage will double the collecror current at room<br />

temperature. It is common practice to set R to 2,000 ohms when WOK<br />

input resistors are used which would scale a 1-V input down to 0.020 V. An<br />

internal trimming potemiometer between the op-amp output and the exponential<br />

converter base is then used to adjust to the exact value needed<br />

around 18 mY. Note that the polarity inversion (positive-going input voltages<br />

produce negative-going outputs) precisely matches the requirements <strong>of</strong><br />

the exponential converter.<br />

Assuming that the tuning control is set to midrange (no net effect on<br />

the control voltage sum) and all control inputs are zero, the output <strong>of</strong> this<br />

circuit would also be zero. The exponential converter would then produce a<br />

current equal to the reference current, which is typically set to 10 !LA.<br />

Positive control voltage sums (more negative input to exponential converter)<br />

give higher currents from the exponential converter, while negative sums<br />

give lower currents. For normal operation, the tuning control would be set<br />

negative so that 0 V from the other inputs would produce the lowest normal<br />

audio frequency. Then positive control voltages from 0 V to 10 V would<br />

cover the audio range. Negative control inputs in addition to the negative<br />

contribution <strong>of</strong> the tuning control could produce even lower frequencies,<br />

useful as control voltages themselves.<br />

Sawtooth Oscillator<br />

The current from the exponential converter could be used to charge<br />

(actually discharge since it is a negative current) a capacitor directly. Greater<br />

accuracy is obtained, however, if the exponential converter collector remains<br />

at a constant voltage near ground, since then the collector-base voltage is<br />

near zero and leakages are minimized. This desire is satisfied by feeding the<br />

current directly into the summing node <strong>of</strong> an integrator as shown in Fig.<br />

6-8. The negative current is integrated and inverted by the op-amp and<br />

appears as a positive-going ramp at its output. The op-amp used for the<br />

integrator must have low bias current yet high speed for optimum low- and<br />

high-frequency performance, respectively, which usually means a FET opamp.

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