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would become a lot more sophisticated and expressive. Although quite a variety<br />

<strong>of</strong> alternate controllers have been introduced, we're still using piano keyboards<br />

with mono pressure (sometimes) and 2 wheels for the vast majority <strong>of</strong> instruments<br />

with no signs <strong>of</strong> that changing.<br />

Another prediction that's fallen short was that MIDI would be replaced by a LAN<br />

type technology. A number <strong>of</strong> proposals have been <strong>of</strong>fered and tried during the<br />

intervening 16 years but we're still far from any general replacement for MIDI.<br />

One accurate prediction though was that all-digital studios would become<br />

common.<br />

For the next 10 years? Well, by 2012 MIDI will be replaced, synthesizers will<br />

become just virtual black boxes buried in the s<strong>of</strong>tware architecture <strong>of</strong> the digital<br />

studio, and alternate controllers and multi-dimensional keyboards will become<br />

mainstream.<br />

SONIK : Will you be writing another book in the future Hal?<br />

HAL : I really get asked that a lot. The short answer is probably no, not as long as<br />

I'm working at Young Chang/Kurzweil because its quite difficult to get enough<br />

quiet time to do any really thoughtful writing.<br />

The first edition <strong>of</strong> MAM took about 2-1/2 years <strong>of</strong> 3 hours per night and 8-12<br />

hours on weekends but then I was just a common engineer at a fairly large<br />

company designing high-resolution display monitors at the time. The update in<br />

1985 took about a year while I was independent. The current schedule, which<br />

seems to keep getting tighter, just doesn't allow the necessary time to even<br />

contemplate another book.<br />

However, if I hit the lottery and retired or began working for the government, I<br />

don't think I'd try a comprehensive book again -- the field has simply grown too<br />

big and diverse for that now.<br />

Actually the most enduring interest over the years has been in the sections on<br />

musical controllers like keyboards and ribbons. Even more so, the nonmathematical<br />

treatment <strong>of</strong> fast Fourier transforms and digital signal processing<br />

continues to be popular. So perhaps a title like "Musical Applications <strong>of</strong> Sensors"<br />

or "Digital Signal Processing without the Mathaches" would be within my<br />

knowledge sphere and do well in today's market.<br />

SONIK : How do you find it now at Kurzweil as against working for the original<br />

Kurzweil Music Systems in the 80's?<br />

HAL : All companies must mature as they age and Kurzweil is no exception. I<br />

read somewhere that a large majority <strong>of</strong> Fortune 500 companies don't last beyond<br />

20 years. Not that Kurzweil is a Fortune 500 company but we are just months<br />

away from that 20 year mark.

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