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VOLTAGE-CONTROL METHODS 77<br />

A signal input normally expects to see an ordinary audio signal in the<br />

20-Hz to 20-kHz frequency range. However, the signal inputs <strong>of</strong> any properly<br />

designed module are perfectly capable <strong>of</strong> responding to dc voltage levels<br />

and ultrasonic frequencies up to 50 kHz and higher. This broad range allows<br />

signal inputs co also handle slowly varying control voltages, which is a very<br />

important capability.<br />

A signal output normally supplies an ordinary audio signal to other<br />

modules. Like the signal input, it is usually capable <strong>of</strong> supplying dc and<br />

very-low-frequency signals as well for control purposes.<br />

The function <strong>of</strong> a control input is to accept a control voltage whose<br />

instantaneous value controls some parameter <strong>of</strong> the signal output. The presence<br />

<strong>of</strong> control inputs is the factor that distinguishes voltage-controlled<br />

modules from ordinary laboratory equipment, which usually has only<br />

mechanical inputs. Control inputs are used for those parameters that change<br />

rapidly, usually within the course <strong>of</strong> a single sound or note.<br />

A control output is similar to a signal output except that it normally<br />

supplies control voltages to other modules. However, if the voltage at a<br />

control output varies rapidly enough, it may also be used directly as an audio<br />

signal.<br />

From the foregoing it should be apparent that the distinction between<br />

audio signal voltages and control voltages is in their use and not necessarily<br />

in theif physical properties. Although control voltages typically vary slowly<br />

compared to audio signals, there are applications for rapidly varying control<br />

voltages and slowly varying audio signals. It is this lack <strong>of</strong> physical distinction<br />

between parameters and signals that is responsible for much <strong>of</strong> the power<br />

<strong>of</strong> voltage-control methods.<br />

There is, however, one more class <strong>of</strong> signals used in the voltagecontrolled<br />

synthesizer. These are digital on-<strong>of</strong>f control signals and timing<br />

pulses. Only a few specialized modules, which will be discussed later, use<br />

them. Although it is safe to mix these digital signals with the others, the<br />

effects are seldom useful. Any useful effect can also be obtained through more<br />

"correct" interconnection procedures.<br />

General Module Types<br />

Modules can be grouped according to their primary functions. There is,<br />

<strong>of</strong> course, some overlap among groups, but for the most part the distinctions<br />

are clear.<br />

Transducers function primarily as sources <strong>of</strong> control voltages but are<br />

directly dependent on some form <strong>of</strong> input for determining what the control<br />

voltage output should be. Perhaps the best example is an organ-type<br />

keyboard specially designed to produce a control voltage that is a function <strong>of</strong><br />

the particular key being pressed. Besides the control voltage output, the<br />

keyboard also produces two digital timing signals whenever a key is pressed.<br />

The first is called a trigger} which is a pulse that is generated on the initial

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