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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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434 MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

0.9<br />

u.J<br />

C><br />

=><br />

>­<br />

::J<br />

"-<br />

«""<br />

0.4 r-----~~=--.......;.<br />

180 0<br />

i-TRANSITION INTERVAL-------J<br />

TIME<br />

(AI<br />

180 0 180 0<br />

150 0 150 0<br />

120 0<br />

~<br />

120 0 0 0<br />

60 0<br />

60 0<br />

30 0<br />

Fig. 1~8.<br />

00 L------,.e=.=---------"---------'I--=--------<br />

f.---- TRANSITION INTERVAL -------.,<br />

TIME<br />

(S)<br />

Time-variable interpolation between two sine waves. (A) Amplitude<br />

contours; phase difference is parameter. (B) Phase contours;<br />

phase difference is parameter.<br />

30 0<br />

Note on the phase curve that the phase <strong>of</strong> the resultant shifts during the<br />

transition as well. This dynamically shifting phase means that the harmonic<br />

frequency is actually shifting during the transition region! The magnitude <strong>of</strong><br />

apparent frequency shift is proportional to the instantaneous slope <strong>of</strong> the<br />

phase curve. Thus, at the beginning and end <strong>of</strong> the transition region, the<br />

frequency is unchanged, but it may momentarily increase or decrease in the<br />

middle.<br />

The preceding applies to each harmonic in the two waves independently.<br />

Thus, a complex harmonic evolution in which some change linearly,<br />

some nonlinearly, and some undershoot is easily set up merely by altering the<br />

harmonic phases in one <strong>of</strong> the waveforms. It is important to realize that,

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