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DIGITAL FILTERING 525 When the output buffer becomes full, a dump routine is called to transfer it someplace. Likewise, when the input buffer becomes empty, a load routine is called to refill it. Note that, if the sample rate is being converted downward (R> 1), the data must be separately low-pass filtered (or have been adequately oversampled in the first place) prior to the sample-rate conversion. The interpolation filter described cuts <strong>of</strong>f at one-half the input sample rate and therefore does no bandlimiting itself.
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Musical Applications of Microproces
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© 19B5 by Hayden Books A Division
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serve to acquaint the general reade
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SECfrON II. Computer-Controlled Ana
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17. Digital Hardware 589 AnalogModu
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1 Music Synthesis Principles Creati
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MUSIC SYNTHESIS PRINCIPLES 5 own ar
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MusIC SYNTHESIS PRINCIPLES 7 Increa
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MUSIC SYNTHESIS PRINGPLES 9 VERY SM
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MUSIC SYNTHESIS PRINOPLES 11 repres
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MUSIC SYNTHESIS PRINCIPLES 13 The w
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MUSIC SYNTHESIS PRlNCIPLES 15 was c
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MUSIC SYNTHESIS PRlNOPlES 17 In act
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MUSIC SYNTHESIS PRINCIPLES 19 SIN (
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MUSIC SYNTHESIS PRINCIPLES 21 lILt!
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MUSIC SYNTHESIS PRINCIPLES 23 - ,--
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MUSIC SYNTHESIS PRINOPLES 25 + or--
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MUSIC SYNTHESIS PRINCIPLES 27 Human
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MUSIC SYNTHESIS PRINOPLES 29 fundam
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MUSIC SYNTHESIS PRINCIPLES 31 frequ
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MUSIC SYNTHESIS PRINCIPLES 33 from
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MUSIC SYNTHESIS PRINCIPLES 35 ever,
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MUSIC SYNTHESIS PRINCIPLES 37 have
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MUSIC SYNTHESIS PRINCIPLES 39 No li
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MUSIC SYNTHESIS PRINCIPLES 41 cropr
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44 MUSICAL ApPLICATIONS OF MICROPRO
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60 MUSICAL ApPLICATrONS OF MICROPRO
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68 MUSICAL ApPLICAnONS OF MICROPROC
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82 MUSICAL ApPUCATIONS OF MICROPROC
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84 MUSICAL ApPUCATIONS OF MICROPROC
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vvv·(B) 86 MUSICAL ApPLICATIONS OF
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100 MUSICAL ApPLICAnONS OF MICROPRO
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102 MUSICAL ApPLICATIONS OF MICROPR
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Table 5-1. 6502 Instruction Set Lis
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Coding Table 5-3. 68000 Addressing
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Table 5-4. 68000 Instruction Set Su
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Table 5-4. 68000 Instruction Set Su
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6 BasicAnalogModules Probably the m
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BASIC ANALOG MODULES 179 tage remai
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BASIC ANALOG MODULES 181 Op-amps ma
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BASIC ANALOG MODULES 183 '0: :? u
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BASIC ANALOG MODULES 185 with an id
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BASIC ANALOG MODULES 187 EXPONENTIA
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BASIC ANALOG MODULES 189 (or 0.9766
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BASIC ANALOG MODULES 191 4R Vr'o'M
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BASIC ANALOG MODULES 193 tooth with
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BASIC ANALOG MODULES 195 +IOVrel PU
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BASIC ANALOG MODULES 197 Table 6-1.
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BASIC ANALOG MODULES 199 constants
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BASIC ANALOG MODULES 201 12 ~ E 1-
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BASIC ANALOG MODULES 203 R2 R3 100
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BASIC ANALOG MODULES 205 fore, must
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BASIC ANALOG MODULES 207 For peak p
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BASIC ANALOG MODULES 209 22 pF RI S
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BASIC ANALOG MODULES 211 INPUT~OUTP
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BASIC ANALOG MODULES 213 Voltage-Tu
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BASIC ANALOG MODULES 215 +20 +15 +1
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BASIC ANALOG MODULES 217 100 ko. BA
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BASIC ANALOG MODULES 219 +15 V0----
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Digital-to-Analog and tlnalog-to-Di
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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300 MUSICAl ApPLICATIONS OF MICROPR
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11 CORtrolSequeRce Display andEditi
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CONTROL SEQUENCE DISPLAY AND EDITIN
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SECTIONIII DigitalSynthesis antl So
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Table 12·1. Design Data for Chebys
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~ o Table 12·1. (Cont.) Ripple = 1
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13 Digital Tone Generation Teehniqu
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DIGITAL TONE GENERATION TECHNIQUES
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Sample Number Harm. No. o 2 3 4 5 6
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Sample Spectrum Number 0 1 2 3 4 5
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1,0 0,8 0,6 0.4 0,2 °0 10 12 14 16
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Page 490 and 491: DIGITAL TONE GENERATION TECHNIQUES
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Page 494 and 495: 14 DigitalFiltering In analog synth
Page 496 and 497: DIGITAL FILTERING 483 Input Samples
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Page 526 and 527: DIGITAL FILTERING 513 INPUT VARIABL
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Page 532 and 533: DIGITAL FILTERING 519 AMPLITUDE, (d
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Page 536 and 537: DIGITAL FILTERING 523 1.0 0.8 0.6
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Page 542 and 543: PERCUSSIVE SOUND GENERATION 529 h~-
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Page 554: PERCUSSIVE SOUND GENERATION 541 exc
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FREOUENCY CONTROL FROM CONTROL COMP
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OAC MCI408L8 MS8 1081T OAC OATA CHA
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18 Music Synthesis Software With fe
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MUSIC SYNTHESIS SOFTWARE 641 Often,
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MUSIC SYNTHESIS SOFTWARE 643 only f
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MUSIC SYNTHESIS SOFTWARE 645 operat
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MUSIC SYNTHESIS SOFTWARE 647 signed
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MUSIC SYNTHESIS SOFTWARE 649 _27 2
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MUSIC SYNTHESIS SOFTWARE 651 operan
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MUSIC SYNTHESIS SOFTWARE 653 1. Dou
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MUSIC SYNTHESIS SOFTWARE 655 0069 1
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MUSIC SYNTHESIS SOFTWARE 659 two re
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MUSIC SYNTHESIS SOFTWARE 661 ,-----
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MUSIC SYNTHESIS SOFTWARE 667 also p
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MUSIC SYNTHESIS SOFTWARE 673 softwa
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MUSIC SYNTHESIS SOFTWARE 675 BLOCK
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MUSIC SYNTHESIS SOFTWARE 677 Fig. 1
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MUSIC SYNTHESIS SOFTWARE 679 1.0 w
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MUSIC SYNTHESIS SOFTWARE 681 CALL L
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MUSIC SYNTHESIS SOFTWARE 683 ~ 1.0
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MUSIC SYNTHESIS SOFTWARE 685 CALL L
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MUSIC SYNTHESIS SOFTWARE 687 inform
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MUSIC SYNTHESIS SOFTWARE 689 Exampl
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MUSIC SYNTHESIS SOFTWARE 691 harmon
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MUSIC SYNTHESIS SOFTWARE 693 though
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MUSIC SYNTHESIS SOFTWARE 695 execut
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MUSIC SYNTHESIS SOFTWARE 697 Howeve
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MUSIC SYNTHESIS SOFTWARE 699 Many o
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MUSIC SYNTHESIS SOFTWARE 701 Playba
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MUSIC SYNTHESIS SOFTWARE 703 interp
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19 Some RealApplications In previou
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SOME REAL ApPLICATIONS 709 is aimed
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SOME REAL ApPLICATIONS 711 The Synt
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SOME REAL ApPLICATIONS 713 PRESSURE
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SOME REAL ApPLICATIONS 715 Fig. 19-
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SOME REAL ApPLlCATIONS 717 the main
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SOME REAL ApPLICATIONS 719 r-"1"--o
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SOME REAL ApPLICATIONS 721 ~~ILT VC
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SOME REAL ApPLICATIONS 723 14 is te
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SOME REAL ApPLICATIONS 725 The anal
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SOME REAL ApPLICATIONS 727 for that
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SOME REAL ApPLICATIONS 729 copying,
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SOME REAL ApPLICATIONS 735 customer
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SOME REAL ApPLICATIONS 737 amplitud
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SOME REAL ApPLICATIONS 739 many unu
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SOME REAL ApPLICATIONS 741 oBUS PRO
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SOME REAL ApPLICATIONS 743 simultan
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SOME REAL ApPLICATIONS 745 COMMAND
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SOME REAL ApPLICATIONS 747 used by
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SOME REAL ApPLICATIONS 751 ANY r NU
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+I~ - _~~0= o GEN DUNTIME GENI NUMB
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SOME REAL ApPLICATIONS 755 generate
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764 MUSICAL "ApPLICATIONS OF MICROP
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Appendix Comparison of Popular Oper
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Index Accumulator dividet, 595-597
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INDEX 797 Digitizer, graphic, 324,
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INDEX 799 Language (continued) BASI
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INDEX 801 Pitch, musical, 14-15 pet
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Hal Chamberlin By Sonikmatter dot c
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weeks ago, the new "target=" _blank
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invited to try it for an afternoon
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would become a lot more sophisticat
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standard scales or 8 user specified
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substantially. SONIK : The KSP8 has
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Naturally there is a lot of softwar
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hardware based development has slow
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I think you can see that I have a s
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is toward controllers and player in
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