22.09.2015 Views

of Microprocessors

Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

780 MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

resources are most likely to use a "scientific" approach in which a mathematical<br />

analysis <strong>of</strong> related past events and current trends is undertaken.<br />

While the resulting conclusions can then be objectively defended, such a<br />

thinktank approach is <strong>of</strong>ten not any more accurate than the first two highly<br />

biased approaches. The final method amounts to just an informal analysis <strong>of</strong><br />

recent history and current trends along with some imagination that might<br />

have a chance at foreseeing major breakthroughs. This is within the power <strong>of</strong><br />

an individual to do without a lot <strong>of</strong> effort and is what will be engaged in<br />

here.<br />

The Music Technology Development Cycle<br />

In this book, a large number <strong>of</strong> sound- and music-synthesis techniques<br />

have been described, explored, and in many cases, applied to practical use in<br />

equipment. Virtually all <strong>of</strong> these techniques were theorized long (20 + years)<br />

before their use in a practical commercial product. Harmonics, harmonic<br />

analysis, and harmonic synthesis, for example, were known about in the last<br />

century and even played around with (using special organ pipes) but only<br />

recently could be fully applied in a musical instrument. Experiments in<br />

drawing sound waves directly onto movie film were performed shortly after<br />

soundtracks were developed, but only recently has the technique proved<br />

practical on computer graphics screens. In essence, the kinds <strong>of</strong> musical<br />

applications discussed in this book are technology driven. It is technological<br />

advances, usually in other fields, that allow the application <strong>of</strong> most synthesis<br />

techniques to progress beyond the theoretical and experimental stage.<br />

Unfortunately, the electronic music field is generally not large or lucrative<br />

enough to drive technology itself<br />

Just a little study will reveal a remarkably consistent development<br />

sequence that applies to many fields besides music. First, there is the<br />

conception followed by theoretical study and eventually publication <strong>of</strong> a new<br />

technique in a scholarly paper. These are seldom seen, let alone understood<br />

by anyone besides other researchers in the same field. If the technique is <strong>of</strong><br />

sufficient interest, it is then implemented on a one-time basis using<br />

institutional funds in an effort to learn more about its properties. In the past,<br />

this <strong>of</strong>ten meant building large, expensive, and specialized machines, but<br />

now it might amount to writing a program to simulate the process and then<br />

buying enough computer time to study its action. Generally, a couple <strong>of</strong><br />

additional papers are published outlining the results <strong>of</strong>actual use followed by<br />

a period <strong>of</strong> dormancy during which nothing much happens. At this point,<br />

many ideas die, but eventually technology advances to the point where it<br />

becomes possible to incorporate the good ones into a "high-end" product <strong>of</strong><br />

some sort. With further advances in technology, the new technique gradually<br />

becomes competitive with other existing techniques in "mid-range" products<br />

and begins to be used extensively. In the final stage, a truly good technique<br />

will become trivialized by common usage in "low-end" and toy products.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!