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284 MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

DIGITAL I/O BUS<br />

MODULE<br />

N<br />

2-CHANNEL AUDIO BUS<br />

CHANNEL<br />

I<br />

CHANNEL<br />

2<br />

Fig. 3-5. Fixed-patched system<br />

packages. While not a one-evening project, an automatic patching system<br />

can certainly be practical when compared with the rest <strong>of</strong> the system.<br />

Fixed-Patched Computer-Controlled System<br />

An instrument-oriented synthesizer is really a radical departure from<br />

the function-oriented synthesizer discussed up to this point. The system<br />

"bu;lding blocks" are now entire sounds or "voices" rather than low-level<br />

signal-processing functions. Thus, a typical synthesis setup should require<br />

fewer modules and interconnections as well as being easier to understand.<br />

The price paid for this simplicity is flexibility, since many decisions have<br />

been made by the module designer rather than the user. For clarity we will<br />

refer to the usual voltage-controlled functions such as veos, VCAs, etc., as<br />

"function modules" and the others as "voice modules."<br />

An analogy to logic ICs is easily drawn. The typical function modules<br />

are like fundamental logic elements such as gates, flip-flops, and singleshots.<br />

Voice modules, on the other hand, are more like MSI circuits such as<br />

decoders, counters, multiplexors, and read-only memories. In modern logic<br />

design, one <strong>of</strong>ten uses these sophisticated MSI functions to perform mundane

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