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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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768 MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

One very inexpensive ($29) device marketed by Radio Shack is a twooctave<br />

electronic keyboard with built-in battery and speaker. It has a number<br />

<strong>of</strong>short single-note melodies already built into its memory that can be played<br />

automatically plus provision for user playing and storage (until power is<br />

switched <strong>of</strong>f) <strong>of</strong> new note sequences. While the preprogrammed melodies<br />

have proper rhythm and accedentals (sharps and flats), note durations are lost<br />

when they are programmed by the user, and the keyboard has only white<br />

keys. Thus, the unit is strictly a toy, although the tone, which is a<br />

rectangular wave, is solid and robust. Only one IC, which is a reprogrammed<br />

calculator chip, and a few other components are present on the single printed<br />

circuit board, which also includes the keyboard contacts.<br />

Casio is a company best known for calculators and digital watches. In<br />

the mid 1970s, in an attempt to inject some excitement into the calculator<br />

business, it began <strong>of</strong>fering calculators with built-in digital clocks. The most<br />

popular models also had melody-playing alarms and a mode in which each<br />

keypress would play a different note and the "=" key would play our the<br />

entire answer through a piezeoelectric speaker. This later evolved into a line<br />

<strong>of</strong> keyboard musical instruments that ranged from a $50 monophonic<br />

calculator/clock with a "real (miniaturized) music keyboard" and dynamic<br />

speaker to a $500 8-voice polyphonic wood-cased unit with full-sized fouroctave<br />

keyboard, plus a number <strong>of</strong> models in between. Although there were<br />

no headlines in the popular press, these units stunned low-end synthesizer<br />

makers and experimenters (such as the author) with the capability that was<br />

being <strong>of</strong>fered at prices less than one-quarter <strong>of</strong> prevailing levels.<br />

Probably the most impressive member <strong>of</strong> the line, from a<br />

price-performance standpoint, is the Casiotone MT30. This $150 unit<br />

comes packaged in a 23-inch long plastic case with a three-octave, almost<br />

standard keyboard (key spacing is 85% <strong>of</strong> normal), 4-inch speaker, and<br />

ourpLit jack for an external speaker or amplifier. It is eight-note polyphonic<br />

and has a repertoire <strong>of</strong> 22 preprogrammed timbres. Although there is no<br />

provision for user creation <strong>of</strong> sounds, there are vibrato on/<strong>of</strong>f and sustain on/<br />

<strong>of</strong>f switches. The more expensive models differ by providing standard-sized<br />

keys, more keys, variable controls for effects like vibrato and sustain, and an<br />

"automatic arpeggio feature," in which a short keyboard sequence can be<br />

memorized and then repeated automatically while a melody is played over it.<br />

Upon disassembling the unit, one finds a small (5 X 6 inch) circuit<br />

board with seven integrated circuits and about 75 discrete components<br />

mounted. One <strong>of</strong> the integrated circuits is an audio power amplifier, while<br />

another is a dual op-amp. Four more are CMOS hex inverters, which leaves<br />

just one 64-pin chip to do all <strong>of</strong> the work. Part <strong>of</strong> the keyboard switch<br />

matrix, which includes a series diode for each key, is mounted on this board,<br />

while the remainder is on another 3 X l1-inch board. The contacts are<br />

actually conductive rubber pads that bridge two parallel traces when a key is<br />

pressed. Both boards are single-sided.

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