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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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414 MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

I<br />

0<br />

I<br />

I<br />

SAMPLE<br />

RATE<br />

INPUT<br />

( VALUE<br />

SHOWN<br />

IS FOR<br />

25 ks/sl<br />

0<br />

DO 74161<br />

START<br />

0<br />

DC<br />

TO SAR<br />

0 DB QD (FIG. 7-331<br />

0 DA<br />

lD<br />

2.0 MHz<br />

ClR<br />

ClK<br />

QC<br />

CET QB<br />

CEP QA<br />

AUDIO<br />

ANALOG<br />

INPUT o----+-=-lIN OUTI-7.---------_~OUTPUT<br />

7 V rms SMP.II TO ADC<br />

20 V _ 14 HOLD II (FIG.7-331<br />

p p<br />

S/H CAP<br />

5,000 pF<br />

V+ I POLYSTYRENE<br />

Fig. 12-32. Front-end for 12-bit audio ADC<br />

A 12-Bit Audio A-to-D Converter<br />

Although the last few years have seen a very large price decrease in 16­<br />

bit DAC modules suitable for audio use, the same has not been true for ADC<br />

modules. This is even true at the 12-bit level where a converter fast enough<br />

for audio use still costs $100 or more. Figure 12-32 shows a timing generator<br />

and sample-and-hold circuit that may be added to the fast ADC circuit in<br />

Fig. 7-33 to allow sampling audio signals at rates up to about 80 ks/s. The<br />

SMP-ll (Precision Monolithics) in the SAH circuit normally has dynamic<br />

characteristics unsuitable for deglitchers but it performs well in ADC<br />

sampling. The 2-MHz clock for the successive approximation register also<br />

operates the timing generator, which properly sequences SAH and successive

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