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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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16 MUSICAL APPUCATIONS OF MICROPROCESSORS<br />

The Amplitude Parameter<br />

The other parameter that describes a sine wave is the amplitude. The<br />

amplitude parameter is related to the height <strong>of</strong> the wave in a plot such as in<br />

Fig. 1-2A. In the air, amplitude would actually relate to the degree <strong>of</strong><br />

change in air pressure, whereas in an electronic circuit it would relate to the<br />

voltage or current in the circuit.<br />

The most obvious way to specify the amplitude <strong>of</strong>a sine wave is to find<br />

the minimum voltage and the maximum voltage in the course <strong>of</strong> one cycle<br />

and express the amplitude as the difference between the extremes. This is<br />

termed the peak-to-peak amplitude. Another method is to specify the average<br />

amplitude, which is the long time average difference between the instantaneous<br />

waveform voltage and the baseline. A typical voltmeter would respond to<br />

this average rather than the actual peaks <strong>of</strong> the waveform. A third method<br />

relates the amount <strong>of</strong> heat produced in a resistor connected to the source <strong>of</strong><br />

the sine wave voltage to the amount <strong>of</strong> heat produced when the same resistor<br />

is connected to a source <strong>of</strong> constant dc voltage. The dc voltage required to<br />

produce the same amount <strong>of</strong>heat is called the effective voltage <strong>of</strong> the sine wave<br />

or its root-mean-square value which is abbreviated rms. Of the amplitude<br />

specification methods, the rms technique most accurately correlates with<br />

what the ear hears, whereas the peak-to-peak: method most accurately predicts<br />

the possibility <strong>of</strong> unwanted distortion in electronic recording and synthesis<br />

equipment.<br />

The most common unit for amplitude specification when a waveform is<br />

being examined is simply the volt. In rare cases, a current waveform may be<br />

<strong>of</strong> interest so the amplitude would be specified in milliamperes or amperes.<br />

When a signal is being delivered to a speaker, however, the amplitude is<br />

usual!y expressed as power in watts. The power in a signal can be calculated<br />

in several ways. The simplest is to multiply the instantaneous voltage by the<br />

instantaneous current and average the product over one repetition <strong>of</strong> the<br />

waveform. Another method is to square the rms voltage <strong>of</strong> the waveform and<br />

divide the result by the speaker impedance, which is accurate only if the<br />

speaker impedance is purely resistive.<br />

The human ear is capable <strong>of</strong> responding to a very wide range <strong>of</strong> sound<br />

amplitudes. The amount <strong>of</strong> sound power at 2,000 Hz that can be listened to<br />

without undue discomfort is about a trillion (0 12 ) times greater than the<br />

power in a barely audible sound. For convenience in working with such a<br />

wide range <strong>of</strong> power, the bel scale (named after Alexander Graham Bell) <strong>of</strong><br />

sound intensity was developed. Like musical pitch units the bel scale is<br />

relative. The bel unit refers to a ratio <strong>of</strong> 10 between the power <strong>of</strong>two sounds.<br />

Thus, sound B contains 1.0 bel more power than sound A if it is 10 times as<br />

powerful. Conversely, sound A would be 1 bel less powerful or -1.0 bel<br />

with respect to sound B. Expressed using the bel scale, the range <strong>of</strong> hearing<br />

would be 12 bels.

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