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VOLTAGE-CONTROL METHODS 83<br />

high ones. Thus, the vibrato amplitude would have to be made proportional<br />

to frequency through the use <strong>of</strong> a voltage-controlled amplifier.<br />

Although exponential control <strong>of</strong> frequency at the rate <strong>of</strong> 1 V/octave is<br />

an industry-wide standard, the best veo modules do have a linear control<br />

voltage input available. Its primary use is in using rapid and deep frequency<br />

modulation as a method <strong>of</strong> altering the spectrum <strong>of</strong> the oscillator's output<br />

waveform without incurring an undesirable average frequency shift due to the<br />

modulation.<br />

Amplitide Relation<br />

Amplitude is the other parameter <strong>of</strong> primary importance that needs a<br />

control voltage relationship established. Whereas the audible frequency<br />

range is a 1,000: 1 ratio, the audible amplitude range is 1,000 times greater<br />

yet or 10 6 : 1. This 120-dB range might be a nice goal for live listening in a<br />

soundpro<strong>of</strong> room but certainly could not be utilized in a normal environment.<br />

Furthermore, recording equipment is limited to a 60-dB to 70-dB<br />

range at best. Thus, a 10,000: 1 or SO-dB range on voltage-controlled<br />

amplifiers would be a reasonable requirement.<br />

The accuracy requirement for amplitude control is not nearly as stringent<br />

as frequency control accuracy. A 10% error, which corresponds to about<br />

0.8 dB, would be barely audible. However, if the voltage-controlled<br />

amplifier were being used in a control voltage path processing frequencyrelated<br />

control voltages, considerably better accuracy would be desirable.<br />

Without going through the linear versus exponential argument again, it is<br />

clear that the control voltage relationship should be exponential.<br />

A common setup would be such that 8 V would specify unity (0 dB)<br />

gain and lesser voltages would decrease gain at the rate <strong>of</strong> 10 dB/volt.<br />

Typically, as the control voltage approaches zero and the gain is decreasing<br />

toward - 80dB, a squelch circuit comes into play, which actually cuts the<br />

signal completely <strong>of</strong>f Control voltages greater than + 8 V can provide some<br />

positive gain in the circuit. With such a setup, the gain expression would be<br />

AV = 10(V-8)/2, where AV is the voltage gain and V is the control voltage in<br />

volts. Like the oscillator, an added linear mode control input is helpful for<br />

special applications using amplitude modulation for timbre modification.<br />

Most parameters used in other modules are related to either frequency<br />

or amplitude and thus usually have an exponential relationship. However,<br />

any time that a variable is required to cover a wide range, the exponential<br />

relationship is useful.<br />

Standard Voltage Levels<br />

Signal levels in a voltage-controlled synthesizer, both audio and control,<br />

are generally kept at a constant amplitude except when amplitude

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