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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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392<br />

MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

GAIN (dB)<br />

0l--------~__---- __<br />

-5<br />

-10<br />

-20<br />

-30<br />

-40<br />

-50<br />

- 60<br />

-70<br />

- 80 L----------::,-----=-----::"-,-----:"c:----::-:~~::_:__c:::..,_.:_.,.,._J'_::__U..:_""":""':......,..,~::'_t_<br />

0.1 0.12 0.15 0.2 0.25 0.3 0.4 0.5 0.6 0.7 0.8 0.91.0 1.1 1.2 1.4 1.6 1.8 2.0<br />

NORMALIZED fREQUENCY<br />

Fig. 12-20. Seventh order, 1.25-dB-ripple, 60-dB-attenuation elliptical filter<br />

amplitude response<br />

Such filters are called elliptical (also Cauer) filters after the mathematical<br />

functions that describe them. Three parameters are necessary to<br />

specify an elliptical filter: the order, which is related to the number <strong>of</strong>reactive<br />

components, the allowable passband ripple, and the minimum allowable<br />

stopband attenuation, also called stopband ripple. The latter figure is needed<br />

in order to determine how closely the notches must be spaced. With such a<br />

large number <strong>of</strong> variables, design tables for elliptical filters are almost<br />

impossible to find and their design procedure is quite complex. Later in this<br />

chapter, however, an abbreviated design table will be given along with<br />

sample circuits.<br />

Although an elliptical filter provides the sharpest cut<strong>of</strong>f with the fewest<br />

number <strong>of</strong> reactive elements, these elements all interact with each other (there<br />

are no discrete "sections" with isolating amplifiers between them) making<br />

precise (1 % or better) element values mandatory. In contrast, the sections <strong>of</strong><br />

Butterworth and Chebyshev filters are independent because <strong>of</strong> isolating<br />

amplifiers and, when necessary, can be tuned independently. Therefore, it is<br />

probably better for the individual experimenter/designer to stick with the<br />

latter types, at least, initially.<br />

Phase Shift<br />

So far in this discussion the phase response <strong>of</strong> the low-pass filters has<br />

been ignored. Regretfully, it is a fact <strong>of</strong> life that the sharper a filter cuts <strong>of</strong>f,

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