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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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MUSIC SYNTHESIS PRINOPLES 11<br />

represent zero air pressure but instead represents zero variation from current<br />

atmospheric pressure. Since only relatively rapid variations in pressure can be<br />

heard, the baseline is usually taken as a zero reference and the positive and<br />

negative variation around zero is the quantity <strong>of</strong> interest.<br />

Even using an oscilloscope presents some problems. One <strong>of</strong> these is that<br />

the screen is not very wide so only very short segments <strong>of</strong> the waveform may<br />

be conveniently displayed. The best way to visualize a waveform is to have a<br />

computer record it and display it on a graphic display or plot it on paper.<br />

From now on when the term "sound" or "vibration" is used, it is assumed to<br />

exist as an electrical signal. Listening to the sound is simply a matter <strong>of</strong><br />

feeding the signal to a high-fidelity amplifier and quality speaker system.<br />

Typical Sound Waveforms<br />

Figure 1-2 shows some typical waveforms <strong>of</strong> steady sounds. The horizontal<br />

axis represents the passage <strong>of</strong> time and is marked <strong>of</strong>f in milliseconds.<br />

The vertical axis represents air pressure but is marked <strong>of</strong>f in volts due to the<br />

fact that the picture is actually <strong>of</strong> an electrical signal. The progression from<br />

left to right is from the simplest possible pitched sound (sine wave) through<br />

more complex pitched sounds to semipitched sounds a,od finally to the most<br />

fundamental unpitched sound (white noise).<br />

The waveforms in Figs. 1-2A and B are from unquestionably pitched<br />

sounds. Their distinguishing feature is that the waveform repeats itself<br />

+<br />

I.LJ<br />

Cl<br />

=><br />

S 0 !----!--Ir-+-++1I.---t-I---+-t-+-""'II'""""-1'-t--+---+---j--+--+-+-t+-f-f---lf----<br />

a.<br />

:E.<br />

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