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DIGITAL HARDWARE 637 taken care <strong>of</strong> with an additional buffer register much like the vector graphics oscilloscope interface described in Chapter 11. Writing into the waveform memory and multiplexed DAC memory should conform with the timing requirements <strong>of</strong> the RAM chips used.
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Musical Applications of Microproces
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© 19B5 by Hayden Books A Division
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serve to acquaint the general reade
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SECfrON II. Computer-Controlled Ana
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17. Digital Hardware 589 AnalogModu
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1 Music Synthesis Principles Creati
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MUSIC SYNTHESIS PRINCIPLES 5 own ar
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MusIC SYNTHESIS PRINCIPLES 7 Increa
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MUSIC SYNTHESIS PRINGPLES 9 VERY SM
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MUSIC SYNTHESIS PRINOPLES 11 repres
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MUSIC SYNTHESIS PRINCIPLES 13 The w
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MUSIC SYNTHESIS PRlNCIPLES 15 was c
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MUSIC SYNTHESIS PRlNOPlES 17 In act
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MUSIC SYNTHESIS PRINCIPLES 19 SIN (
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MUSIC SYNTHESIS PRINCIPLES 21 lILt!
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MUSIC SYNTHESIS PRINCIPLES 23 - ,--
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MUSIC SYNTHESIS PRINOPLES 25 + or--
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MUSIC SYNTHESIS PRINCIPLES 27 Human
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MUSIC SYNTHESIS PRINOPLES 29 fundam
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MUSIC SYNTHESIS PRINCIPLES 31 frequ
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MUSIC SYNTHESIS PRINCIPLES 33 from
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MUSIC SYNTHESIS PRINCIPLES 35 ever,
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MUSIC SYNTHESIS PRINCIPLES 37 have
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MUSIC SYNTHESIS PRINCIPLES 39 No li
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MUSIC SYNTHESIS PRINCIPLES 41 cropr
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44 MUSICAL ApPLICATIONS OF MICROPRO
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60 MUSICAL ApPLICATrONS OF MICROPRO
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68 MUSICAL ApPLICAnONS OF MICROPROC
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82 MUSICAL ApPUCATIONS OF MICROPROC
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84 MUSICAL ApPUCATIONS OF MICROPROC
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vvv·(B) 86 MUSICAL ApPLICATIONS OF
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100 MUSICAL ApPLICAnONS OF MICROPRO
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102 MUSICAL ApPLICATIONS OF MICROPR
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Table 5-1. 6502 Instruction Set Lis
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Coding Table 5-3. 68000 Addressing
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Table 5-4. 68000 Instruction Set Su
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Table 5-4. 68000 Instruction Set Su
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6 BasicAnalogModules Probably the m
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BASIC ANALOG MODULES 179 tage remai
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BASIC ANALOG MODULES 181 Op-amps ma
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BASIC ANALOG MODULES 183 '0: :? u
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BASIC ANALOG MODULES 185 with an id
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BASIC ANALOG MODULES 187 EXPONENTIA
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BASIC ANALOG MODULES 189 (or 0.9766
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BASIC ANALOG MODULES 191 4R Vr'o'M
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BASIC ANALOG MODULES 193 tooth with
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BASIC ANALOG MODULES 195 +IOVrel PU
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BASIC ANALOG MODULES 197 Table 6-1.
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BASIC ANALOG MODULES 199 constants
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BASIC ANALOG MODULES 201 12 ~ E 1-
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BASIC ANALOG MODULES 203 R2 R3 100
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BASIC ANALOG MODULES 205 fore, must
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BASIC ANALOG MODULES 207 For peak p
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BASIC ANALOG MODULES 209 22 pF RI S
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BASIC ANALOG MODULES 211 INPUT~OUTP
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BASIC ANALOG MODULES 213 Voltage-Tu
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BASIC ANALOG MODULES 215 +20 +15 +1
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BASIC ANALOG MODULES 217 100 ko. BA
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BASIC ANALOG MODULES 219 +15 V0----
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Digital-to-Analog and tlnalog-to-Di
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DIGITAL-TO-ANALOG AND ANALOG-TO-DIG
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300 MUSICAl ApPLICATIONS OF MICROPR
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11 CORtrolSequeRce Display andEditi
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CONTROL SEQUENCE DISPLAY AND EDITIN
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SECTIONIII DigitalSynthesis antl So
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Table 12·1. Design Data for Chebys
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~ o Table 12·1. (Cont.) Ripple = 1
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13 Digital Tone Generation Teehniqu
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DIGITAL TONE GENERATION TECHNIQUES
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Sample Number Harm. No. o 2 3 4 5 6
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Sample Spectrum Number 0 1 2 3 4 5
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1,0 0,8 0,6 0.4 0,2 °0 10 12 14 16
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1,o,-----------,----------" Y Ol---
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14 DigitalFiltering In analog synth
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DIGITAL FILTERING 483 Input Samples
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DIGITAL FILTERING 485 the input wav
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DIGITAL FILTERING 487 where 0 is no
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DIGITAL FILTERING 489 BAND REJECT >
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DIGITAL FILTERING 491 Next the inpu
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DIGITAL. FILTERING 493 circuits mak
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DIGITAL FILTERING 495 OUTPUT Fig. 1
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DIGITAL FILTERING 497 INPUT ~8~~~~~
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DIGITAL FILTERING 499 the turnover
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DIGITAL FILTERING 501 frequency is
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+ 3 1 oL-_-...l__---l__---L__---r-_
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DIGITAL FILTERING 505 When programm
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DIGITAL FILTERING 507 lowest freque
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DIGITAL FILTERING 509 Even with a p
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DIGITAL FILTERING 511 OUTPUT Fig. 1
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DIGITAL FILTERING 513 INPUT VARIABL
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DIGITAL FILTERING 515 INPUT (C) -(.
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DIGITAL FILTERING 517 NOTE: Xl, Y,
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DIGITAL FILTERING 519 AMPLITUDE, (d
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DIGITAL FILTERING 521 o ~ -10 ~ -20
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DIGITAL FILTERING 523 1.0 0.8 0.6
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DIGITAL FILTERING 525 When the outp
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16 Source-SignalAnalys,is One of th
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SOURCE-SIGNAL ANALYSIS 545 nOdB T I
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--------, I I ! II i I I I I , , i"
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SOURCE-SIGNAL ANALYSIS 549 3 IN -"
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SOURCE-SIGNAL ANALYSIS 551 Data Rep
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SOURCE-SIGNAL ANALYSIS 553 SIGNAL B
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SOURCE-SIGNAL ANALYSIS 555 -5° FH
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SOURCE-SIGNAL ANALYSIS 557 -5 -10 ~
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SOURCE-SIGNAL ANALYSIS 559 Since th
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SOURCE-SIGNAL ANALYSIS 561 o -5 -10
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SOURCE-SIGNAL ANALYSIS 563 o -5 -10
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SOURCE-SIGNAL ANALYSIS 565 overlapp
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SOURCE-SIGNAL ANALYSIS 567 • ....
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SOURCE-SIGNAL ANALYSIS 569 from an
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SOURCE-SIGNAL ANALYSIS 571 componen
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SOURCE-SIGNAL ANALYSIS 573 and some
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SOURCE-SIGNAL ANALYSIS 575 185491 A
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SOURCE-SIGNAL ANALYSIS 577 SYSTEM F
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SOURCE-SIGNAL ANALYSIS 579 (AI (BI
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SOURCE-SIGNAL ANALYSIS 581 (Gl II'
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SOURCE-SIGNAL ANALYSIS 583 PULSE PE
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SOURCE-SIGNAL ANALYSIS 585 again, t
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Page 608 and 609: DIGITAL HARDWARE 595 FREQUENCY CONT
Page 610 and 611: DIGITAL HARDWARE 597 Fig. 17-7. Pha
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Page 614 and 615: DIGITAL HARDWARE 601 waveform chang
Page 616 and 617: DIGITAL HARDWARE 603 As an example,
Page 618 and 619: DIGITAL HARDWARE 605 1. Sixteen ind
Page 620 and 621: DIGITAL HARDWARE 607 discussed, the
Page 622 and 623: DIGITAL HARDWARE 609 between the 41
Page 624 and 625: DIGITAL HARDWARE 611 8-BIT PORT I M
Page 626 and 627: FREOUENCY CONTROL IN I I 20 FREOUEN
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Page 630 and 631: FREQ. :a.-8 CNTL. WRITE FREQ. I 20
Page 632 and 633: DIGITAL HARDWARE 619 effective freq
Page 634 and 635: DIGITAL HARDWARE 621 The signal mem
Page 636 and 637: DIGITAL HARDWARE 623 into a filter
Page 638 and 639: DIGITAL HARDWARE 625 made using con
Page 640 and 641: DIGITAL HARDWARE 627 A Hybrid Voice
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Page 644 and 645: DIGITAL HARDWARE 631 o -5 -10 -15 ~
Page 646 and 647: DIGITAL HARDWARE 633 D3 02 01 10 00
Page 648 and 649: DIGITAL HARDWARE 635 plementers on
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Page 664 and 665: MUSIC SYNTHESIS SOFTWARE 651 operan
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Page 668 and 669: MUSIC SYNTHESIS SOFTWARE 655 0069 1
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Page 674 and 675: MUSIC SYNTHESIS SOFTWARE 661 ,-----
Page 680 and 681: MUSIC SYNTHESIS SOFTWARE 667 also p
Page 686 and 687: MUSIC SYNTHESIS SOFTWARE 673 softwa
Page 688 and 689: MUSIC SYNTHESIS SOFTWARE 675 BLOCK
Page 690 and 691: MUSIC SYNTHESIS SOFTWARE 677 Fig. 1
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Page 694 and 695: MUSIC SYNTHESIS SOFTWARE 681 CALL L
Page 696 and 697: MUSIC SYNTHESIS SOFTWARE 683 ~ 1.0
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MUSIC SYNTHESIS SOFTWARE 687 inform
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MUSIC SYNTHESIS SOFTWARE 689 Exampl
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MUSIC SYNTHESIS SOFTWARE 691 harmon
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MUSIC SYNTHESIS SOFTWARE 693 though
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MUSIC SYNTHESIS SOFTWARE 695 execut
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MUSIC SYNTHESIS SOFTWARE 697 Howeve
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MUSIC SYNTHESIS SOFTWARE 699 Many o
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MUSIC SYNTHESIS SOFTWARE 701 Playba
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MUSIC SYNTHESIS SOFTWARE 703 interp
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19 Some RealApplications In previou
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SOME REAL ApPLICATIONS 709 is aimed
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SOME REAL ApPLICATIONS 711 The Synt
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SOME REAL ApPLICATIONS 713 PRESSURE
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SOME REAL ApPLICATIONS 715 Fig. 19-
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SOME REAL ApPLlCATIONS 717 the main
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SOME REAL ApPLICATIONS 719 r-"1"--o
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SOME REAL ApPLICATIONS 721 ~~ILT VC
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SOME REAL ApPLICATIONS 723 14 is te
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SOME REAL ApPLICATIONS 725 The anal
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SOME REAL ApPLICATIONS 727 for that
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SOME REAL ApPLICATIONS 729 copying,
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SOME REAL ApPLICATIONS 735 customer
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SOME REAL ApPLICATIONS 737 amplitud
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SOME REAL ApPLICATIONS 739 many unu
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SOME REAL ApPLICATIONS 741 oBUS PRO
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SOME REAL ApPLICATIONS 743 simultan
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SOME REAL ApPLICATIONS 745 COMMAND
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SOME REAL ApPLICATIONS 747 used by
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SOME REAL ApPLICATIONS 749 name fol
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SOME REAL ApPLICATIONS 751 ANY r NU
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+I~ - _~~0= o GEN DUNTIME GENI NUMB
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SOME REAL ApPLICATIONS 755 generate
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764 MUSICAL "ApPLICATIONS OF MICROP
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Appendix Comparison of Popular Oper
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Index Accumulator dividet, 595-597
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INDEX 797 Digitizer, graphic, 324,
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INDEX 799 Language (continued) BASI
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INDEX 801 Pitch, musical, 14-15 pet
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Hal Chamberlin By Sonikmatter dot c
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weeks ago, the new "target=" _blank
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invited to try it for an afternoon
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would become a lot more sophisticat
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standard scales or 8 user specified
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substantially. SONIK : The KSP8 has
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Naturally there is a lot of softwar
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hardware based development has slow
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I think you can see that I have a s
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is toward controllers and player in
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