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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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180 MUSICAL ApPLICATIONS OF MICROPROCESSORS<br />

Another method <strong>of</strong> partitioning functions is the "voice per board"<br />

concept. The modules that would typically be patched together for a musical<br />

voice are all present on the same board, already interconnected. Although not<br />

nearly as flexible as a standard functionally modular system, the voice modular<br />

approach can be thought <strong>of</strong> as and controlled like an orchestra with a<br />

limited, fixed complement <strong>of</strong> instruments. Also, much <strong>of</strong> the cost and<br />

complexity <strong>of</strong> computer-controlled patching is eliminated because patching<br />

itself is minimized.<br />

Regardless <strong>of</strong> board construction and organization philosophy, the<br />

backplane and card file housing the boards should be separate from the<br />

computer packaging to eliminate possible pickup <strong>of</strong> digital noise. Also, it<br />

may be necessary to shield the boards from each other with perhaps a steel<br />

cover plate to minimize crosstalk. Backplane wiring <strong>of</strong>audio signals may also<br />

need to incorporate twisted pairs or shielded cable.<br />

The active analog circuits on such boards either could be built up from<br />

scratch using the circuits about to be de~cribed as a foundation or may be<br />

purchased as "epoxy modules" from several sources. The scratch method is<br />

becoming much easier as linear ICs designed specifically for voltagecontrolled<br />

modules are becoming available. Either way, the per module cost<br />

<strong>of</strong> the computer-controlled system should be substantially less than that <strong>of</strong><br />

panel-mounted commercial modules. The disadvantage <strong>of</strong> the total<br />

computer-oriented system is, <strong>of</strong> course, that the computer must be used to<br />

"get into" the system at all.<br />

A.nalog Components<br />

Since a significant portion <strong>of</strong> the expense <strong>of</strong> an overall computercontrolled<br />

analog synthesizer is in the analog modules, it is appropriate to<br />

become familiar with the circuitry in such modules even if the reader intends<br />

to use an existing commercial synthesizer. In the following material, actual<br />

circuitry! <strong>of</strong> the three most used analog modules will be described. These are<br />

tested, practical circuits using a minimum <strong>of</strong> specialized components. Their<br />

performance is excellent and well suited for use in computer-controlled<br />

analog-synthesizing systems. The circuit discussions to follow will assume a<br />

basic familiarity with linear transistor circuits and IC operational amplifiers.<br />

If the reader is unfamiliar with these topics, several excellent references are<br />

listed in the bibliography.<br />

The most common active element in these circuits is the ubiquitous<br />

operational amplifier. These devices have improved greatly with the introduction<br />

<strong>of</strong> truly low-cost field-effect transistor (FET) input stages. The<br />

semiconductor technology used to accomplish this goes by names such as<br />

"BIFEr and "BIMOS" because junction FETs and MOSFETs, respectively,<br />

are integrated with bipolar transistors on the same chip.<br />

IThe original source <strong>of</strong> these circuits is Electronotes Newsletter.

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