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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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B<br />

SignalBouting<br />

In the previous two chapters, the sound-synthesizing elements that are part<br />

<strong>of</strong> a computer-controlled analog synthesizer were studied in detail. First,<br />

voltage-controlled circuits such as oscillators, amplifiers, and filters that do<br />

the actual sound waveform generation and modification were discussed. This<br />

was followed in Chapter 7 by a discussion <strong>of</strong> interface elements such as DACs<br />

and analog switches that allow the computer to control the analog synthesis<br />

circuits. The final step in the synthesis portion <strong>of</strong> the system is interconnection<br />

<strong>of</strong> these synthesis and interface elements into a useful system. Of course,<br />

there are almost as many ways to do this as there are system designers, but an<br />

attempt will be made to group these into three different organizational<br />

philosophies, all <strong>of</strong> which have been hinted at in previous discussion.<br />

The first organization, which we shall call "Type 1," is really no<br />

organization at all. The analog elements are simply mounted in rows on a<br />

front panel, each independent <strong>of</strong> the others except for power. The computer<br />

interface elements are likewise grouped together and are also logically independent.<br />

Interconnection is done manually by means <strong>of</strong> patch cords or pinboards,<br />

just as on a conventional synthesizer. In fact, most systems <strong>of</strong> this<br />

typ~ incorporate a standard analog synthesizer or a collection <strong>of</strong> standard<br />

synthesizer modules. Interface elements may be standard multichannel DACs<br />

with nothing more added than a jack panel to accept standard patch cords. In<br />

such a system, the computer automates such tasks as sequencing, generation<br />

<strong>of</strong> arbitrary envelope shapes, smooth manipulation <strong>of</strong> several parameters<br />

simultaneously, and controlling polyphony. Note that these are the fllost<br />

difficult tasks to perform on a classic manual synthesizer system. Since<br />

<strong>of</strong>f-the-shelf components can be utilized and the overall organization does not<br />

differ greatly from conventional systems, this approach would be expected to<br />

be the most popular, at least for the near future.<br />

The Type 2 organization is like Type 1 except that the computer is in<br />

complete control <strong>of</strong> the interconnections among elements as well. In its most<br />

elementary form, it is a Type 1 system with a computer-controlled switching<br />

271

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