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INDEX 799 Language (continued) BASIC, 131-133, 150-151, 394-395, 428, 432, 453-455, 457-458, 644 C, 150-151, 645, 744 FORTRAN, 151-644 music. See Music languages Pascal, 151, 644 PUM, 644 portability, 645 machine. See Language, assembly music, 321, 672-699 level, signals in voltage controlled synthesizer, 81-84 Light pen, 355-357 Linear integrated circuits for analog synthesis CA3080, 200-206, 216-217, 635 CA3280, 207, 216 Curtis 3350, 720 Curtis 3360, 720 SSM2020, 207-209 SSM2040, 218-220, 636 4151, 719-720 Linear prediction, 573-574 Linearity, DAC, 223-224, 227-230, 234, 369-373 Logic replacement, 151-152 Machine, finite state, 306-307 Memory dynamic, 136, 607 history of, 136-137,781-783 segmentation, 135, 137, 159-160, 167, 645 Microcode, 624-625, 643, 741-743 Microcomputer Altair, 130 Apple II, 131-134, 136, 138, 275, 352, 725, 761, 770, 777-778 Atari 400 & 800, 133, 138, 772-773 Commodore-64, 138, 145, 352, 774-777 definition of, 126-127 Exidy Sorcerer, 134 H8, 133 IBM PC, 137, 144,275, 352, 761 IMSAI, 130 Lisa, 138 Macintosh, 138, 145, 174, 352, 353, 772 MARK-8, 129 MTU-130, 134, 702, 771 Microcomputer (continued) PET, 131-134, 777 S-100 bus computers, 131-133, 137, 144, 275, 777 1'1 99/4, 133, 138 Tandy 2000, 352 TRS-80, 131-134, 136,777 VIC-20, 138 Microprocessor, definition of, 126-127 Bellmac-32, 135 COSMAC, 129 IMP-16, 129, 134 LSI-11, 135, 151 Microflame, 135 Micro Nova, 135 PACE, 129, 134 SCMP, 129 2-80, 130, 133-134, 137-138, 645 2-8000, 135 1600, 129 16032, 135, 174,744 2650, 129 4004, 127-128 6501, 129 6502,129, 131, 133, 134, l37, 138, 152-159, 163-164, 257-259, 264, 275, 298-304, 314, 346, 418, 420, 426, 619, 645-646, 648, 653-657, 662-666, 702-703, 762-764, 767, 771-772, 777 65C02, 154, 157 6503, 302 6512, 153 6800, 129, 134, 163-164, 736, 767 6809, 722-723 68000, l35, 138, 159-174,259,265, 275, 314, 320, 352, 427, 645-646, 667-672, 703, 722, 744 68008, 160 68010, 160 68020, 160, 167, 174 8008, 128-129 8039, 726 8080, 129, 130, 151, 160 8086, 135, 137, 167,645 8088, 137 80286, 744 9900, 133, 134 Microprocessors, description of, 40-41, 152-174 MIDI, 312-316, 711, 725-726, 789 Mixing, sound, 117
800 MUSICAL ApPLICATIONS OF MICROPROCESSORS Modem, 147 Modificarion sound, 43-74 specrrum, 49-68, 566-568 Modularion index, 95-97, 467, 471 Modularor, balanced, 65-68 Modulator, ring, 65-68 Module insrrument, 272, 285-289 voltage controlled, 75-78, 8 L (-94 Monitor, software, 148 color, 353 raster, 342, 349-351 X-Y graphic, 341-342 Monotonicity. See Linearity, DAC Mouse, 355 Multiplexing ADC, 269 address on 4116, 607-608 analog, 254 DAC, 225, 252-256, 276 digital module, 604-605, 607, 612-615 Multiplication hardware, 169, 615-616 software, 159, 650-651, 657-658 Multiplier analog. See Gilbert multiplier rate, 593-594 Multiplying DAC, 226, 249-250 Muse, 335-357 Music, definition of, 4 Music languages C-music, 743-755 MUSIC V, 122-123, 673, 743 MUSIC-II, 743 MUSIC-360, 743 NOTRAN, 121-123, 672-699 representation, horizontal/vertical, 687 Negative impedance converter, 405-406 Noise generator analog synthesizer module, 93 generation, digital, 531-536 interpolation, 421, 427-429, 466 pink, 93, 331-332 quantizarion, 111-112, 369-370, 601-603 unwanted analog, 289, 396, 401, 405 unwanted digital, 288-289, 410 white, definition of, 30 Nonlinear amplifier, 48-54 synthesis. See Synthesis techniques, nonlinear Notebender T". See Keyboard, three dimensional NOTRAN music language. See Music languages, NOTRAN Nyquist's theorem, 111 Offset voltage analog switch, 237, 239 op-amp, 204, 243, 250 Operating system CP/M, 133, 136, 137, 144 MS-DOS, 137 OS-9, 174 UNIX, 138, 174, 645, 744-746 Operational amplifier. See Amplifier, operational Organ, Hammond electronic, 36 Oscillator digital, 530-531, 590-598, 604-610 sawtooth, digital, 418-419 sawtooth-pulse, 182-183, 189-192, 194 quadrature, 530-531, 557 sinewave, digital, 530 triangle-square, 182-183 volrage controlled, 84-87, 181-197, 598-599 Oscilloscope, 9 Overlap, in use of Fourier transform, 460-461, 564-565 Overtone. See Harmonic Parameter NOTRAN language, 689-691 sound, 8-31 variation, 31-34 Patching automatic, 277-284, 721 definition, 78-80 fixed, 284-290 manual, 271-273 pinboard matrix, 78-79 Percussive sound synthesis, 527-541, 676-679 types of, 527-528 Phase cancellation mulriplier, 616-618 locked loop, 597-598 parameter, 20 response, definition, 54-55 of all-pass filter, 495-499 of low-pass filter, 392-393 Phosphor, display, 342 PipeJining, 129, 609-610
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Musical Applications of Microproces
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© 19B5 by Hayden Books A Division
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serve to acquaint the general reade
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SECfrON II. Computer-Controlled Ana
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17. Digital Hardware 589 AnalogModu
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1 Music Synthesis Principles Creati
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MUSIC SYNTHESIS PRINCIPLES 5 own ar
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MusIC SYNTHESIS PRINCIPLES 7 Increa
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MUSIC SYNTHESIS PRINGPLES 9 VERY SM
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MUSIC SYNTHESIS PRINOPLES 11 repres
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MUSIC SYNTHESIS PRINCIPLES 13 The w
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MUSIC SYNTHESIS PRlNCIPLES 15 was c
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MUSIC SYNTHESIS PRlNOPlES 17 In act
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MUSIC SYNTHESIS PRINCIPLES 19 SIN (
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MUSIC SYNTHESIS PRINCIPLES 21 lILt!
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MUSIC SYNTHESIS PRINCIPLES 23 - ,--
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MUSIC SYNTHESIS PRINOPLES 25 + or--
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MUSIC SYNTHESIS PRINCIPLES 27 Human
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MUSIC SYNTHESIS PRINOPLES 29 fundam
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MUSIC SYNTHESIS PRINCIPLES 33 from
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MUSIC SYNTHESIS PRINCIPLES 35 ever,
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MUSIC SYNTHESIS PRINCIPLES 37 have
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MUSIC SYNTHESIS PRINCIPLES 39 No li
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vvv·(B) 86 MUSICAL ApPLICATIONS OF
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Coding Table 5-3. 68000 Addressing
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6 BasicAnalogModules Probably the m
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BASIC ANALOG MODULES 179 tage remai
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BASIC ANALOG MODULES 181 Op-amps ma
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BASIC ANALOG MODULES 183 '0: :? u
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BASIC ANALOG MODULES 185 with an id
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BASIC ANALOG MODULES 187 EXPONENTIA
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BASIC ANALOG MODULES 189 (or 0.9766
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BASIC ANALOG MODULES 191 4R Vr'o'M
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BASIC ANALOG MODULES 193 tooth with
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BASIC ANALOG MODULES 195 +IOVrel PU
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BASIC ANALOG MODULES 197 Table 6-1.
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BASIC ANALOG MODULES 199 constants
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BASIC ANALOG MODULES 203 R2 R3 100
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BASIC ANALOG MODULES 205 fore, must
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BASIC ANALOG MODULES 207 For peak p
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BASIC ANALOG MODULES 209 22 pF RI S
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BASIC ANALOG MODULES 211 INPUT~OUTP
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BASIC ANALOG MODULES 213 Voltage-Tu
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BASIC ANALOG MODULES 215 +20 +15 +1
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BASIC ANALOG MODULES 217 100 ko. BA
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BASIC ANALOG MODULES 219 +15 V0----
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Digital-to-Analog and tlnalog-to-Di
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SECTIONIII DigitalSynthesis antl So
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13 Digital Tone Generation Teehniqu
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DIGITAL TONE GENERATION TECHNIQUES
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Sample Number Harm. No. o 2 3 4 5 6
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Sample Spectrum Number 0 1 2 3 4 5
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14 DigitalFiltering In analog synth
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DIGITAL FILTERING 483 Input Samples
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DIGITAL FILTERING 485 the input wav
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DIGITAL FILTERING 487 where 0 is no
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DIGITAL FILTERING 489 BAND REJECT >
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DIGITAL FILTERING 491 Next the inpu
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DIGITAL. FILTERING 493 circuits mak
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DIGITAL FILTERING 495 OUTPUT Fig. 1
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DIGITAL FILTERING 497 INPUT ~8~~~~~
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DIGITAL FILTERING 499 the turnover
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DIGITAL FILTERING 501 frequency is
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DIGITAL FILTERING 505 When programm
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DIGITAL FILTERING 507 lowest freque
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DIGITAL FILTERING 509 Even with a p
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DIGITAL FILTERING 511 OUTPUT Fig. 1
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DIGITAL FILTERING 513 INPUT VARIABL
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DIGITAL FILTERING 515 INPUT (C) -(.
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DIGITAL FILTERING 517 NOTE: Xl, Y,
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DIGITAL FILTERING 519 AMPLITUDE, (d
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DIGITAL FILTERING 521 o ~ -10 ~ -20
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DIGITAL FILTERING 523 1.0 0.8 0.6
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16 Source-SignalAnalys,is One of th
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SOURCE-SIGNAL ANALYSIS 545 nOdB T I
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SOURCE-SIGNAL ANALYSIS 549 3 IN -"
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SOURCE-SIGNAL ANALYSIS 551 Data Rep
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SOURCE-SIGNAL ANALYSIS 553 SIGNAL B
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SOURCE-SIGNAL ANALYSIS 555 -5° FH
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SOURCE-SIGNAL ANALYSIS 557 -5 -10 ~
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SOURCE-SIGNAL ANALYSIS 559 Since th
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SOURCE-SIGNAL ANALYSIS 561 o -5 -10
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SOURCE-SIGNAL ANALYSIS 563 o -5 -10
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SOURCE-SIGNAL ANALYSIS 565 overlapp
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SOURCE-SIGNAL ANALYSIS 567 • ....
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SOURCE-SIGNAL ANALYSIS 569 from an
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SOURCE-SIGNAL ANALYSIS 571 componen
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SOURCE-SIGNAL ANALYSIS 573 and some
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SOURCE-SIGNAL ANALYSIS 575 185491 A
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SOURCE-SIGNAL ANALYSIS 577 SYSTEM F
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SOURCE-SIGNAL ANALYSIS 579 (AI (BI
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SOURCE-SIGNAL ANALYSIS 581 (Gl II'
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SOURCE-SIGNAL ANALYSIS 583 PULSE PE
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SOURCE-SIGNAL ANALYSIS 585 again, t
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SOURCE-SIGNAL ANALYSIS 587 Quite ob
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17 DigitalHardware At this point, w
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DIGITAL HARDWARE 591 Lsa I N+I DIVI
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DIGITAL HARDWARE 593 (~OCK[ L _ LSB
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DIGITAL HARDWARE 595 FREQUENCY CONT
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DIGITAL HARDWARE 597 Fig. 17-7. Pha
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DIGITAL HARDWARE 599 MOST SIGNIFICA
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DIGITAL HARDWARE 601 waveform chang
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DIGITAL HARDWARE 603 As an example,
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DIGITAL HARDWARE 605 1. Sixteen ind
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DIGITAL HARDWARE 607 discussed, the
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DIGITAL HARDWARE 609 between the 41
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DIGITAL HARDWARE 611 8-BIT PORT I M
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FREOUENCY CONTROL IN I I 20 FREOUEN
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DIGITAL HARDWARE 615 TO MULTIPLEXED
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FREQ. :a.-8 CNTL. WRITE FREQ. I 20
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DIGITAL HARDWARE 619 effective freq
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DIGITAL HARDWARE 621 The signal mem
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DIGITAL HARDWARE 623 into a filter
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DIGITAL HARDWARE 625 made using con
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DIGITAL HARDWARE 627 A Hybrid Voice
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DIGITAL HARDWARE 629 o -5 -10 -15 ~
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DIGITAL HARDWARE 631 o -5 -10 -15 ~
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DIGITAL HARDWARE 633 D3 02 01 10 00
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DIGITAL HARDWARE 635 plementers on
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DIGITAL HARDWARE 637 taken care of
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SECTIONIV ProductApplications andth
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716 MUSICAL ApPLICATIONS OF MJCROPR
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RING MOD VCD A PITCHo--+lcNTL OUT A
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Page 804 and 805: Bibliography The following publicat
Page 806: BIBLIOGRAPHY 793 DMA DOS FET FFT FI
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Page 817 and 818: (Communication) Minor - Computer Sc
Page 819 and 820: newsletter, writing numerous articl
Page 821 and 822: conversion subsystem, especially if
Page 823 and 824: In the beginning the company was su
Page 825 and 826: HAL : I really haven't kept up with
Page 827 and 828: was clear he was serious, I named m
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Page 831 and 832: SONIK : What activities do you do o
Page 833 and 834: as a homework assignment. So much o
Page 835: Musical Applications of Microproces
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