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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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RATIO<br />

CONTROL<br />

VOLTAGE-CONTROL METHODS<br />

veD I OUT<br />

SINE-<br />

EXP I [XP 2 LIN<br />

•<br />

TO FURTHER<br />

PROCESSING<br />

99<br />

MAIN<br />

FREQUENCY<br />

CONTROL<br />

VOLTAGE<br />

TRIGGER<br />

GATE<br />

....<br />

..<br />

veo 2 ~~ir- VCA r-<br />

EXP<br />

•<br />

ENVELOPE<br />

GEN<br />

EXP<br />

Fig. ~9.<br />

Patch for dynamic depth FM<br />

Patch for Dynamic Depth FM<br />

Figure 3-9 shows a possible patch for dynamic depth FM. VCO 1 is the<br />

primary VCO) which provides the modulated signal. veo 2 supplies the<br />

modulating signal. veo 1 is modulated by veo 2 through an auxiliary<br />

linear control input. This is necessary for the preceding analysis to be valid.<br />

Note that the main frequency control voltage is connected to both veos.<br />

Since these control inputs are exponential, the "ratio" voltage level determines<br />

the ratio between the modulated signal's cerreer frequency and the<br />

modulating frequency. If, for example, it was set to 2 V, then veo 1<br />

(unmodulated) would track veo 2) but two octaves higher. The modulation<br />

depth is set by a VCA controlled by an envelope generator.<br />

Thus) if this setup were connected to a keyboard) for example, the<br />

keyboard output voltage would control the frequency <strong>of</strong> both oscillators) but<br />

veo 1 would always be four times higher in frequency than veo 2. The<br />

apparent pitch <strong>of</strong> the generated tones would be equal to the frequency <strong>of</strong><br />

veo 2. The trigger and gate signals from the keyboard would be connected<br />

ro the envelope generator, which, in turn, produces the control voltage that<br />

determines the modulation index, and thus the spectrum <strong>of</strong> the rone. For<br />

producing actual notes, the output <strong>of</strong> veo 1 would at the very least pass<br />

through another VeA controlled by the same or another envelope generator<br />

in order to apply an amplitude envelope.<br />

Changing the ratio voltage also affects the modulation index and, if not<br />

set for a simple ratio) results in inharmonic spectra. This voltage could even<br />

be set so that the modulated signal's center frequency is less than the<br />

modulating frequency. One point should be kept in mind as the parameters<br />

in the system are varied. With the linear input to VCO 1, it is possible to<br />

specify a negative instantaneous frequency. The most popular veo designs

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