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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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84 MUSICAL ApPUCATIONS OF MICROPROCESSORS<br />

conrrol is actually being performed. The standardization <strong>of</strong> signal levels from<br />

transducer and generator modules enhances the compatibility <strong>of</strong> signals<br />

throughout the 'system.<br />

It has already been alluded to that control voltages range from 0 V to<br />

10 V in magnitude. The polarity <strong>of</strong> control voltages is usually positive,<br />

although some module designs will perform as expected with negative control<br />

voltages as well. An oscillator, for example, can be coaxed into producing<br />

subaudible frequencies for vibrato use by giving it negative control<br />

voltages. Although the accuracy usually deteriorates, it is still quite useful.<br />

Audio signals are usually 20 V peak to peak in amplitude and swing equally<br />

negative and positive.<br />

Actually, these voltage levels and amplitudes are fixed by what is<br />

convenient to use with IC operational amplifiers. These circuits are usually<br />

operated from positive and negative 15-V power supplies and start to distort<br />

severely if signal levels exceed 13 V in magnitude. These levels are considerably<br />

higher than the 1-V rms (2.8 V peak to peak) typically encountered in<br />

high-fidelity audio systems. One reason is to minimize the effect <strong>of</strong> noise and<br />

voltage <strong>of</strong>fsets that may be encountered when a signal travels through a dozen<br />

or more IC amplifiers before it even leaves the synthesizer. Occasionally, it is<br />

desirable to cut all signal levels in half to ± 5 V to allow the use <strong>of</strong> inexpensive<br />

CMOS switching elements, which are limited to ±7-V power supplies.<br />

Sometimes the control voltage sensitivity is doubled to compensate, so a<br />

little more care in minimizing noise and error voltages is required. In other<br />

cases) negative control voltages are used instead to get a reasonable control<br />

range.<br />

Some Typical Modules<br />

Let us now take a closer look at the most <strong>of</strong>ten used modules in a<br />

voltage-controlled system. The descriptions to be given are not those <strong>of</strong> any<br />

particular manufacturer's line but are representative <strong>of</strong> the input, output)<br />

and control complement on many commercial units. Home-brew synthesizer<br />

modules can easily have all <strong>of</strong> the features to be discussed, since the incremental<br />

cost <strong>of</strong> adding most <strong>of</strong> them is insignificant compared to the "heart"<br />

circuitry <strong>of</strong> the module. Detailed design and circuit descriptions will be<br />

given in Chapter 6, in which module designs will be optimized for computer<br />

control <strong>of</strong> many <strong>of</strong> the operating parameters.<br />

Voltage-Controlled Oscillator<br />

The voltage-controlled oscillator, usually abbreviated VCO, is the most<br />

fundamental module <strong>of</strong> the system. Usually more veos are present than any<br />

other module type. An actual veo module has a number <strong>of</strong> control inputs,<br />

signal outputs, and mechanical inputs.

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