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Musical-Applications-of-Microprocessors-2ed-Chamberlin-H-1987

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19<br />

Some RealApplications<br />

In previous discussions, synthesis, modification, and analysis techniques<br />

were described as individual tools that could be used independently or<br />

combined in myriad ways to achieve a desired acousrical result. Indeed, in<br />

research applications <strong>of</strong> music and sound synthesis, one would probably<br />

prefer to have just rhe individual tools available without any externally<br />

imposed structure or limitations on how they may be used together. Whereas<br />

such a collection <strong>of</strong> tOols really just constitutes an environment in which music<br />

creation can take place, a saleable product must be more organized for easy<br />

learning and less general for an acceptable cost. In fact, such a product is<br />

usually called a synthesizer, a term that has already been used frequently<br />

without really being defined.<br />

Synthesizers in the Real World<br />

In the context <strong>of</strong> this chapter, a synthesizer is essentially a selfcontained<br />

machine designed to produce a wide variety <strong>of</strong>, hopefully, musical<br />

sounds in response to commands received from the outside. Any technology<br />

can be used to build a synthesizer (in the last century, pressure-actuated air<br />

columns were used), but, <strong>of</strong> course, analog and digital electronic techniques<br />

are <strong>of</strong> interest here. A true synthesizer already "knows" how to produce sound;<br />

an elaborate setup or programming procedure is not necessary to get at least<br />

simple sound out. Thus, a computer with a DAC alone is not a synthesizer,<br />

even though with programming it could produce any sound. However, a<br />

computer plus DAC bundled with a control interface and a ROM synthesis<br />

program could be sold as a synthesizer. Any practical synthesizer uses only a<br />

small subset <strong>of</strong> the many possible sound-generation techniques available.<br />

These may be chosen with generality, ease <strong>of</strong> control, or cost in mind<br />

according to the application ("market" in product planning terminology) the<br />

synthesizer will be designed for.<br />

Live Performance Synthesizers<br />

What, then, are the markets and applications for synthesizers? Many<br />

have been alluded to in previous chapters but were never focused upon.<br />

707

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