Le théâtre en Europe aujourd'hui - European Theatre Convention

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slovakia > slovensko slovaquie + info > www.etc-cte.org 138 ADDRESS/ADRESSE Cmelíkova 9 821 03 Bratislava T: + 421 905446738 E: miloskarasek@slovanet.sk W: www.milskarasek.sk > WORKS/ŒUVRES Pokušenie sv. Antonína ‘St Hieronym’s Temptation’ (1992); Skrat ‘Short Circuit’ (1993); Hrdza ‘Rust’ (1993); Apatia ‘Apathy’ (1999); Záverecná ‘Closing Time’ (2004); Hodinový Hotel ‘Bordello’ (2004) PREMIERE/CRÉATION Divadlo Alexandra Duchnovica, Prešov 29.03.03 DIRECTOR/METTEUR EN SCÈNE Miloš Karásek PUBLISHER/EDITEUR Drama 2003 (anthology/anthologie), Theatre Institute TRANSLATIONS/TRADUCTIONS German/Allemand, English/Anglais AWARDS/PRIX Prize for German translation/Prix pour la traduction allemande, Wiesbaden Biennale (2004) CHARACTERS/PERSONNAGES 6 male/hommes 3 female/femmes Miloš Karásek 1960 perón the platform le quai Finding identity in 19 fragments. The play is set on the platform of an old railway station, in the middle of nowhere, somewhere to the ‘east’. Two strange types, Viktor and Kornel, philosophise about being and waiting. They know they are in a theatre, and they are aware that the imminent train could prove to be just a sound effect. Other characters like Theatre Director, Bride, Suicide man and Domina appear. Their arrival gives momentary meaning to Viktor and Kornel’s inertia as these characters bring with them the possibility of confrontation. Suddenly an Angel gives the characters their real memories. Perhaps time has stopped. Perhaps Viktor and Kornel are themselves two fallen angels, who have forgotten their identity and their mission. Platform is strongly connected to the experience of the post-communist citizen, and is both very ‘eastern’ and very uncertain in its tone. Une recherche d’identité en 19 fragments. Nous nous trouvons sur le quai d’une vieille gare quelque part près de l’est (au milieu de nulle part). Deux personnages étranges (Viktor et Kornel) commencent leur dialogue, leur drôle et étrange philosophie d’être et d’attendre. Être là et attendre un train qui pourrait être rien qu’un bruit parce qu’ils savent toujours que nous sommes au théâtre. Quelques autres personnages arrivent : le directeur du théâtre, Bride, l’homme suicidaire, « Domina » entrent en conflit avec les deux premiers tout en leur fournissant quelques raisons de continuer leur vie immobile. Juste pour une seconde. Subitement, un ange leur apporte leur vraie mémoire. Oui, il y a peut-être deux anges déchus qui ont oublié leur identité, leur mission et peutêtre le temps s’est arrêté ici. Le quai est une pièce modèle et en même temps fortement liée au sentiment du citoyen de l’ère postcommuniste, près de l’ « est » et très loin de toute certitude.
> > > READING COMMITTEE COMITÉ DE LECTURE Tomaz Toporisic Dramaturg of Slovensko mladinsko gledalisce, Ljubljana Dramaturge au Slovensko mladinsko gledalisce, Ljubljana Matej Bogataj Professional reader/Lecteur professionnel Petra Pogorevc Theatre critic/Critique de théâtre Amelia Kraigher Dramaturg and critic/Dramaturge et critique > Jan Jona Javorsek Dramaturg & Language Consultant of SNG Drama Ljubljana Dramaturge et conseiller linguistique au SNG Drama Ljubljana slovenia slovenija > slovénie 139
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created in 1988, the European Theat
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introduction: Jean-Claude Berutti T
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