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An introductory text-book of logic - Mellone, Sydney - Rare Books at ...

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DEFINITION. 171<br />

Part II. Definition.<br />

4. In defining a term we st<strong>at</strong>e in words the various<br />

qualities comprised in its intension, the content <strong>of</strong> the<br />

idea which the term identifies. The primary, or r<strong>at</strong>her<br />

the practical, object <strong>of</strong> Definition is,<br />

&quot;<br />

fixing the &quot;<br />

meaning<br />

<strong>of</strong> a term for the sake <strong>of</strong> imparting the idea to another<br />

mind. Hence simple qualities, like the various ele<br />

mentary sens<strong>at</strong>ions, &quot;hot,&quot; &quot;red,&quot; &c., and mental<br />

qualities such as &quot;pleasure,&quot; &quot;pain,&quot; &quot;emotion,&quot;<br />

&quot;con<br />

sciousness,&quot; cannot be defined, in the sense which we<br />

have just indic<strong>at</strong>ed. To be known they must be ex<br />

perienced. The same is true <strong>of</strong> the most general rela<br />

tions <strong>of</strong> m<strong>at</strong>erial bodies, such as &quot;time&quot; and &quot;space.&quot;<br />

At the opposite extreme, an individual is indefinable ;<br />

the countless peculiarities, <strong>of</strong> body and mind, which<br />

distinguish any one s personality cannot be grasped in<br />

any group<br />

<strong>of</strong> universals which could be set forth in<br />

words. This is <strong>of</strong> course true also <strong>of</strong> individual<br />

places.<br />

In common life, the fulness <strong>of</strong> detail which we find<br />

in real things makes it easier to describe than to define.<br />

Description is based on a mental picture, or an im<br />

medi<strong>at</strong>e perception, <strong>of</strong> which it gives an account ;<br />

Definition is based on a concept. Description appeals<br />

to imagin<strong>at</strong>ion and memory ; Definition to thought.<br />

The one, however, passes into the other, and it can<br />

hardly<br />

the two.<br />

be said th<strong>at</strong> there is a difference in kind between<br />

We may roughly distinguish different modes <strong>of</strong> descrip<br />

tion, some <strong>of</strong> which are nearer to definition than others.<br />

Furthest from strict definition is the &quot;symbolic description&quot;<br />

which is simply artistic vision. It &quot;instinctively seizes the<br />

harmonies <strong>of</strong> the scene before it and frames it into a speak<br />

ing whole,&quot;<br />

indeed<br />

&quot;<br />

c<strong>at</strong>ches the whole before it fixes upon

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