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An introductory text-book of logic - Mellone, Sydney - Rare Books at ...

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OR SCIENTIFIC METHOD. 305<br />

genius in science as well as in poetry and art ; and the<br />

scientific genius stands out clearly from the common<br />

run <strong>of</strong> scientific workers. To such a mind, trained by<br />

previous observ<strong>at</strong>ion and thought, a few facts will<br />

suggest, almost as if by inspir<strong>at</strong>ion, hypotheses <strong>of</strong> far-<br />

reaching importance. This is wh<strong>at</strong> Tyndall expressed<br />

in the passage so <strong>of</strong>ten quoted from an essay on<br />

&quot;<br />

The<br />

Scientific Use <strong>of</strong> the Imagin<strong>at</strong>ion,&quot; in his Fragments <strong>of</strong><br />

Science. &quot;With accur<strong>at</strong>e experiment and observ<strong>at</strong>ion<br />

to work upon, imagin<strong>at</strong>ion becomes the architect <strong>of</strong><br />

physical theory. Newton s passage from a falling apple<br />

to a falling moon was an act <strong>of</strong> the prepared imagina<br />

tion ; out <strong>of</strong> the facts <strong>of</strong> chemistry the constructive<br />

imagin<strong>at</strong>ion <strong>of</strong> Dalton formed the <strong>at</strong>omic theory ; Davy<br />

was richly endowed with the imagin<strong>at</strong>ive faculty, while<br />

with Faraday its exercise was incessant, preceding,<br />

accompanying, and guiding all his experiments. . . .<br />

Without the exercise <strong>of</strong> this power, our knowledge <strong>of</strong><br />

N<strong>at</strong>ure would be a mere tabul<strong>at</strong>ion <strong>of</strong> coexistences and<br />

sequences,&quot;<br />

Nevertheless, every hypothesis must be based on<br />

facts. It is suggested only because it is a possible<br />

explan<strong>at</strong>ion <strong>of</strong> the facts. It is not cre<strong>at</strong>ed by the<br />

scientific imagin<strong>at</strong>ion &quot;out <strong>of</strong> nothing&quot;; it is not in<br />

dependent <strong>of</strong> facts, as are the impulses <strong>of</strong> the artistic<br />

imagin<strong>at</strong>ion. It is intim<strong>at</strong>ely dependent, as Tyndall says,<br />

on the suggestions <strong>of</strong> accur<strong>at</strong>e experiment and observ<strong>at</strong>ion,<br />

and also on wh<strong>at</strong>ever knowledge the investig<strong>at</strong>or already<br />

possesses. His previous acquaintance with the subject<br />

suggests the limits within which probable hypotheses<br />

must lie, and opens his eyes to obscure analogies and<br />

insignificant residual phenomena to which the ordinary<br />

mind would pay no <strong>at</strong>tention. <strong>An</strong>d as in its origin it<br />

depends upon facts,<br />

so for its verific<strong>at</strong>ion we must<br />

u

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