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JUDAICA - Wisdom In Torah

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printed under the title Or la-Yesharim (1785, reprinted 1942).<br />

His novellae on Beẓah were published in Jerusalem in 1960,<br />

and further manuscripts exist. Eidlitz appreciated the value of<br />

secular sciences, considering them necessary for both scholars<br />

and layman but inferior to the <strong>Torah</strong>. He therefore wrote<br />

a textbook on mathematics, in Hebrew and Yiddish on facing<br />

pages, entitled Melekhet Maḥashevet, of which only the first<br />

part appeared (Prague, 1785; the Hebrew section was reprinted<br />

in Zolkiew (Zholkva), 1837 and 1845, and an abridged Yiddish<br />

version in Warsaw, 1837). Some of his responsa were printed<br />

in works by his contemporaries. Jacob *Emden listed Eidlitz<br />

among those suspected of *Shabbateanism.<br />

Bibliography: Zinberg, Sifrut, 4 (1958), 173, 201; Klemperer,<br />

in: HJ, 13 (1951), 65f.; Ḥiddushei R. Zeraḥ Eidlitz al Massekhet-Beẓah<br />

(1960), 1–2, 7–20; I. Ta-Shema, in: Ha-Sefer, 9 (1961/62), 47; Literaturblatt<br />

des Orients, 9 (1848), 140, 524–7; Bers, in: YIVO-Bleter, 19 (January–June<br />

1942), 69–79 (on Melekhet Maḥashevet).<br />

EIFMAN, BORIS (1946– ), Russian choreographer. He was<br />

born in Rubtzovsk, Siberia, where his parents were exiled before<br />

WW II and returned to Kishivev in the 1950s. At an early<br />

age Eifman showed a keen interest in ballet and dreamed of<br />

becoming a choreographer. He went to Leningrad where he<br />

was admitted to the ballet faculty of the conservatory. An autodidact,<br />

without taking any professional theater directing<br />

courses nor performing as a dancer, he became one of the<br />

world’s prominent choreographers of his time. His first step as<br />

a choreographer was made in 1970 with his ballet Gayane, to<br />

the music of Kachaturian, performed in the Musorgsky Theater<br />

in Leningrad; this was a great achievement for a beginning<br />

choreographer. <strong>In</strong> 1997, he founded the theater of modern<br />

choreography named after him: the Boris Eifman Ballet<br />

Theater, which was extraordinary for Russia at that time. His<br />

theater’s unusual repertoire included over 40 productions<br />

comprising tragedy, comedy, biblical story, fairy tales, and<br />

philosophical and psychological works. His theater became a<br />

laboratory where he experimented with different approaches<br />

and elaborated his own unique style, which combined modern<br />

art achievements and features of the classical school tradition.<br />

<strong>In</strong> Eifman’s theater, the corps de ballet holds a place<br />

of pride and plays a role comparable to soloists. Turning to<br />

Russian literature he created in 1980 the ballet The Idiot based<br />

on Dostoyevsky’s novel and set to the music of Tchaikovsky’s<br />

6th symphony. This performance played a very significant<br />

role in the cultural life of Russia. Another significant event<br />

was his ballet Tchaikovsky where Eifman used movement to<br />

penetrate the inner world of the musical genius. <strong>In</strong> 1990, he<br />

created Don Quixote, based on the original music of Mincus,<br />

and its original interpretations. The performance resulted in<br />

a political manifest, his creativity turned against totalitarian<br />

rule. <strong>In</strong> 1995 he returned to Dostoyevsky and created the ballet<br />

The Karamozovs, full of lust. A peak of his creativity is the<br />

ballet Giselle, based on the magical life the Russian dancer<br />

Olga Spessivtseva. Here, Eifman achieved the supreme blend<br />

of dance styles from classical to character dancing to expres-<br />

Eilberg, amy<br />

sionist movements. After his visit to Israel in 1997 he created<br />

a ballet My Jerusalem, based on Mozart’s requiem. One of his<br />

most impressive works dedicated to the perverse Russian history<br />

is Russian Hamlet based on the sad life of Tzar Pavel I, the<br />

son of the great Yekaterina, set to the music of Beethoven and<br />

Mahler. Many of his productions were televised. Boris Eifman<br />

was a philosopher and a very sensitive person, concerned with<br />

contemporary problems. Among his numerous awards are the<br />

People’s Artist Award (1995), National Prize of Russia (1995),<br />

Theater Prize (1996 and 1997), Golden Mask Prize (1996 and<br />

1999), the prestigious prize of Peace and Consent (1998), and<br />

the chevalier of Arts in France (1999).<br />

[Yossi Tavor (2nd ed.)]<br />

EIG, ALEXANDER (1895–1938), botanist. Born in Minsk,<br />

Belorussia, Eig was taken to Palestine at the age of 14. During<br />

World War I he volunteered for the Jewish Legion, and after<br />

the war devoted himself to the study of botany, specializing<br />

in the vegetation of Palestine. He worked for some years as<br />

a traveling librarian, and on his travels acquired a rich and<br />

varied collection of plants and grasses which he classified.<br />

From 1926 to 1929, at the invitation of Otto Warburg, Eig<br />

headed the department of botany of the Agricultural Experimental<br />

Station, which was transferred in 1929 to the Hebrew<br />

University of Jerusalem. Eig began investigating the geobotany<br />

of Palestine, and in 1931 published the first table of phytogeographic<br />

regions and the first phytogeographical map<br />

of the country. During the same period he also compiled,<br />

with the help of his colleagues, the first Hebrew catalog of the<br />

flora of Palestine. From 1931 to 1933, he traveled in Syria, Turkey,<br />

and Iraq doing further research. <strong>In</strong> addition to his scientific<br />

work at the Hebrew University, he continued to interest<br />

himself in general botanical research and published descriptions<br />

of many new species of plants. <strong>In</strong> 1937 he was appointed<br />

lecturer in botany at the Hebrew University and devoted much<br />

of his time to the development of its botany department. His<br />

collection of plants served as a basis for the department’s herbarium.<br />

His important works include A Contribution to the<br />

Knowledge of the Flora of Palestine (1926), The Vegetation of<br />

Palestine (1927), Les elements et les groupes phytogeographiques<br />

dans la flore palestinienne (2 vols., 1931–32), and The Vegetation<br />

of the Light Soils Belt of the Coastal Plain of Palestine<br />

(1939).<br />

Bibliography: M. Zohary, in: Palestine Journal of Botany,<br />

Jerusalem Series, 1 (1938), 114–24, includes list of his publications.<br />

EILAT, port and resort town at the southern extremity of<br />

Israel on the Red Sea coast. Eilat is the modern spelling for<br />

the biblical *Elath, under which heading the town and its history<br />

are described.<br />

EILBERG, AMY (1954– ), first woman to be ordained as a<br />

Conservative rabbi and admitted into the Rabbinical Assembly,<br />

the international association of Conservative/Masorti<br />

rabbis. Eilberg was the daughter of a prominent Philadelphia<br />

ENCYCLOPAEDIA <strong>JUDAICA</strong>, Second Edition, Volume 6 253

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