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JUDAICA - Wisdom In Torah

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nity in Ephesus against the vehement opposition of the local<br />

Jews and the non-Jews who were worshipers of Artemis<br />

(Acts 19, and the Epistle to the Ephesians). Paul disputed his<br />

critics in the hall of Tyrannus within the city (Acts 19:9), but<br />

the whereabouts of this location have not been discovered<br />

during excavations at the site. With the rise of Christianity<br />

throughout the Roman Empire, Ephesus became one of the<br />

most important centers of the new religion. The third Ecumenical<br />

Council was held there in 431 C.E. With the political<br />

change during the sixth and seventh centuries in Asia Minor,<br />

Ephesus ceased to exist. Close to the ruins of Ephesus is the<br />

modern town of Selçuk.<br />

Bibliography: Schuerer, Gesch, 3 (19094), 15f.; Juster, Juifs,<br />

1 (1914), 190; E. Stein, Histoire du Bas-Empire (1949), 309f.; J. Klausner,<br />

Mi-Yeshu ad Paulus, 2 (19512), 87, 91–97. Add. Bibliography:<br />

C. Foss, Ephesus After Antiquity (1978); R.E. Oster, A Bibliography<br />

of Ancient Ephesus (1987); A. Bammer, Ephesos: Stadt an<br />

Fluss und Meer (1988); E.C. Blake and A.C. Edmonds, Biblical Sites<br />

in Turkey (1998).<br />

[Abraham Schalit / Shimon Gibson (2nd ed.)]<br />

EPHOD (Heb. דֹ ופֵ א). The term ephod occurs several times<br />

in the Bible, where it appears to describe different cultic objects.<br />

<strong>In</strong> Exodus 28 the ephod is a garment made of expensive<br />

materials. <strong>In</strong> I Samuel 2:18; 22:18; II Samuel 6:14 the ephod is<br />

made of linen (Heb. bad). <strong>In</strong> Judges 17:5; 18:14–20 the ephod is<br />

mentioned along with a sculpted image (Heb pesel) of the kind<br />

outlawed by the Decalogue. <strong>In</strong> Judges 8:24–27 Gideon makes<br />

an ephod out of captured Midianite metals, which he sets up<br />

(wayaşşeg) in Oprah, which Israel “whored after,” i.e., worshipped.<br />

Another biblical form of the word ephod is ʾafuddah<br />

(Heb. הָ ּדֻפֲ א: Ex. 28:8; 39:5; Isa. 30:22), to which the verb ʾafad<br />

(Ex. 29:5; Lev. 8:7), with the meaning “gird” or “adorn,” is related.<br />

<strong>In</strong> its broader sense in what appear to be early texts,<br />

ephod includes the entire mantic instrument (e.g., I Sam. 2:28;<br />

23:6, 9; 30:7; cf. I Sam. 21:10). It is possible that the robe worn<br />

by the priest (see below) from which the golden bells were<br />

suspended may also be included in the term ephod. (The bells<br />

were necessary to alert Yahweh that the priest, and not some<br />

intruder, was entering the sanctuary so that the priest would<br />

not be killed for entering the holy place (Ex. 28:31–35).) Biblical<br />

religion prohibited many forms of soothsaying and divination<br />

by means of auguries, but did permit, side by side with<br />

prophecy, the priestly ephod (see *Divination). Both prophecy<br />

and the ephod were seen as a means of seeking the counsel<br />

of God and of obtaining a revelation of His will. The technical<br />

term for consulting the ephod and the Urim and Thummim<br />

is “to come before the Lord” (Ex. 28:30; cf. Num. 27:21),<br />

that is, either in the Tabernacle or before the ark (Judg. 20:27;<br />

cf. Judg. 20:18, 23, 27; I Sam. 14:18, 41 et al.). Some biblical<br />

references indicate that in ancient Israel use was made of an<br />

ephod, together with *teraphim (Hos. 3:4) and a graven image,<br />

for approaching God (Judg. 17:4–5; 18:14, 17, 20; Isa. 30:22;<br />

cf. Judg. 8:27). The Pentateuch contains no clear description<br />

of the shape of the ephod, nor does the Hebrew root of the<br />

ephod<br />

word furnish any additional clues. The Hebrew word seems<br />

related to the Akkadian epattu, plural epadātu, which signifies<br />

a costly garment in the Cappadocian tablets, and to Ugaritic<br />

ʾipd (KTU 4. 707:13; 4. 780:1, 3, 4, 7 ); plural ’iptt (KTU 4. 707:11);<br />

dual ’ipdm (KTU 1. 136:10) with the same meaning. The ephod<br />

has an apparent analogue in Greek ependytēs (overgarment).<br />

A similar word is found in Aquila’s translation of ephod. According<br />

to H. Thiersch (see bibliography), the ependytēs originated<br />

in Syria, spreading from there through Asia Minor and<br />

Greece. But while correct about the Oriental origin of the<br />

ependytēs and its physical resemblance to the ephod, Tiersch<br />

seems to have erred about the cultic use of the Greek garment.<br />

It seems instead to have served as a luxury item for Orientalizing<br />

Greeks. (See Muller in Bibliography.) The pentateuchal<br />

ephod was engraved with the names of the Twelve Tribes, apparently<br />

to signify the totality of the nation (Ex. 28:9–12). It is<br />

not stated how the ephod was made in the days of the Judges<br />

(*Gideon: Judg. 8:27; *Micah: Judg. 17:5), nor the ephod at Shiloh<br />

(e.g., I Sam. 2:18; and Nob: ibid. 22:18), and that used in<br />

connection with Saul’s campaign against the Philistines (ibid.<br />

14:3). The Pentateuch contains a description of the ephod of<br />

Aaron (Ex. 28). The most common occurrences refer to an upper<br />

garment, the ornamented vestment which the high priest<br />

wore over the blue robe (“the robe of the ephod”). To this he<br />

bound the *breastplate together with the principal vehicle for<br />

enquiring of God, the *Urim and Thummim. All of these attestations<br />

are confined to Exodus 25, 28, 35, 39 and Leviticus<br />

8 in settings that describe Aaron as a priest, with him and his<br />

sons wearing breeches (Ex. 28:42), an invention of the Persian<br />

period, and must be dated to post-exilic times. According<br />

to this description, the ephod was an embroidered work “of<br />

gold, of blue, purple, and crimson yarns, and of fine twisted<br />

linen, worked into designs.” To its two ends were attached<br />

two straps which fastened over the shoulders, and on each of<br />

the shoulder straps was set a shoham stone (identification uncertain),<br />

engraved with the names of the tribes of Israel. The<br />

breastpiece (Heb. ḥoshen ןֶׁ שֹח) was bound to the ephod at the<br />

top by rings and chains and at the bottom by a cord of blue,<br />

while in the middle it was encircled by “the decorated band”<br />

which was also made “in the style of the ephod” and of the<br />

same combination of gold thread and four yarns. The ephod<br />

seems to have been a square, sleeveless garment, falling from<br />

just below the armpits to the heels (“like a sort of horsewoman’s<br />

surcoat,” according to Rashi (to Ex. 28:6)). According<br />

to this view, it enveloped the entire body. According to the<br />

commentary of R. Samuel ben Meir (to Ex. 28:7), however,<br />

the ephod enclosed the body from the waist downward, the<br />

upper part of the body being covered by the breastpiece. Josephus<br />

(Ant., 3:162; Wars, 5:231–236) states that the ephod had<br />

sleeves and resembled a type of waistcoat (“the epomis” of the<br />

Greeks – used by the LXX in translating “ephod” of the Pentateuch);<br />

it was variegated and had “the middle of the breast<br />

uncovered” for the insertion of the breastplate. The high priest<br />

used the ephod along with the breastplate and the Urim and<br />

Thummim as a means of divination. Lesser priests, as well as<br />

ENCYCLOPAEDIA <strong>JUDAICA</strong>, Second Edition, Volume 6 455

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