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JUDAICA - Wisdom In Torah

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daism (2000); E. Frankel, The Five Books of Miriam (1998); E. Goldstein,<br />

The Women’s <strong>Torah</strong> Commentary (2000); J.A. Kates and G.T.<br />

Reimer, Reading Ruth (1994); L. Hazelton, Israeli Women (1977); H.<br />

Herzog, Gendering Politics: Women in Israel (1999); E. Fuchs, Israeli<br />

Women’s Studies: A Reader (2005); J. Hauptman, Rereading the Rabbis<br />

(1998); R. Biale, Women and Jewish Law (1984); D. Boyarin, Carnal<br />

Israel: Reading Sex in Talmudic Culture (1993); J.R. Baskin, Midrashic<br />

Women: Formations of the Feminine in Rabbinic Literature (2002);<br />

H. Eilberg-Schwartz. God’s Phallus and Other Problems for Men and<br />

Monotheism (1994); E. Koltun, The Jewish Woman: New Perspectives<br />

(1976); S. Heschel (ed.), On Being a Jewish Feminist (1983; rep. 1995);<br />

D. Rutenberg (ed.), Yentl’s Revenge: The Next Generation of Jewish<br />

Feminism (2003); S. Feiner, The Jewish Enlightenment (2003); N. Seidman,<br />

A Marriage Made in Heaven: The Sexual Politics of Hebrew<br />

and Yiddish (1997); E. Fuchs, Israeli Mythogenies (1987); S.S. Sered,<br />

Women as Ritual Experts (1992); J. Bahloul, The Architecture of Memory<br />

(1996); D. Ofer and L. Weitzman (eds.), Women in the Holocaust<br />

(1999); J. Ringelheim, in: T. Wobbe (ed.), Nach Osten nationalsozialistisher<br />

Verbrechen (1992); I. Pardes, Countertraditions in the Bible: A<br />

Feminist Approach (1992); R. Adler, Engendering Judaism: An <strong>In</strong>clusive<br />

Theology and Ethics (1997); J. Plaskow, Standing Again at Sinai<br />

(1990); D. Schneer and C. Aviv, Queer Jews (2002); J. Magonet (ed.),<br />

Jewish Explorations of Sexuality (1995); T. El-Or, Educated and Ignorant:<br />

Ultraorthodox Jewish Women and their World (1994); L. Levitt,<br />

Jews and Feminism: The Ambivalent Search for Home (1997); M. Peskowitz,<br />

Spinning Fantasies: Rabbis, Gender and History (1997); D. Biale,<br />

M. Galchinsky, and S. Heschel (eds.), <strong>In</strong>sider, Outsider: American<br />

Jews and Multiculturalism (1998); M. Brettschneider (ed.), The Narrow<br />

Bridge: Jewish Views on Multiculturalism (1996); E. Bulkin, M.B.<br />

Pratt, and B. Smith (eds.), Yours in Struggle: Three Feminist Perspectives<br />

on Anti-Semitism and Racism (1984).<br />

[Susannah Heschel (2nd ed.)]<br />

FENICHEL, OTTO (1897–1946), Austrian psychoanalyst.<br />

Born in Vienna, he moved to Berlin in 1922 and studied at<br />

the Psycho-Analytic <strong>In</strong>stitute under Max *Eitingon and in<br />

1926 joined the staff. With the coming of the Nazi regime he<br />

left Berlin in 1933 and went to Norway and Prague, where he<br />

taught. <strong>In</strong> 1938 he went to the U.S. and taught in Los Angeles.<br />

He wrote two important textbooks on psychoanalysis, The<br />

Outline of Clinical Psychoanalysis (1934) and The Psychoanalytic<br />

Theory of Neurosis (1945). Some of these contributions<br />

have become classics in their field, for example, “Elements of<br />

a psychoanalytic theory of anti-Semitism” in which he tried to<br />

trace the sources of anti-Jewish prejudice. The Psychoanalytic<br />

Theory of Neurosis is a systematic, comprehensive, and detailed<br />

study of every major form of neurosis from a psychoanalytic<br />

point of view. The theoretical formulations are painstakingly<br />

worked out along with old, new, and controversial points of<br />

view. Freud’s thinking is followed historically on each issue,<br />

along with the major contributions of Karl Abraham, Sándor<br />

Ferenczi, and Ernest Jones. <strong>In</strong> addition, there is an encyclopedic<br />

bibliography containing more than 1,600 items. Fenichel<br />

also wrote a short monograph, Problems of Psychoanalytic<br />

Technique (1941), which is a classic in its systematic clarity<br />

and scientific discipline. His collected papers were published<br />

in two series in 1953–54.<br />

[Hilel Klein]<br />

fenyŐ, miksa<br />

FENICHEL, SAMUEL (d. 1893), Hungarian scientific explorer.<br />

Fenichel was born in Nagyenyed. Although he was a<br />

frail young man, he had by the age of 20 explored the Dobruja<br />

swamps of Romania for zoological specimens. Then, in spite of<br />

his health, he spent 14 months exploring New Guinea, where<br />

he collected hundreds of specimens of birds, many of them<br />

unknown species. He also gathered more than 10,000 specimens<br />

of butterflies. The variety of his collection and its careful<br />

documentation make it of special scientific significance.<br />

He died in New Guinea.<br />

Bibliography: Wininger, Biog.<br />

FENNEL (Heb. חַצֶ ק, keẓaḥ), an herb, the sowing and threshing<br />

of which are described by Isaiah (28:25, 27). Fennel is the<br />

plant Nigella sativa, whose black seeds are used as a condiment.<br />

It was used as a condiment in talmudic times, being<br />

sprinkled on dough before it was baked (Tosef., TY 1:2; Men.<br />

23b). Different views were expressed on its medicinal and<br />

nutritional value, one being that it is good for the heart (Ber.<br />

40a), another that too much of it is injurious to the heart<br />

(Kal., ch. 1), and yet another that its pungent smell is harmful<br />

(Ber., ibid). Galen, and following him Asaph ha-Rofe, recommended<br />

fennel for nasal inflammation (L. Venetianer, Asaf<br />

Judaeus, 1 (1915), 172). <strong>In</strong> Israel three species of fennel grow<br />

wild, a cultivated species being raised to a limited extent for<br />

use as a condiment.<br />

Bibliography: Loew, Flora, 3 (1924), 120–3; J. Feliks, Olam<br />

ha-Ẓome’aḥ ha-Mikra’i (19682), 184. Add Bibliography: Feliks,<br />

Ha-Ẓome’aḥ, 147.<br />

[Jehuda Feliks]<br />

FÉNYES, ADOLF (1867–1945), Hungarian painter. He was<br />

born in Budapest, where he studied law and painting. Fényes<br />

participated in the establishment of the Hungarian association<br />

of painters and sculptors. <strong>In</strong> his early work there is evidence of<br />

the influence of naturalism, but later there is a strong impressionist<br />

influence, especially in his somber scenes of poverty.<br />

His work reflects his considerable development and includes<br />

biblical subjects. Fényes painted monumental scenes from<br />

nature. He represented Hungarian painting in many international<br />

exhibitions and his name was well known outside Hungary.<br />

He died in Budapest of starvation and suffering shortly<br />

after the Holocaust.<br />

Bibliography: Magyar Zsidó Lexikon (1929), 274–5; uje, 4<br />

(1941), 274.<br />

[Baruch Yaron]<br />

FENYŐ, LÁSZLÓ (1902–1945), Hungarian poet. Born into<br />

poverty, Fenyő wrote pessimistic verse protesting against the<br />

cruelty of the world. His first collection, Épites orgonája (“Organ<br />

of the Building,” 1922), was banned, and a volume of selected<br />

poems, Elitélt (“The Judged,” 1959), appeared 14 years<br />

after his murder by the Nazis.<br />

FENYŐ (formerly Fleischman), MIKSA (1877–1972), Hungarian<br />

author and literary critic. Fenyő, who was born in<br />

ENCYCLOPAEDIA <strong>JUDAICA</strong>, Second Edition, Volume 6 757

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