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LO MONSTRUOSO EN DOS NOVELAS CONTEMPORÁNEAS: UNA ...

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<strong>LO</strong> <strong>MONSTRUOSO</strong> <strong>EN</strong> <strong>DOS</strong> <strong>NOVELAS</strong> <strong>CONTEMPORÁNEAS</strong>: <strong>UNA</strong><br />

INDAGACIÓN DE LA MODERNIDAD <strong>EN</strong> LATINOAMÉRICA<br />

Raul Antonio Burneo, M.S.<br />

Thesis Advisor: Gwen Kirkpatrick, Ph.D.<br />

ABSTRACT<br />

My dissertation is about two contemporary novels, The War of the End of the<br />

World by Mario Vargas Llosa and The Obscene Bird of the Night by José Donoso,<br />

where these use the monstrosity and the grotesque to critique modernity in Latin<br />

America.<br />

In The War of the End of the World, there is a military and ideological<br />

confrontation between the modern and urban classes that inhabit the coast of Brazil and<br />

the inhabitants of sertões, rural areas of the Bahia state, in Northeastern Brazil. The<br />

urban classes drive a modernization project –supported by scientific positivism– that<br />

has begun to move into the sertões, where in contrast, a premodern culture prevails, in<br />

which a popular aspect of the Catholic religion plays a fundamental role. Both the<br />

urban classes and the inhabitants of sertões see their adversaries as monsters.<br />

According to Jeffrey Jerome Cohen, the monster embodies the anxieties, fears,<br />

and inadmissible desires and fantasies of a community. Modern Brazilian people see<br />

iii

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